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Saxotromba Extended Range
The saxotromba is a valved brass instrument invented by the Belgian instrument-maker Adolphe Sax around 1844.. But for another opinion see: It was designed for the mounted bands of the French military, probably as a substitute for the French horn The French horn (since the 1930s known simply as the horn in professional music circles) is a brass instrument made of tubing wrapped into a coil with a flared bell. The double horn in F/B (technically a variety of German horn) is the horn most .... The saxotrombas comprised a family of Brass instrument, half-tube instruments of different pitches. By about 1867 the saxotromba was no longer being used by the French military, but specimens of various sizes continued to be manufactured until the early decades of the twentieth century, during which time the instrument made sporadic appearances in the opera house, both in the pit and on stage. The instrument is often confused with the closely related saxhorn. The technical specification ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wind Instrument
A wind instrument is a musical instrument that contains some type of resonator (usually a tube) in which a column of air is set into vibration by the player blowing into (or over) a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound. Methods for obtaining different notes * Using different air columns for different tones, such as in the pan flute. These instruments can play several notes at once. * Changing the length of the vibrating air column by changing the length of the tube through engaging valves ''(see rotary valve, piston valve)'' which route the air through additional tubing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques-Louis David
Jacques-Louis David (; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassicism, Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity and severity and heightened feeling, harmonizing with the moral climate of the final years of the Ancien Régime. David later became an active supporter of the French Revolution and friend of Maximilien Robespierre (1758–1794), and was effectively a dictator of the arts under the French First Republic, French Republic. Imprisoned after Robespierre's fall from power, he aligned himself with yet another political regime upon his release: that of Napoleon, the First Consul of France. At this time he developed his Empire style, notable for its use of warm Venetian school (art), Venetian colours. After Napoleon's fall from Imperial power and the Bourbon revival, David exiled himself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Trumpet
A natural trumpet is a valveless brass instrument that is able to play the notes of the harmonic series. History The natural trumpet was used as a military instrument to facilitate communication (e.g. break camp, retreat, etc.). Even before the late Baroque period the natural trumpet had been accepted into Western art music. There is evidence, for example, of extensive use of trumpet ensembles in Venetian ceremonial music of the 16th century. Although neither Andrea nor Giovanni Gabrieli wrote music specifically for the trumpet, they would have been very familiar with its technical possibilities. Later, talented players such as the early baroque composer Girolamo Fantini demonstrated that by playing in the extreme upper register and "lipping" the notes of the 11th and 13th harmonics (that is, flattening or sharpening those impure harmonics into tune with the embouchure), it was possible to play diatonic major and minor scales (and, hence, actual melodies rather than arpeggios) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Friedrich Wieprecht
Wilhelm Friedrich Wieprecht (10 August 18024 August 1872) was a German musical conductor, composer and inventor. Early life Wieprecht was born at Aschersleben, where his father was a town musician. According to his autobiography, from a young age Wieprecht learned from his father to play on nearly all wind instruments. It was in violin-playing, however, that his father particularly wished him to excel; and in 1819 he went to Dresden, where he studied composition and the violin to such good purpose that a year later he was given a position in the city orchestra of Leipzig, playing also in those of the opera and the famous Gewandhaus. At this time, besides playing the violin and clarinet in the orchestra, he also gave solo performances on the trombone. In 1824 he went to Berlin, where he became a member of the royal orchestra, and was in the same year appointed chamber musician to the king. His residence at Berlin gave Wieprecht ample opportunity for the exercise of his genius for m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich Stölzel
Heinrich David Stölzel (7 September 1777 – 16 February 1844) was a German horn player who developed some of the first valves for brass instruments. He developed the first valve for a brass musical instrument, the Stölzel valve, in 1818, and went on to develop various other designs, some jointly with other inventor musicians. Biography Stölzel was born in Schneeberg, Saxony. His father was also a musician, and as a young man he learnt to play numerous instruments, including harp, violin, trumpet and horn. From 1800 he was employed as a military musician for the Duke of Pless, Silesia, mainly playing the horn. During this time, the horn used was essentially a natural horn, which restricted the range of notes that were able to be easily used to only those in the instrument's natural harmonic series, and variations thereof created by using the hand in the bell to alter the pitch. German musicians also used an ''Inventionshorn'', which allowed some further range of notes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Series (music)
A harmonic series (also overtone series) is the sequence of harmonics, musical tones, or pure tones whose frequency is an integer multiple of a ''fundamental frequency''. Pitched musical instruments are often based on an acoustic resonator such as a string or a column of air, which oscillates at numerous modes simultaneously. At the frequencies of each vibrating mode, waves travel in both directions along the string or air column, reinforcing and canceling each other to form standing waves. Interaction with the surrounding air causes audible sound waves, which travel away from the instrument. Because of the typical spacing of the resonances, these frequencies are mostly limited to integer multiples, or harmonics, of the lowest frequency, and such multiples form the harmonic series. The musical pitch of a note is usually perceived as the lowest partial present (the fundamental frequency), which may be the one created by vibration over the full length of the string or air co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piston Valve
A "piston valve" is a device used to control the motion of a fluid along a tube or pipe by means of the linear motion of a piston within a chamber or cylinder. Examples of piston valves are: * The valves used in many brass instruments * The valves used in pneumatic cannons * The valves used in many stationary steam engines and steam locomotives Brass instruments Cylindrical piston valves called Périnet valves (after their inventor François Périnet) are used to change the length of tube in the playing of most brass instruments, particularly the trumpet-like members of the family (cornet, flugelhorn, saxhorn, etc.). Other brass instruments use rotary valves, notably the orchestral horns and many tuba models, but also a number of rotary-valved variants of those brass instruments which more commonly employ piston valves. The first piston-valved musical instruments were developed just after the start of the 19th century. The Stölzel valve (invented by Heinrich Stölzel in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornet
The cornet (, ) is a brass instrument similar to the trumpet but distinguished from it by its conical bore, more compact shape, and mellower tone quality. The most common cornet is a transposing instrument in B, though there is also a soprano cornet in E and cornets in A and C. All are unrelated to the Renaissance and early Baroque cornett. History The cornet was derived from the posthorn by applying rotary valves to it in the 1820s, in France. However, by the 1830s, Parisian makers were using piston valves. Cornets first appeared as separate instrumental parts in 19th-century French compositions.''Encyclopædia Britannica'', Micropedia, Volume III, William Benton, Chicago Illinois, 1974, p. 156 The instrument could not have been developed without the improvement of piston valves by Silesian horn players Friedrich Blühmel (or Blümel) and Heinrich Stölzel, in the early 19th century. These two instrument makers almost simultaneously invented valves, though it is likely th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Horn
The natural horn is a musical instrument that is the predecessor to the modern-day (French) horn (differentiated by its lack of valves). Throughout the seventeenth and eighteenth century the natural horn evolved as a separation from the trumpet by widening the bell and lengthening the tubes. It consists of a mouthpiece, long coiled tubing, and a large flared bell. This instrument was used extensively until the emergence of the valved horn in the early 19th century. Hand stopping technique The natural horn has several gaps in its harmonic range. To play chromatically, in addition to crooking the instrument into the right key, two additional techniques are required: ''bending'' and ''hand-stopping''. Bending a note is achieved by modifying the embouchure to raise or lower the pitch fractionally, and compensates for the slightly out-of-pitch " wolf tones" which all brass instruments have. Hand-stopping is a technique whereby the player can modify the pitch of a note by up to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Natural Trumpet
A natural trumpet is a valveless brass instrument that is able to play the notes of the harmonic series. History The natural trumpet was used as a military instrument to facilitate communication (e.g. break camp, retreat, etc.). Even before the late Baroque period the natural trumpet had been accepted into Western art music. There is evidence, for example, of extensive use of trumpet ensembles in Venetian ceremonial music of the 16th century. Although neither Andrea nor Giovanni Gabrieli wrote music specifically for the trumpet, they would have been very familiar with its technical possibilities. Later, talented players such as the early baroque composer Girolamo Fantini demonstrated that by playing in the extreme upper register and "lipping" the notes of the 11th and 13th harmonics (that is, flattening or sharpening those impure harmonics into tune with the embouchure), it was possible to play diatonic major and minor scales (and, hence, actual melodies rather than arpeggios) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
