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Saul (Handel)
''Saul'' ( HWV 53) is a dramatic oratorio in three acts written by George Frideric Handel with a libretto by Charles Jennens. Taken from the First Book of Samuel, the story of ''Saul'' focuses on the first king of Israel's relationship with his eventual successor, David—one which turns from admiration to envy and hatred, ultimately leading to the downfall of the eponymous monarch. The work, which Handel composed in 1738, includes the famous "Dead March", a funeral anthem for Saul and his son Jonathan, and some of the composer's most dramatic choral pieces. ''Saul'' was first performed at the King's Theatre in London on 16 January 1739. The work was a success at its London premiere and was revived by Handel in subsequent seasons. Notable modern-day performances of ''Saul'' include that at Glyndebourne in 2015. Background The German-born Handel had been resident in London since 1712 and had there enjoyed great success as a composer of Italian operas. His opportunities to ...
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George Frideric Handel By Balthasar Denner
George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George Washington, First President of the United States * George W. Bush, 43rd President of the United States * George H. W. Bush, 41st President of the United States * George V, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1910-1936 * George VI, King of Great Britain, Ireland, the British Dominions and Emperor of India from 1936-1952 * Prince George of Wales * George Papagheorghe also known as Jorge / GEØRGE * George, stage name of Giorgio Moroder * George Harrison, an English musician and singer-songwriter Places South Africa * George, Western Cape ** George Airport United States * George, Iowa * George, Missouri * George, Washington * George County, Mississippi * George Air Force Base, a former U.S. Air Force base located in California Characters * George (Peppa Pig), a 2-year-old pig ...
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Jean Racine
Jean-Baptiste Racine ( , ) (; 22 December 163921 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as ''Phèdre'', ''Andromaque'', and ''Athalie''. He did write one comedy, '' Les Plaideurs'', and a muted tragedy, ''Esther'' for the young. Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage. Biography Racine was born on 21 December 1639 in La Ferté-Milon ( Aisne) ...
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The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Sackbut
The term sackbut refers to the early forms of the trombone commonly used during the Renaissance music, Renaissance and Baroque music, Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change Pitch (music), pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore (wind instruments), bore, and its less-flared bell (wind instrument), bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one. Records of the term ''trombone'' predate the term ''sackbut'' by two decades, and evidence for the German term ''Posaune'' is even older.Timeline of trombone history (15th century)
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James Harris (grammarian)
James Harris, FRS (24 July 1709 – 22 December 1780) was an English politician and grammarian. He was the author of ''Hermes, a philosophical inquiry concerning universal grammar'' (1751). Life James Harris was born at Salisbury, Wiltshire, the son of James Harris (1674–1731) by his second marriage to Elizabeth (c. 1682–1744), daughter of Anthony Ashley Cooper, 2nd Earl of Shaftesbury. He was educated at the Salisbury Cathedral School, and Wadham College, Oxford. On leaving university he was entered at Lincoln's Inn as a student of law, though he was not intended for the Bar. The death of his father in 1733 brought him an independent fortune and Malmesbury House in Salisbury's Cathedral Close. Harris became a county magistrate. He was Member of Parliament for Christchurch from 1761 until his death, and Comptroller to the Queen from 1774 to 1780. He held political office under George Grenville: in January 1763 he became a lord of the admiralty, and in April that year a lo ...
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Tubal-cain
Tubal-cain or Tubalcain ( he, תּוּבַל קַיִן – ''Tūḇal Qayīn'') is a person mentioned in the Bible, in , known for being the first blacksmith. He is stated as the "forger of all instruments of bronze and iron". A descendant of Cain, he was the son of Lamech and Zillah. Tubal-cain was the brother of Naamah and half-brother of Jabal and Jubal. The Israeli kibbutz Tuval is named after him. Jewish narrative According to Rashi, Tubal-cain's name literally means "Cain's-Spices", with the Hebrew word Tū́ḇal () deriving from the word Tū́ḇlin () meaning spices. Rashi states that he was named this, because he "seasoned and improved the work of Cain". In other words, because he was a blacksmith, who helped to make weapons which could be used to kill more efficiently, he invokes his ancestor Cain's sin of murder. Furthermore according to Tanhuma bar Abba, one day, Tubal-cain and his father, Lamech, were hunting together with Tubal-cain serving as an aid for hi ...
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Tower Of London
The Tower of London, officially His Majesty's Royal Palace and Fortress of the Tower of London, is a historic castle on the north bank of the River Thames in central London. It lies within the London Borough of Tower Hamlets, which is separated from the eastern edge of the square mile of the City of London by the open space known as Tower Hill. It was founded towards the end of 1066 as part of the Norman Conquest. The White Tower (Tower of London), White Tower, which gives the entire castle its name, was built by William the Conqueror in 1078 and was a resented symbol of oppression, inflicted upon London by the new Normans, Norman ruling class. The castle was also used as a prison from 1100 (Ranulf Flambard) until 1952 (Kray twins), although that was not its primary purpose. A grand palace early in its history, it served as a royal residence. As a whole, the Tower is a complex of several buildings set within two concentric rings of defensive walls and a moat. There were severa ...
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Kettledrum
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian p ...
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Trombones
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as non-transposing instruments, reading at concert pitch in bass clef, wi ...
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Recitatives
Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer must perf ...
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Opera Seria
''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to about 1770. The term itself was rarely used at the time and only attained common usage once ''opera seria'' was becoming unfashionable and beginning to be viewed as something of a historical genre. The popular rival to ''opera seria'' was ''opera buffa,'' the 'comic' opera that took its cue from the improvisatory commedia dell'arte. Italian ''opera seria'' (invariably to Italian libretti) was produced not only in Italy but almost throughout Europe, and beyond (see Opera in Latin America, Opera in Cuba e. g.). Among the main centres in Europe were the court operas based in Warsaw (since 1628), Munich (founded in 1653), London (established in 1662), Vienna (firmly established 1709; first operatic representation: ''Il pomo d'oro'', 1668), ...
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Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Bible, Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western culture#Music, Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its Structure of Handel's Messiah, structure resembles that of Opera#The Baroque era, opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text ...
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