Scandalous (album)
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Scandalous (album)
''Scandalous'' is the third album by British soul/dance group Imagination, produced by Steve Jolley and Tony Swain and released in November 1983. In the US and Canada, the album was issued under title ''New Dimension'' in February 1984. ''Scandalous'' failed to repeat the success of Imagination's previous albums, stalling at No. 25 in the United Kingdom and not producing a top 20 single. It marked the start of a decline in the group's commercial fortunes; subsequent albums were even less successful. Track listing US and Canada release Personnel Musicians * Leee John – lead vocals, keyboards, percussion *Ashley Ingram – bass guitar, synthesiser, keyboards, vocals *Errol Kennedy – drums, percussion * Tony Swain – keyboards *Steve Jolley – percussion Technical * Tony Swain – producer, engineer, mixing * Steve Jolley – producer, engineer, mixing * Richard Lengyel – engineer, mixing * Nigel Askew – photography * Chess Creative Services – artwork * Re ...
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Imagination (band)
Imagination were an English trio, who came to prominence in the early 1980s. They had hits in 28 countries, earning four platinum discs, nine gold discs, and more than a dozen silver discs around the world between 1981 and 1983. History Background Singer/keyboardist Leee John (born 23 June 1957, Hackney, London) was working as a backing vocalist for the Delfonics, Chairmen of the Board, the Velvelettes and the Elgins when he met Ashley Ingram, a guitarist/bassist (born 27 November 1960, Northampton). John and Ingram formed a songwriting partnership, resolving to start their own "slinky, sexy and erotic" group, working in a short-lived band called ''Fizzz''. While they were auditioning for another short-lived band, ''Midnight Express'', they met drummer Errol Kennedy (born 9 June 1953, Montego Bay, Jamaica), who at a very young age had learned to drum in the Boys' Brigade and Air Training Corps. Kennedy was a member of the London-based soul-funk band ''TFB'' (''Typical Funk ...
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Record Mirror
''Record Mirror'' was a British weekly music newspaper between 1954 and 1991 for pop fans and record collectors. Launched two years after the ''NME'', it never attained the circulation of its rival. The first UK album chart was published in ''Record Mirror'' in 1956, and during the 1980s it was the only consumer music paper to carry the official UK singles and UK albums charts used by the BBC for Radio 1 and ''Top of the Pops'', as well as the US ''Billboard'' charts. The title ceased to be a stand-alone publication in April 1991 when United Newspapers closed or sold most of their consumer magazines, including ''Record Mirror'' and its sister music magazine ''Sounds'', to concentrate on trade papers like ''Music Week''. In 2010 Giovanni di Stefano bought the name ''Record Mirror'' and relaunched it as an online music gossip website in 2011. The website became inactive in 2013 following di Stefano's jailing for fraud. Early years, 1954–1963 ''Record Mirror'' was founded by for ...
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Imagination (band) Albums
Imagination is the production of sensations, feelings and thoughts informing oneself. These experiences can be re-creations of past experiences, such as vivid memories with imagined changes, or completely invented and possibly fantastic scenes. Imagination helps apply knowledge to solve problems and is fundamental to integrating experience and the learning process. As a way of building theory, it is called "disciplined imagination". A way of training imagination is by listening to storytelling (narrative), in which the exactness of the chosen words is how it can "evoke worlds". One view of imagination links it with cognition, seeing imagination as a cognitive process used in mental functioning. It is used — in the form of visual imagery — by clinicians in psychological treatment. Imaginative thought may become associated with rational thought on the assumption that both activities involve cognitive processes that "underpin thinking about possibilities". The cognate term, " ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Top LPs
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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Sigma Sound Studios
Sigma Sound Studios was a recording studio in Philadelphia, Pennsylvania, U.S.. It was founded in 1968 by recording engineer Joseph Tarsia. Located at 212 North 12th Street in Philadelphia, it was one of the first studios in the United States to offer 24-track recording capacity and the first anywhere to successfully employ console automation. Tarsia, formerly chief engineer at Philadelphia's Cameo-Parkway Studios, also opened Sigma Sound Studios of New York City in 1977, at the Ed Sullivan Theater building. History Recording From the beginning, Sigma Sound was strongly associated with Philadelphia soul and, in the 1970s, the sound of Gamble and Huff's Philadelphia International Records (its driving rhythm a precursor to disco music), as well as the classic, sophisticated productions of Thom Bell. Both featured large productions with strings and horns creating what became known as "The Sound of Philadelphia," or "T.S.O.P.", a term which became trademarked and was the title of ...
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Steve Jolley (songwriter)
Steven Nicholas Jolley (born April 1950) and Tony Swain (born 20 January 1952, London, England) were a successful songwriting and record production duo in the United Kingdom in the early to mid-1980s, producing some of the top artists and songs of the era. Career The pair met in 1975 when Swain was working as a television cameraman on ''The Muppet Show'', where Jolley was sound technician and sometimes boom operator. They formed the band Chaser in 1975 with Richard Palmer (rhythm guitar and percussion), Nick Adams (lead guitar), Ray Bailey (bass) and Brian Grant (drums). Chaser released the single "Red Rum" (1975), written by Jolley, Palmer and Swain, on Polydor as a tribute to the famous racehorse. Swain left to pursue a career as a songwriter/record producer while Jolley released a single and an album with The English Boys in 1980. Their first known collaborative work was released by the late Irish singer Joe Dolan on his 1980 album ''Turn Out the Light'', which featured ...
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Tony Swain (musician)
Steven Nicholas Jolley (born April 1950) and Tony Swain (born 20 January 1952, London, England) were a successful songwriting and record production duo in the United Kingdom in the early to mid-1980s, producing some of the top artists and songs of the era. Career The pair met in 1975 when Swain was working as a television cameraman on ''The Muppet Show'', where Jolley was sound technician and sometimes boom operator. They formed the band Chaser in 1975 with Richard Palmer (rhythm guitar and percussion), Nick Adams (lead guitar), Ray Bailey (bass) and Brian Grant (drums). Chaser released the single "Red Rum" (1975), written by Jolley, Palmer and Swain, on Polydor as a tribute to the famous racehorse. Swain left to pursue a career as a songwriter/record producer while Jolley released a single and an album with The English Boys in 1980. Their first known collaborative work was released by the late Irish singer Joe Dolan on his 1980 album ''Turn Out the Light'', which featured ...
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Errol Kennedy
Errol Kennedy (born 9 June 1953 in Montego Bay, Jamaica) is a Jamaican-British musician (drummer, singer), songwriter, composer, producer and original member of the British soul, funk and pop band Imagination. Career Kennedy learned to play drums at a young age. Before co-founding the British three-piece soul, pop and funk band Imagination with Ashley Ingram and Leee John in London in early 1981, he was a member in two other soul-funk bands, Midnight Express and TFB/Central Line (Typical Funk Band). Imagination's first UK hit single, " Body Talk", produced by Jolley & Swain, spent 18 weeks on the UK Singles Chart and reached number 4 in May 1981. This was quickly followed by two other top 20 hit singles, "In and Out of Love" and "Flashback", both co-written by Kennedy. Their biggest hit, "Just an Illusion", peaked at number two in March 1982. The trio frequently appeared on ''Top of the Pops'' and other pop music programmes. After the break-up of Imagination, Kennedy continued ...
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Leee John
Leslie McGregor "Leee" John (born 23 June 1957) is a British musician, singer, and actor of St Lucian descent. He was born in Hackney, London, and educated in New York City, later studying drama at the Anna Scher Theatre School. He is perhaps best known as the lead singer of the soul band Imagination, which had three UK top 10 hits in the early 1980s. Career He was working as a backing singer when he met Ashley Ingram (born 27 November 1957, Northampton, England) a guitarist/bassist. They formed a songwriting partnership, working in a short-lived band called Fizzz. Together with Ingram and Errol Kennedy (born 9 June 1953, Montego Bay, Jamaica) they formed Imagination, a three-piece soul music band, in the early 1980s. Produced by Jolley & Swain, their hit "Body Talk" reached number 4 in the UK Singles Chart in May 1981. Their biggest hit, " Just an Illusion", peaked at number 2 in March 1982. The trio frequently appeared on ''Top of the Pops'' and other pop music programmes. ...
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Robert Christgau
Robert Thomas Christgau ( ; born April 18, 1942) is an American music journalist and essayist. Among the most well-known and influential music critics, he began his career in the late 1960s as one of the earliest professional rock critics and later became an early proponent of musical movements such as hip hop, riot grrrl, and the import of African popular music in the West. Christgau spent 37 years as the chief music critic and senior editor for ''The Village Voice'', during which time he created and oversaw the annual Pazz & Jop critics poll. He has also covered popular music for ''Esquire'', ''Creem'', ''Newsday'', ''Playboy'', ''Rolling Stone'', ''Billboard'', NPR, ''Blender'', and ''MSN Music'', and was a visiting arts teacher at New York University. CNN senior writer Jamie Allen has called Christgau "the E. F. Hutton of the music world – when he talks, people listen." Christgau is best known for his terse, letter-graded capsule album reviews, composed in a concentrat ...
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Number One (magazine)
''Number One'', initially rendered as 'No. 1', was a British magazine dealing with pop music. It ran for nine years and was aimed at a mainly teenage market. Overview The magazine was published weekly and ran from 7 May 1983 to February 1992. It was intended as direct competition to ''Smash Hits'', which was at its peak at the time.https://www.simplyeighties.com/number-one-magazine.php#.X85OiDEYB2Y Although ''No. 1'' contained fewer pages and less colour (at a similar price), the magazine claimed "our strength is our weekliness". One of the most popular aspects was that it published the singles and albums charts every week (obviously not possible for the fortnightly ''Smash Hits''). As the magazine was an IPC publication, it initially used the Top 75 singles & albums from its sister title, the NME (less a pop magazine more a 'rock-press inkie'). However, in 1985 it started publishing the MRIB (Media Research Information Bureau) Network Chart, as used for Independent Local Radi ...
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