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Schicksalslied
The ''Schicksalslied'' (Song of Destiny), Op. 54, is an orchestrally accompanied choral setting of a poem written by Friedrich Hölderlin and is one of several major choral works written by Johannes Brahms. Brahms began the work in the summer of 1868 at Wilhelmshaven, but it was not completed until May 1871. The delay in completion was largely due to Brahms's indecision as to how the piece should conclude. Hesitant to make a decision, he began work on the '' Alto Rhapsody'', Op. 53, which was completed in 1869 and first performed in 1870. ''Schicksalslied'' is considered to be one of Brahms's best choral works along with ''Ein deutsches Requiem''. In fact, argues in his book on Brahms, "Had Brahms never written anything but this one work, it would alone have sufficed to rank him with the best masters." The premiere performance of ''Schicksalslied'' was given on 18 October 1871 in Karlsruhe, under the direction of Hermann Levi. One of the shortest of Brahms's major ch ...
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Schicksalslied Horn 1
The ''Schicksalslied'' (Song of Destiny), Opus number, Op. 54, is an orchestrally accompanied choral setting of a poem written by Friedrich Hölderlin and is one of several major choral works written by Johannes Brahms. Brahms began the work in the summer of 1868 at Wilhelmshaven, but it was not completed until May 1871. The delay in completion was largely due to Brahms's indecision as to how the piece should conclude. Hesitant to make a decision, he began work on the ''Alto Rhapsody'', Op. 53, which was completed in 1869 and first performed in 1870. ''Schicksalslied'' is considered to be one of Brahms's best choral works along with A German Requiem (Brahms), ''Ein deutsches Requiem''. In fact, argues in his book on Brahms, "Had Brahms never written anything but this one work, it would alone have sufficed to rank him with the best masters." The premiere performance of ''Schicksalslied'' was given on 18 October 1871 in Karlsruhe, under the direction of Hermann Levi. One ...
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Schicksalslied Orchestra Excerpt 1
The ''Schicksalslied'' (Song of Destiny), Op. 54, is an orchestrally accompanied choral setting of a poem written by Friedrich Hölderlin and is one of several major choral works written by Johannes Brahms. Brahms began the work in the summer of 1868 at Wilhelmshaven, but it was not completed until May 1871. The delay in completion was largely due to Brahms's indecision as to how the piece should conclude. Hesitant to make a decision, he began work on the ''Alto Rhapsody'', Op. 53, which was completed in 1869 and first performed in 1870. ''Schicksalslied'' is considered to be one of Brahms's best choral works along with ''Ein deutsches Requiem''. In fact, argues in his book on Brahms, "Had Brahms never written anything but this one work, it would alone have sufficed to rank him with the best masters." The premiere performance of ''Schicksalslied'' was given on 18 October 1871 in Karlsruhe, under the direction of Hermann Levi. One of the shortest of Brahms's major chor ...
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Schicksalslied Choral Excerpt 2
The ''Schicksalslied'' (Song of Destiny), Op. 54, is an orchestrally accompanied choral setting of a poem written by Friedrich Hölderlin and is one of several major choral works written by Johannes Brahms. Brahms began the work in the summer of 1868 at Wilhelmshaven, but it was not completed until May 1871. The delay in completion was largely due to Brahms's indecision as to how the piece should conclude. Hesitant to make a decision, he began work on the ''Alto Rhapsody'', Op. 53, which was completed in 1869 and first performed in 1870. ''Schicksalslied'' is considered to be one of Brahms's best choral works along with ''Ein deutsches Requiem''. In fact, argues in his book on Brahms, "Had Brahms never written anything but this one work, it would alone have sufficed to rank him with the best masters." The premiere performance of ''Schicksalslied'' was given on 18 October 1871 in Karlsruhe, under the direction of Hermann Levi. One of the shortest of Brahms's major chor ...
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Schicksalslied Choral Excerpt 1
The ''Schicksalslied'' (Song of Destiny), Op. 54, is an orchestrally accompanied choral setting of a poem written by Friedrich Hölderlin and is one of several major choral works written by Johannes Brahms. Brahms began the work in the summer of 1868 at Wilhelmshaven, but it was not completed until May 1871. The delay in completion was largely due to Brahms's indecision as to how the piece should conclude. Hesitant to make a decision, he began work on the ''Alto Rhapsody'', Op. 53, which was completed in 1869 and first performed in 1870. ''Schicksalslied'' is considered to be one of Brahms's best choral works along with ''Ein deutsches Requiem''. In fact, argues in his book on Brahms, "Had Brahms never written anything but this one work, it would alone have sufficed to rank him with the best masters." The premiere performance of ''Schicksalslied'' was given on 18 October 1871 in Karlsruhe, under the direction of Hermann Levi. One of the shortest of Brahms's major chor ...
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Schicksalslied Alto 1
The ''Schicksalslied'' (Song of Destiny), Op. 54, is an orchestrally accompanied choral setting of a poem written by Friedrich Hölderlin and is one of several major choral works written by Johannes Brahms. Brahms began the work in the summer of 1868 at Wilhelmshaven, but it was not completed until May 1871. The delay in completion was largely due to Brahms's indecision as to how the piece should conclude. Hesitant to make a decision, he began work on the ''Alto Rhapsody'', Op. 53, which was completed in 1869 and first performed in 1870. ''Schicksalslied'' is considered to be one of Brahms's best choral works along with ''Ein deutsches Requiem''. In fact, argues in his book on Brahms, "Had Brahms never written anything but this one work, it would alone have sufficed to rank him with the best masters." The premiere performance of ''Schicksalslied'' was given on 18 October 1871 in Karlsruhe, under the direction of Hermann Levi. One of the shortest of Brahms's major chor ...
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Friedrich Hölderlin
Johann Christian Friedrich Hölderlin (, ; ; 20 March 1770 – 7 June 1843) was a German poet and philosopher. Described by Norbert von Hellingrath as "the most German of Germans", Hölderlin was a key figure of German Romanticism. Particularly due to his early association with and philosophical influence on Georg Wilhelm Friedrich Hegel and Friedrich Wilhelm Joseph Schelling, he was also an important thinker in the development of German Idealism. Born in Lauffen am Neckar, Hölderlin had a childhood marked by bereavement. His mother intended for him to enter the Lutheran ministry, and he attended the Tübinger Stift, where he was friends with Hegel and Schelling. He graduated in 1793 but could not devote himself to the Christian faith, instead becoming a tutor. Two years later, he briefly attended the University of Jena, where he interacted with Johann Gottlieb Fichte and Novalis, before resuming his career as a tutor. He struggled to establish himself as a poet, and w ...
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Hyperion (Hölderlin Novel)
''Hyperion'' is an epistolary novel by German poet Friedrich Hölderlin. Originally published in two volumes in 1797 (Volume 1) and 1799 (Volume 2), respectively, the full title is ''Hyperion; or, The Hermit in Greece'' (German: "''Hyperion; oder, Der Eremit in Griechenland''"). Each volume is divided into two books, with each second book including an epigraph from Sophocles. The work is told in the form of letters from the protagonist, Hyperion, to his German friend Bellarmin, alongside a few letters between Hyperion and his love Diotima in the second volume of the novel, and is noted for its philosophical classicism and expressive imagery. Origin Hölderlin began working on ''Hyperion'' in 1792, as a 22-year-old student at the Tübinger Stift. He further developed it while serving as a Hofmeister on the estate of Charlotte von Kalb, and put finishing touches to the novel while receiving lectures from Johann Gottlieb Fichte at the University of Jena. Plot ''Hyperion'' i ...
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Albert Dietrich
Albert Hermann Dietrich (28 August 182920 November 1908), was a German composer and conductor. In addition to his work, he is remembered for his friendship with Johannes Brahms. Dietrich was born at Golk, near Meissen. From 1851 he studied composition with Robert Schumann in Düsseldorf, where in October 1853 he first met Brahms and collaborated with Schumann and Brahms on the '' 'F-A-E' Sonata'' for Joseph Joachim (Dietrich composed the substantial first movement). From 1861 until 1890 he was the musical director at the court of Oldenburg, where Brahms often visited him and where he introduced many of Brahms's works. It was in Dietrich's library that Brahms discovered the volume of poetry by Hölderlin that furnished him with the text for his ''Schicksalslied'', which he began composing while visiting Wilhelmshaven dockyard in Dietrich's company. Dietrich was also instrumental in arranging for the premiere of Brahms's '' German Requiem'' at Bremen in 1868. Dietrich's own works ...
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Bach-Collegium Stuttgart
Bach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra. Its members are mostly orchestra musicians from Germany and Switzerland who get together for projects associated with the choir and also instrumental programs of their own. The ensemble has performed at festivals such as the "Musikfest Stuttgart" of the Internationale Bachakademie Stuttgart, Salzburg Festival, Lucerne Festival, Prague Spring or Rheingau Musik Festival. Gächinger Kantorei and Bach-Collegium Stuttgart, conducted by Rilling, completed a first recording worldwide of Bach's cantatas and oratorios, a project of 15 years in collaboration with Hänssler Classic, in 1985 on the occasion of the composer's 300th birthday. The recording was awarded a Grand Prix du Disque. The Bach-Collegium Stuttgart has been instrumental in premieres of works such as Wolfgang Rihm's ''Deus Passus (Passions ...
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Romantic Music
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism—the intellectual, artistic and literary movement that became prominent in Western culture from approximately 1798 until 1837. Romantic composers sought to create music that was individualistic, emotional, dramatic and often programmatic; reflecting broader trends within the movements of Romantic literature, poetry, art, and philosophy. Romantic music was often ostensibly inspired by (or else sought to evoke) non-musical stimuli, such as nature, literature, poetry, super-natural elements or the fine arts. It included features such as increased chromaticism and moved away from traditional forms. Background The Romantic movement was an artistic, literary, and intellectual movement that originated in the second half of the 18th century in ...
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Johannes Brahms
Johannes Brahms (; 7 May 1833 – 3 April 1897) was a German composer, pianist, and conductor of the mid- Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow. Brahms composed for symphony orchestra, chamber ensembles, piano, organ, violin, voice, and chorus. A virtuoso pianist, he premiered many of his own works. He worked with leading performers of his time, including the pianist Clara Schumann and the violinist Joseph Joachim (the three were close friends). Many of his works have become staples of the modern concert repertoire. Brahms has been considered both a traditionalist and an innovator, by his contemporaries and by later writers. His music is rooted in the structures and compositional techniques of the Classical masters. Emb ...
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Dominant (music)
In music, the dominant is the fifth scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic. In the movable do solfège system, the dominant note is sung as "So(l)". The triad built on the dominant note is called the dominant chord. This chord is said to have dominant function, which means that it creates an instability that requires the tonic for resolution. Dominant triads, seventh chords, and ninth chords typically have dominant function. Leading-tone triads and leading-tone seventh chords may also have dominant function. Dominant chords In music theory, the dominant triad is a major chord, symbolized by the Roman numeral "V" in the major scale. In the natural minor scale, the triad is a minor chord, denoted by "v". However, in a minor key, the seventh scale degree is often raised by a half step ( to ), creating a major chord. These chords may also appear as seventh chords: ty ...
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