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Schiersteiner Kantorei
Schiersteiner Kantorei (Schierstein Chorale) is a German concert choir, founded in 1962 at the Christophoruskirche in Wiesbaden-Schierstein. The choir performs regularly in the Marktkirche, Wiesbaden, and in Eberbach Abbey. It is known internationally through its tours and recordings. The choir was awarded the Culture Prize of the City of Wiesbaden in 1990. History The Schiersteiner choir was founded in 1962 by Johannes Krüger, then cantor at the Christophoruskirche. Since 1972, the choir has been directed by Professor Martin Lutz, who shaped the group of some 40 singers to a large concert choir. Schiersteiner Kantorei performs regularly in the Marktkirche, Wiesbaden, and in Eberbach Abbey, and has conducted tours to England, France, Portugal, and Switzerland. The choir was awarded the Culture Prize of the City of Wiesbaden in 1990. As of 2012, the choir's 50th year, it has about 130 singers. Smaller subgroups perform chamber works. Repertoire The core work of the choir is bas ...
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Historically Informed Performance
Historically informed performance (also referred to as period performance, authentic performance, or HIP) is an approach to the performance of Western classical music, classical music, which aims to be faithful to the approach, manner and style of the musical era in which a work was originally conceived. It is based on two key aspects: the application of the stylistic and technical aspects of performance, known as performance practice; and the use of #Early instruments, period instruments which may be reproductions of historical instruments that were in use at the time of the original composition, and which usually have different timbre and temperament (music), temperament from their modern equivalents. A further area of study, that of changing listener expectations, is increasingly under investigation. Given no Sound recording and reproduction, sound recordings exist of music before the late 19th century, historically informed performance is largely derived from Musicology, music ...
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Markus Flaig
Markus Flaig (born 1971) is a German bass-baritone who has focused on concerts and recordings of sacred music. Career Markus Flaig was born in Horb am Neckar. He studied sacred music and school music, then voice with Beata Heuer-Christen in Freiburg and with Berthold Possemeyer at the Hochschule für Musik Frankfurt. Since 2006 he has worked with Carol Meyer-Bruetting. In 2004, he was awarded a prize at the international Johann Sebastian Bach Competition in Leipzig in the voice category. Flaig has collaborated on Lieder with Jörg Schweinbenz. He premiered a cycle of orchestral songs, composed for him by Franz F. Kaern, based on poems by Thomas Bernhard. He performed regularly with the Frankfurter Kantorei, conducted by Winfried Toll, in 2001 singing Handel's ''Dixit Dominus'' in the ''Sendesaal'' concert hall of the Hessischer Rundfunk, in 2006 Bach's Mass in B minor in the Heiliggeistkirche of the Dominican Monastery (Frankfurt am Main), and in 2010 Handel's ''Messiah'' ...
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Matthias Rexroth
Matthias Rexroth (b. Nürnberg, Germany, 7 January 1970) is a German countertenor and voice teacher. Winning 1st prizes at the Francisco-Viñas in Barcelona and the 'Belvedere Competition' in Vienna in 2000, preceded an extensive international performing and teaching career. Early life and education Matthias Rexroth was raised in Coburg and completed studies as an oboist, playing professionally before discovering his countertenor voice. He usually refers to himself as an Altus (In English, a "Male alto"). Rexroth studied at the Musikhochschule Karlsruhe, the Schola Cantorum Basiliensis, and privately with Marilyn Horne. In 1999 he received a stipend award from the cultural foundation of the state of Baden Württemberg. Voice Teacher Rexroth is a professor of voice at the Warsaw Opera Academy of the national theater Teater Wielki and gives masterclasses at the Berlin Hans Eisler Musikhochschule, the Meistersingerakademie in Neumarkt, Frankfurt Opera, Kyoto City Universi ...
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Siri Thornhill
Siri Karoline Thornhill is a Norwegian classical soprano for concert and opera, known for singing music of Johann Sebastian Bach. Career Thornhill studied singing first in her hometown Stavanger with Marit Storækre and continued with a scholarship from the Norwegian government at the Royal Conservatory in The Hague with Marius van Altena, Rita Dams and Diane Forlano. She took master-classes with Cristina Deutekom, Elly Ameling, Ton Koopman, Beata Heuer-Christen, Anna Reynolds and Jean Cox. Thornhill has recorded Bach cantatas with Sigiswald Kuijken and La Petite Bande, the soloists also forming the choir. With them she performed among other cantatas Bach's cantata for the fourth Sunday after Trinity, ''Ich ruf zu dir, Herr Jesu Christ'', BWV 177, at the Rheingau Musik Festival in the Eibingen Abbey. She appeared in Antonio Lotti's ''Requiem'' with the Thomas Hengelbrock's Balthasar-Neumann-Chor, and in Handel's ''Messiah'' with the Knabenchor Hannover conducted by Jörg Bre ...
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Vox Christi
Vox (Latin for 'voice') may refer to: Arts, entertainment and media Fictional characters * Vox (DC Universe character), Mal Duncan * Vox, several characters in the anime series '' Lagrange: The Flower of Rin-ne'' * Gleeman Vox, from the ''Ratchet & Clank'' video game series * Vox, a character in the animated web series ''Hazbin Hotel''; see List of Hazbin Hotel and Helluva Boss characters Literature * ''Vox'' (Nicholson Baker novel), 1992 * ''Vox'' (Stewart and Riddell novel), 2003 Music * "Vox" (song), by Sarah McLachlan, 1988 * Vox Records (Germany), a German record label * Vox Records, an American record label Television and radio * VOX (Norwegian TV channel) * VOX (German TV channel) * MAtv, formerly Vox, a Canadian TV channel * Vox, a former satellite radio channel * Radio Vox T, a Romanian radio station * WVOX, a radio station licensed to New Rochelle, New York, U.S. Other uses in arts, entertainment and media * Vox Media, an American digital media company ** ''Vox ...
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Klaus Mertens
Klaus Mertens (born 25 March 1949, in Kleve) is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach for bass voice. Career Klaus Mertens took singing lessons while attending school. He studied music and pedagogy, and had his vocal training with Else Bischof-Bornes and Jakob Stämpfli (song, concert, oratorio) and with Peter Massmann (opera). After graduating with distinction he worked first as a school teacher.Klaus Mertens
on bach-cantatas, 2009
In the field of
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Konrad Jarnot
Konrad Jarnot (born 1972) is an English baritone who works in opera and oratorio and is a notable performer of Lieder. He is a professor at the Robert Schumann Hochschule. Early life Born at Brighton,Konrad Jarnot – Opernsänger
at konradjarnot.com . Retrieved 30 September 2011
Jarnot studied at the , London, with Rudolf Piernay,
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Evangelist (Bach)
The Evangelist in the music of Johann Sebastian Bach is the tenor part in his oratorios and Passions who narrates the exact words of the Bible, translated by Martin Luther, in recitative secco. The part appears in the works ''St John Passion'', ''St Matthew Passion'', and the ''Christmas Oratorio'', as well as the '' St Mark Passion'' and the ''Ascension Oratorio Lobet Gott in seinen Reichen, BWV 11''. Some cantatas also contain recitatives of Bible quotations, assigned to the tenor voice. Bach followed a tradition using the tenor for the narrator of a gospel. It exists (and is also often called ''the Evangelist'') in earlier works setting biblical narration, for example by Heinrich Schütz ('' Weinachtshistorie'', ''Matthäuspassion'', ''Lukaspassion'', ''Johannespassion''). In contrast, the vox Christi, voice of Christ, is always the bass in Bach's works, including several cantatas. Music and sources The Evangelist reports in secco recitatives accompanied by basso continuo ...
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Christoph Prégardien
Christoph Prégardien (born 18 January 1956) is a German lyric tenor whose career is closely associated with the roles in Mozart operas, as well as performances of Lieder, oratorio roles, and Baroque music. He is well known for his performances and recordings of the Evangelist roles in Bach's ''St John Passion'' and ''St Matthew Passion''. Born in Limburg an der Lahn, he began his musical education as a choirboy at the cathedral's boys' choir, the Limburger Domsingknaben. He then studied singing with Martin Gründler and Karlheinz Jarius in Frankfurt at the Hochschule für Musik, with Carla Castellani in Milan, with Alois Treml in Stuttgart, and attended Hartmut Höll's lieder-class. His orchestral and oratorio repertory spans a wide range from the great Baroque, Classical and Romantic Oratorios to 20th-century works by Britten, Killmayer, Rihm, and Stravinsky. Also recognized as an eminent recitalist, he regularly performs at the major recital venues in Paris, London, Bru ...
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St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proc ...
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St John Passion
The ''Passio secundum Joannem'' or ''St John Passion'' (german: Johannes-Passion, link=no), BWV 245, is a Passion or oratorio by Johann Sebastian Bach, the older of the surviving Passions by Bach. It was written during his first year as director of church music in Leipzig and was first performed on April 7, 1724, at Good Friday Vespers at the St. Nicholas Church. The structure of the work falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably by Barthold Heinrich Brockes) and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the ''St Matthew Passion'', the ''St John Passion'' has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished". The work is most often heard toda ...
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