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Scatman (Ski Ba Bop Ba Dop Bop)
"Scatman (Ski-Ba-Bop-Ba-Dop-Bop)" is a song by American musician Scatman John. It was released in November 1994 as a single, and was later re-released in July 1995 for his second album, ''Scatman's World'' (1995). The song is described as "a blend of jazz scatting, rap, and house beats". It reached number-one on the charts in at least nine countries and also won the March 1996 Echo Award in Germany for the best Rock/Pop single. Background and release Born in El Monte, California, Larkin suffered from a severe stutter by the time he learned to speak which led to an emotionally traumatic childhood. At age twelve, he began to learn piano and was introduced to the art of scat singing two years later, through records by Ella Fitzgerald and Louis Armstrong, among others. Larkin became a professional jazz pianist in the 1970s and 1980s, playing many engagements in jazz clubs around Los Angeles. His first known performance on a studio album was in 1981 on the album Animal Sounds by Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scatman John
John Paul Larkin (March 13, 1942 – December 3, 1999), known professionally as Scatman John, was an American musician. A prolific jazz pianist and vocalist for several decades, he rose to prominence during the 1990s through his fusion of scat singing and dance music. He recorded five albums, which were released between 1986 and 2001. In the United States and Europe, Larkin is recognized for his 1995 singles "Scatman (Ski-Ba-Bop-Ba-Dop-Bop)" and " Scatman's World". He achieved his greatest success in Japan, where his album '' Scatman's World'' (1995) sold over a million copies. Larkin was also a recipient of the American Speech-Language-Hearing Association's Annie Glenn Award for outstanding service to the stuttering community and a posthumous inductee to the National Stuttering Association Hall of Fame. Early life Larkin was born in El Monte, California. He had a severe stutter by the time he learned to speak. This stutter contributed to his emotionally traumatic childhood. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euro-NRG
Euro-Dance (sometimes referred to as Euro-NRG, Euro-electronica or Euro) is a genre of electronic dance music that originated in the late 1980s in Europe. It combines many elements of hip hop, techno, Hi-NRG, house music, and Euro-Disco. This genre of music is heavily influenced by the use of rich vocals, sometimes with rapped verses. This, combined with cutting-edge synthesizers, strong bass rhythm and melodic hooks, establishes the core foundation of Euro-Dance music. History Background Euro-Dance music originated in the late 1980s in central Europe, especially in Germany, where rave parties were becoming popular. By 1987, a German party scene was started by Tauseef Alam, based on the well established Chicago house sound and Belgian new beat in Frankfurt. The following year saw acid house making a significant impact on popular consciousness in Germany and central Europe as it had in England. In 1989, German DJs Westbam and Dr. Motte established the Ufo Club, an illegal p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragga
Raggamuffin music, usually abbreviated as ragga, is a subgenre of dancehall and reggae music. The instrumentals primarily consist of electronic music. Similar to hip hop, sampling often serves a prominent role in raggamuffin music. Wayne Smith's " Under Mi Sleng Teng", produced by King Jammy in 1985 on a Casio MT-40 synthesizer, is generally recognized as the seminal ragga song. "Sleng Teng" boosted Jammy's popularity immensely, and other producers quickly released their own versions of the riddim, accompanied by dozens of different vocalists. Ragga is now mainly used as a synonym for dancehall reggae or for describing dancehall with a deejay chatting rather than singjaying or singing on top of the riddim. Origins Ragga originated in Jamaica during the 1980s, at the same time that electronic dance music's popularity was increasing globally. One of the reasons for ragga's swift propagation is that it is generally easier and less expensive to produce than reggae performed on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Hamilton (DJ And Journalist)
James Hamilton (25 December 1942 – 17 June 1996) was a British DJ and dance music columnist for ''Record Mirror'', and later for ''Music Week'', where he worked until his death in 1996. He is recognised as a pioneering advocate of disco mixing in the UK and the addition of beats per minute (bpm) calculations to record reviews. Hamilton started as a DJ in his early 20s, playing rhythm & blues in a nightclubs in London. He then headed to New York to work for Seltaeb, the US company who’d acquired the merchandising rights for The Beatles, becoming a talent scout for their newly formed music division. After returning to the UK, he adopted the DJ name Doctor Soul, and also compiled an album with this title for Sue Records. He set up as one of the first mobile DJs, and began writing US reviews for ''Record Mirror'' in 1964. In 1975, he began the magazine's weekly ‘Disco’ column, named ''James Hamilton's Disco Page''. He pioneered several features that was copied by other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Masterton
James Masterton (born 2 September 1973) is a music writer and columnist, his work focusing on the UK Singles Chart having been an online fixture on various sites since the 1990s. Masterton is also a producer for talkSPORT, and has worked on air as a presenter at the Bradford independent local radio station the Pulse. Music writing Masterton began posting his weekly comments about the latest singles chart on Usenet in 1992, while a student at Lancaster University, whence he graduated in 1994. In 1995 he became an important element of BT's Dotmusic website, an online hub for the UK music scene and one of the few sites that posted the entire UK top 75 every week. When Dotmusic was purchased from BT by Yahoo! on October 28, 2003, Masterton's commentary moved to Yahoo! Launch with it, remaining with the site as it transformed into Yahoo! Music UK and Ireland until the site's closure in September 2011. His chart column moved to About.com, where it remained until the summer of 2016. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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