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Savuka
Savuka, occasionally referred to as Johnny Clegg & Savuka, was a multi-racial South African band formed in 1986 by Johnny Clegg after the disbanding of Juluka. Savuka's music blended traditional Zulu musical influences with Celtic music and rock music that had a cross-racial appeal in South Africa. Their lyrics were often bilingual in English and Zulu and they wrote several politically charged songs, particularly related to apartheid. Some better-known Savuka songs include "Asimbonanga", and "Third World Child", from their 1987 album ''Third World Child''. Band percussionist Dudu Zulu was killed in 1992; their song "The Crossing" was a tribute to him. History Johnny Clegg was born to an English family that moved to Rhodesia (present day Zimbabwe) when he was still a child. Clegg became interested in Zulu traditional music when he was a teenager, and sought out musicians who could teach him, including Mntonganazo Mzila, a Zulu street musician and apartment cleaner. A few year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Clegg
Jonathan Paul Clegg, (7 June 195316 July 2019) was a South African musician, singer-songwriter, dancer, anthropologist and anti-apartheid activist, some of whose work was in musicology focused on the music of indigenous South African peoples. His band Juluka began as a duo with Sipho Mchunu, and was the first group in the South African apartheid-era with a white man and a black man. The pair performed and recorded, later with an expanded lineup. In 1986 Clegg founded the band Savuka, and also recorded as a solo act, occasionally reuniting with his earlier band partners. Sometimes called ''Le Zoulou Blanc'' (, for "The White Zulu"), he was an important figure in South African popular music and a prominent white figure in the resistance to apartheid, becoming for a period the subject of investigation by the security branch of the South African Police. His songs mixed English with Zulu lyrics, and also combined idioms of traditional African music with those of modern Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asimbonanga
"Asimbonanga", also known as "Asimbonanga (Mandela)", is an anti-apartheid song by the South African racially integrated band Savuka, from their 1987 album ''Third World Child''. It alluded to Nelson Mandela, imprisoned on Robben Island at the time of song's release, and other anti-apartheid activists. It was well received, becoming popular within the movement against apartheid, and was covered by several artists including Joan Baez and the Soweto Gospel Choir. Background, lyrics, and composition The Afrikaner National Party (NP) was elected to power in South Africa in 1948, and remained in control of the government for the next 46 years. The white minority held all political power during this time, and implemented the system of apartheid. Savuka was formed in 1985 by many of the members of the band Juluka, often credited with being the first racially integrated band in South Africa, though frontman Johnny Clegg has stated that that was not the case. Savuka was also a mixed-r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Third World Child
''Third World Child'' is a studio album by South African artist Johnny Clegg and his band Savuka, released in 1987 and produced by Hilton Rosenthal. Incorporating both Zulu and English lyrics, as well as political songs, it was the album which led Clegg to international fame. All songs were written by Johnny Clegg, except for Giyani in collaboration with V. Mavusa. The track "Scatterlings of Africa" gave them an entry in the UK Singles Chart, reaching No. 75 in May 1987, and was featured on the soundtrack of the 1988 film ''Rain Man''. The album has the same name as an earlier solo album "Third World Child" released by Clegg in 1985. The same title track appears on both albums but the other tracks are different. The tracks ''Giyani'', ''Shadile (Ring on her Finger)'' and ''Asimbonanga (Mandela)'' appeared previously on the EP "Johnny Clegg and Savuka" released in 1986. Covers The song "Great Heart" was covered by Jimmy Buffett a year after its release for his album '' Hot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cruel, Crazy Beautiful World
''Cruel, Crazy, Beautiful World'' is a studio album from South African artist Johnny Clegg and his band Savuka. Released in 1989 and produced by Hilton Rosenthal and Bobby Summerfield, it is today recognized as probably the band's greatest album, containing hits such as " Dela" and "Cruel, Crazy, Beautiful World". The title track is addressed and dedicated to Clegg's son Jesse, born in 1988, who is depicted on Clegg's shoulders on the album cover. The song "One (Hu)' Man One Vote" was written in honor of David Webster, a friend of Johnny Clegg and anti-apartheid activist who had been assassinated three weeks earlier. The lyrics of "Warsaw 1943" were inspired from the works of Polish author Czesław Miłosz. In Canada, the album reached #67, March 24, 1990. The title track appears in the soundtrack of the movie '' Opportunity Knocks''. In 1997, the song "Dela (I Know Why the Dog Howls at the Moon)" was released on the soundtrack of Disney's '' George of the Jungle''. Track lis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music In The Movement Against Apartheid
The apartheid regime in South Africa began in 1948 and lasted until 1994. It involved a system of institutionalized racial segregation and white supremacy, and placed all political power in the hands of a white minority. Opposition to apartheid manifested in a variety of ways, including boycotts, non-violent protests, and armed resistance. Music played a large role in the movement against apartheid within South Africa, as well as in international opposition to apartheid. The impacts of songs opposing apartheid included raising awareness, generating support for the movement against apartheid, building unity within this movement, and "presenting an alternative vision of culture in a future democratic South Africa." The lyrical content and tone of this music reflected the atmosphere that it was composed in. The protest music of the 1950s, soon after apartheid had begun, explicitly addressed peoples' grievances over pass laws and forced relocation. Following the Sharpeville mas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dudu Mntowaziwayo Ndlovu
Dudu Mntowaziwayo Ndlovu (25 December 1957 – 4 May 1992), popularly known as Dudu Zulu, was a Zulu dancer, percussionist, and singer with the South African bands Juluka and (later) Savuka. Ndlovu danced alongside his bandmate Johnny Clegg for many years, both on-stage and on the streets of Soweto and Jeppestown. In May 1992, while walking to his home in Esiphongweni from a neighbour's house, Dudu was fatally shot at close range. The attack took place on a dusty track near Greytown in KwaZuluNatal. It's uncertain whether Ndlovu was targeted, or if he was mistaken for someone else. Other citizens had been shot "in error" in a local taxi war. The following year, Johnny Clegg and Savuka recorded a final album together: ''Heat, Dust and Dreams ''Heat, Dust and Dreams'' is a studio album by South African artist Johnny Clegg and his band Savuka, released in 1993, produced by Hilton Rosenthal, co-produced by Bobby Summerfield. The album received a 1993 Grammy Award nomination for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Juluka
Juluka was a South African music band formed in 1969 by Johnny Clegg and Sipho Mchunu. means "sweat" in Zulu, and was the name of a bull owned by Mchunu. The band was closely associated with the mass movement against apartheid. History At the age of 14, Clegg met Zulu street musician Charlie Mzila, who taught him Zulu music and dancing over the following two years. In 1969 Johnny Clegg and Sipho Mchunu met in Johannesburg when young sipho went there to find work. The 18-year-old Mchunu challenged the 16-year-old Clegg to a guitar contest, and the two became friends. Soon, they were performing together on the streets and in what few other unofficial venues a multi-racial band could safely play in under apartheid. They were forced to keep a low profile and their success came from word of mouth instead of through traditional publicity. Clegg himself was arrested and beaten up by the police on several occasions for his activities and also for the band's lyrics. For some commentat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White South African
White South Africans generally refers to South Africans of European descent. In linguistic, cultural, and historical terms, they are generally divided into the Afrikaans-speaking descendants of the Dutch East India Company's original settlers, known as Afrikaners, and the Anglophone descendants of predominantly British colonists of South Africa. In 2016, 57.9% were native Afrikaans speakers, 40.2% were native English speakers, and 1.9% spoke another language as their mother tongue, such as Portuguese, Greek, or German. White South Africans are by far the largest population of White Africans. ''White'' was a legally defined racial classification during apartheid. Most Afrikaners trace their ancestry back to the mid-17th century and have developed a separate cultural identity, including a distinct language. The majority of English-speaking White South Africans trace their ancestry to the 1820 British, Irish and Dutch Settlers. The remainder of the White South African population c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mbaqanga
Mbaqanga () is a style of South African music with rural Zulu music, Zulu roots that continues to influence musicians worldwide today. The style originated in the early 1960s. History Historically, laws such as the Natives' Land Act, Land Act of 1913 to the Group Areas Act (1950) initially prevented black South Africans from integrating from different tribal communities, consequently making it almost impossible for most black native music artists to gain recognition beyond their tribal boundaries. The music genre mbaqanga developed during this time (1960s) and to this day most of the major record labels are white-owned companies with very few black artists that have contributed to their own material. In Zulu, the term ''mbaqanga'' means an everyday cornmeal porridge. ''Mbaqanga'' aficionados were mostly plebeian, metropolitan African jazz enthusiasts. Many of them were not permitted to establish themselves in the city, but they were unable to sustain themselves in the rural cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ladysmith Black Mambazo
Ladysmith Black Mambazo are a South African male choral group singing in the local vocal styles of ''isicathamiya'' and '' mbube''. They became known internationally after singing with Paul Simon on his 1986 album ''Graceland'', and have won multiple awards, including five Grammy Awards, dedicating their fifth Grammy to the late former President Nelson Mandela. Formed by Joseph Shabalala in 1960, Ladysmith Black Mambazo became one of South Africa's most prolific recording artists, with their releases receiving gold and platinum disc honours. The group became a mobile academy of South African cultural heritage through their African indigenous ''isicathamiya'' music. History Joseph Shabalala formed Ladysmith Black Mambazo because of a series of dreams he had in 1964, in which he heard certain ''isicathamiya'' harmonies (''isicathamiya'' being the traditional music of the Zulu people). Following their local success at wedding ceremonies and other gatherings, Shabalala entered th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Winnie Madikizela-Mandela
Winnie Madikizela-Mandela (born Nomzamo Winifred Zanyiwe Madikizela; 26 September 1936 – 2 April 2018), also known as Winnie Mandela, was a South African anti-apartheid activist and politician, and the second wife of Nelson Mandela. She served as a Member of Parliament from 1994 to 2003, and from 2009 until her death, and was a deputy minister of arts and culture from 1994 to 1996. A member of the African National Congress (ANC) political party, she served on the ANC's National Executive Committee and headed its Women's League. Madikizela-Mandela was known to her supporters as the "Mother of the Nation". Born to a Xhosa royal family in Bizana, and a qualified social worker, she married anti-apartheid activist Nelson Mandela in Johannesburg in 1958; they remained married for 38 years and had two children together. In 1963, after Mandela was imprisoned following the Rivonia Trial, she became his public face during the 27 years he spent in jail. During that period, she rose t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nelson Mandela 70th Birthday Tribute
The Nelson Mandela 70th Birthday Tribute was a popular-music concert staged on 11 June 1988 at Wembley Stadium, London, and broadcast to 67 countries and an audience of 600 million. Marking the forthcoming 70th birthday (18 July 1988) of the imprisoned anti-apartheid revolutionary Nelson Mandela, the concert was also referred to as ''Freedomfest'', ''Free Nelson Mandela Concert'' and ''Mandela Day''. In the United States, the Fox television network heavily censored the political aspects of the concert.Reed, T.V., ''The Art of Protest'', University of Minnesota Press, 2005, p. 174.Lee, Martin A., and Solomon, Norman, ''Unreliable Sources: A Guide to Detecting Bias in News Media''. . Quoted by Norman Solomon in Shirley, John, "Political and Corporate Censorship in the Land of the Free", ''Gauntlet'' No. 3, 1992.Morse, Steve (13 June 1988), ''The Boston Globe''. The concert is considered a notable example of anti-apartheid music. First of two Mandela events The Birthday Tribute ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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