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Schauspielhaus (Berlin)
The Konzerthaus Berlin is a concert hall in Berlin, the home of the Konzerthausorchester Berlin. Situated on the Gendarmenmarkt square in the central Mitte district of the city, it was originally built as a theater. It initially operated from 1818 to 1821 under the name of the Schauspielhaus Berlin, then as the Theater am Gendarmenmarkt and Komödie. It became a concert hall after the Second World War, and its name changed to its present one in 1994. The Konzerthausorchester Berlin is the resident orchestra of the Konzerthaus Berlin. The concert hall also hosts Young Euro Classic every summer, an international festival of youth orchestras. History National-Theater (1802–1817) The building's predecessor, the ''National-Theater'' in the Friedrichstadt suburb, was destroyed by fire in 1817. It had been designed by Carl Gotthard Langhans, and was inaugurated on 1 January 1802. Königliches Schauspielhaus (1817–1870) The new hall was designed by Karl Friedrich Schinkel between ...
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Gendarmenmarkt
The Gendarmenmarkt ( en, Gut Market) is a square in Berlin and the site of an architectural ensemble including the Berlin concert hall and the French and German Churches. In the centre of the square stands a monumental statue of poet Friedrich Schiller. The square was created by Johann Arnold Nering at the end of the seventeenth century as the Linden-Markt and reconstructed by Georg Christian Unger in 1773. The Gendarmenmarkt is named after the cuirassier regiment ''Gens d'Arme''s, which had stables at the square until 1773. During World War II, most of the buildings were badly damaged or destroyed. Today all of them have been restored. Origins Gendarmenmarkt was first built in 1688. It was a marketplace and part of the city's Western expansion of Friedrichstadt, one of Berlin's emerging quarters. Französischer Dom The French Church (in German: ''Französischer Dom'', where ''Dom'' refers to the "dome" and not to a cathedral. Neither the French nor the German Church ...
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The Assumption Of Hannele
''The Ascension of Little Hannele'' (german: Hanneles Himmelfahrt), also known simply as ''Hannele'', is an 1893 play by the German playwright Gerhart Hauptmann.Hartnoll (1983, 377). In contrast to Hauptmann's naturalistic dramas, ''The Assumption of Hannele'' adopts a more symbolist dramaturgy and includes a dream sequence. The play is the first in recorded world literature with a child as its heroine. The play tells the story of a neglected and abused peasant child, who, on her deathbed, experiences a vision of divine powers welcoming her into the afterlife. It was first published in 1894. Hauptmann was awarded the Grillparzer Prize in 1896 for the play. Production history The play received its première under the title ''Hannele'' at the Königliches Schauspielhaus in Berlin, opening on 14 December 1893. The production was directed by Max Grube, with music by Max Marschalk. The cast included Adalbert Matkowsky. The play was directed by the seminal Russian theatre practit ...
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Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest po ...
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Neoclassical Architecture
Neoclassical architecture is an architectural style produced by the Neoclassical movement that began in the mid-18th century in Italy and France. It became one of the most prominent architectural styles in the Western world. The prevailing styles of architecture in most of Europe for the previous two centuries, Renaissance architecture and Baroque architecture, already represented partial revivals of the Classical architecture of ancient Rome and (much less) ancient Greek architecture, but the Neoclassical movement aimed to strip away the excesses of Late Baroque and return to a purer and more authentic classical style, adapted to modern purposes. The development of archaeology and published accurate records of surviving classical buildings was crucial in the emergence of Neoclassical architecture. In many countries, there was an initial wave essentially drawing on Roman architecture, followed, from about the start of the 19th century, by a second wave of Greek Revival architec ...
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Balthasar Jacob Rathgeber
Balthazar, or variant spellings, may refer to: Arts, entertainment and media * ''Balthazar'' (novel), by Lawrence Durrell, 1958 * ''Balthasar'', an 1889 book by Anatole France * ''Professor Balthazar'', a Croatian animated TV series, 1967-1978 * ''Balthazar'' (TV series), a 2018 French crime thriller drama * Balthazar (band), a Belgian indie pop and rock group * DJ Balthazar, a Bulgarian group People Footballers * Baltasar (footballer) (born 1966), Portuguese footballer * Baltasar Gonçalves (born 1948), or Baltasar, Portuguese footballer * Baltazar (footballer, born 1926), Oswaldo da Silva, Brazilian football striker * Baltazar (footballer, born 1959), Baltazar Maria de Morais Júnior, Brazilian football striker * Marco Balthazar (born 1983), Brazilian footballer * Batata (footballer) (Baltazar Costa Rodrigues de Oliveira, born 2000), Brazilian footballer Other people with the given name * Balthazar (given name), including a list of people with the name * Balthazar (magus ...
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Christian Friedrich Tieck
Christian Friedrich Tieck (14 August 1776 – 24 May 1851), often known only as Friedrich Tieck, was a German sculptor and a occasional artist in oils. His work was primarily figurative and includes both public statuary and private commissions for portrait busts. Biography Tieck was born in Berlin, the third child of a rope-maker living on Rossstrasse (now called Fischerinsel). He was educated at the Friedrichswerder High School in Berlin. In 1789 he began an apprenticeship as a sculptor under Heinrich Bettkober. From 1795 he was then further trained in sculpture at the Prussian Academy of Art in Berlin under the highly eminent sculptor, Johann Gottfried Schadow, and then trained further with David d'Angers in Paris. In 1801-05 he was employed at Weimar, where he associated with Goethe, and designed his bust, which he afterwards also executed in marble for the Walhalla temple. In 1805 he went to Italy, returning to Germany in 1809, at the invitation of Crown Prince Ludwig ...
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Battle Of Berlin
The Battle of Berlin, designated as the Berlin Strategic Offensive Operation by the Soviet Union, and also known as the Fall of Berlin, was one of the last major offensives of the European theatre of World War II. After the Vistula–Oder Offensive of January–February 1945, the Red Army had temporarily halted on a line east of Berlin. On 9 March, Germany established its defence plan for the city with Operation Clausewitz. The first defensive preparations at the outskirts of Berlin were made on 20 March, under the newly appointed commander of Army Group Vistula, General Gotthard Heinrici. When the Soviet offensive resumed on 16 April, two Soviet fronts (army groups) attacked Berlin from the east and south, while a third overran German forces positioned north of Berlin. Before the main battle in Berlin commenced, the Red Army encircled the city after successful battles of the Seelow Heights and Halbe. On 20 April 1945, Hitler's birthday, the 1st Belorussian Front ...
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Bombing Of Berlin In World War II
A bomb is an explosive weapon that uses the exothermic reaction of an explosive material to provide an extremely sudden and violent release of energy. Detonations inflict damage principally through ground- and atmosphere-transmitted mechanical stress, the impact and penetration of pressure-driven projectiles, pressure damage, and explosion-generated effects. Bombs have been utilized since the 11th century starting in East Asia. The term bomb is not usually applied to explosive devices used for civilian purposes such as construction or mining, although the people using the devices may sometimes refer to them as a "bomb". The military use of the term "bomb", or more specifically aerial bomb action, typically refers to airdropped, unpowered explosive weapons most commonly used by air forces and naval aviation. Other military explosive weapons not classified as "bombs" include shells, depth charges (used in water), or land mines. In unconventional warfare, other names can refer t ...
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Goethe's Faust
''Faust'' is a tragic play in two parts by Johann Wolfgang von Goethe, usually known in English as '' Faust, Part One'' and ''Faust, Part Two''. Nearly all of Part One and the majority of Part Two are written in rhymed verse. Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. ''Faust'' is considered by many to be Goethe's ''magnum opus'' and the greatest work of German literature. The earliest forms of the work, known as the ''Urfaust'', were developed between 1772 and 1775; however, the details of that development are not entirely clear. ''Urfaust'' has twenty-two scenes, one in prose, two largely prose and the remaining 1,441 lines in rhymed verse. The manuscript is lost, but a copy was discovered in 1886. The first appearance of the work in print was ''Faust, a Fragment'', published in 1790. Goethe completed a preliminary version of what is now known as ''Part One'' in 1806. Its publication in 1808 was follow ...
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Gustaf Gründgens
Gustaf Gründgens (; 22 December 1899 – 7 October 1963), born Gustav Heinrich Arnold Gründgens, was one of Germany's most famous and influential actors of the 20th century, and artistic director of theatres in Berlin, Düsseldorf, and Hamburg. His career continued unimpeded through the years of the Nazi regime; the extent to which this can be considered as deliberate collaboration with the Nazis is hotly disputed. His best known roles were that of Mephistopheles in Goethe's ''Faust'' in 1960, and as "Der Schränker" (The Safecracker) who is the chief judge of the kangaroo court presiding over Hans Beckert (Peter Lorre) in Fritz Lang's '' M''. Early life Born in Düsseldorf, Gründgens attended the drama school of the Düsseldorfer Schauspielhaus after World War I and started his career at smaller theaters in Halberstadt, Kiel, and Berlin. Career In 1923, he joined the ''Kammerspiele'' in Hamburg, where he changed his first name to Gustaf and appeared as a director for the fi ...
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Weimar Republic
The Weimar Republic (german: link=no, Weimarer Republik ), officially named the German Reich, was the government of Germany from 1918 to 1933, during which it was a constitutional federal republic for the first time in history; hence it is also referred to, and unofficially proclaimed itself, as the German Republic (german: Deutsche Republik, link=no, label=none). The state's informal name is derived from the city of Weimar, which hosted the constituent assembly that established its government. In English, the republic was usually simply called "Germany", with "Weimar Republic" (a term introduced by Adolf Hitler in 1929) not commonly used until the 1930s. Following the devastation of the First World War (1914–1918), Germany was exhausted and sued for peace in desperate circumstances. Awareness of imminent defeat sparked a revolution, the abdication of Kaiser Wilhelm II, formal surrender to the Allies, and the proclamation of the Weimar Republic on 9 November 1918. In its i ...
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Leopold Jessner
Leopold Jessner (3 March 1878 – 13 December 1945) was a noted producer and director of German Expressionist theater and cinema. His first film, '' Hintertreppe'' (1921), is considered a major turning point which paved the way for the later German Expressionist experiments of German filmmakers F.W. Murnau, Fritz Lang, and G.W. Pabst. A native of Königsberg, Jessner was a touring actor in his youth and turned to directing in 1911. He was director of the Berlin State Theater from 1919 to 1925 and was known for bare stages in which flights of steps served as different spaces for scenes and directing actors to act in an oversimplified, unnatural manner. '' Hintertreppe'' ( German for ''Backstairs''), Jessner's first film (co-directed with Paul Leni), exemplified Jessner's use of heavily stylized staircases. These staircases would become regular fixtures in later German films, nicknamed "Jessnertreppe" in Jessner's honor, and would be used to full effect in the 1926 German ...
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