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Satsuma Ware
is a type of Japanese pottery originally from Satsuma Province, southern Kyūshū. Today, it can be divided into two distinct categories: the original plain dark clay made in Satsuma from around 1600, and the elaborately decorated ivory-bodied pieces which began to be produced in the nineteenth century in various Japanese cities. By adapting their gilded polychromatic enamel overglaze designs to appeal to the tastes of western consumers, manufacturers of the latter made Satsuma ware one of the most recognized and profitable export products of the Meiji period. Early history The precise origins and early innovations of Satsuma ware are somewhat obscure; however most scholars date its appearance to the late sixteenth or early seventeenth century. The Satsuma region was ripe for the development of kilns due to its access to local clay and proximity to the Korean peninsula. In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters were force ...
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Tea Storage Jar With Paulownia And Thunder Pattern LACMA M
Tea is an aromatic beverage prepared by pouring hot or boiling water over cured or fresh leaves of ''Camellia sinensis'', an evergreen shrub native to East Asia which probably originated in the borderlands of southwestern China and northern Myanmar. Tea is also rarely made from the leaves of ''Camellia taliensis''. After plain water, tea is the most widely consumed drink in the world. There are many different types of tea; some have a cooling, slightly bitter, and astringent flavour, while others have vastly different profiles that include sweet, nutty, floral, or grassy notes. Tea has a stimulating effect in humans primarily due to its caffeine content. An early credible record of tea drinking dates to the third century AD, in a medical text written by Chinese physician Hua Tuo. It was popularised as a recreational drink during the Chinese Tang dynasty, and tea drinking subsequently spread to other East Asian countries. Portuguese priests and merchants introduced it to E ...
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Brocade
Brocade is a class of richly decorative shuttle-woven fabrics, often made in colored silks and sometimes with gold and silver threads. The name, related to the same root as the word "broccoli", comes from Italian ''broccato'' meaning "embossed cloth", originally past participle of the verb ''broccare'' "to stud, set with nails", from ''brocco'', "small nail", from Latin ''broccus'', "projecting, pointed". Brocade is typically woven on a draw loom. It is a supplementary weft technique; that is, the ornamental brocading is produced by a supplementary, non-structural, weft in addition to the standard weft that holds the warp threads together. The purpose of this is to give the appearance that the weave was actually embroidered on. In Guatemala, brocade is the most popular technique used to decorate fabric woven by Maya weavers on backstrap looms. Ornamental features in brocade are emphasized and wrought as additions to the main fabric, sometimes stiffening it, though more fre ...
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James Lord Bowes
James Lord Bowes (21 June 1834 – 27 October 1899) was a wealthy Liverpool (UK) wool broker, art collector and patron of the arts, author and authority on Japan and its art, and benefactor. In 1888 he was appointed the first foreign-born Japanese Consul in Great Britain, a post he held until his sudden death in 1899 at the age of 65. In 1890, in the grounds of Streatlam Tower, his home in the Toxteth area of Liverpool, he opened to the public the first dedicated museum of Japanese art in the western world. James Lord Bowes was born in Horsforth, Leeds, UK, the youngest of six surviving children of John Bowes (Wool Stapler) and Elizabeth Bowes (née Lord). The family moved to Liverpool sometime between 1840-1845 after the death of John Bowes. History As a young man, Bowes attended the Liverpool Collegiate Institution, a short distance from his home in the Islington area of Liverpool. Upon leaving college, he worked for nearly seven years in a merchant's office gaining useful e ...
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George Ashdown Audsley
George Ashdown Audsley (September 6, 1838 – June 21, 1925) was an accomplished architect, artist, illustrator, writer, decorator and pipe organ designer who excelled in many artistic fields but is perhaps best known today for having designed the Wanamaker Organ in Philadelphia. Life Born September 6, 1838, in Elgin, Scotland, Audsley apprenticed with A. & W. Reid, architects there. In 1856, he followed his older brother, William James Audsley to Liverpool, England, and was employed by architect John Weightman. By 1860, Audsley & Co., architects and makers of mounts and passe-partout, was established. The firm was eventually named W. & G. Audsley and completed ten churches in the Gothic Revival Style in the Liverpool area. An eclectic style was used for synagogues built in Liverpool and London. The firm's secular buildings, such as the Layton Art Gallery in Milwaukee, WI, USA, closely followed the style of Alexander Thomson (1817-1875), featuring Greek, Egyptian and Hind ...
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Tokugawa Shogunate
The Tokugawa shogunate (, Japanese 徳川幕府 ''Tokugawa bakufu''), also known as the , was the military government of Japan during the Edo period from 1603 to 1868. Nussbaum, Louis-Frédéric. (2005)"''Tokugawa-jidai''"in ''Japan Encyclopedia'', p. 978.Nussbaum"''Edo-jidai''"at p. 167. The Tokugawa shogunate was established by Tokugawa Ieyasu after victory at the Battle of Sekigahara, ending the civil wars of the Sengoku period following the collapse of the Ashikaga shogunate. Ieyasu became the ''shōgun,'' and the Tokugawa clan governed Japan from Edo Castle in the eastern city of Edo (Tokyo) along with the ''daimyō'' lords of the ''samurai'' class.Nussbaum"Tokugawa"at p. 976. The Tokugawa shogunate organized Japanese society under the strict Tokugawa class system and banned most foreigners under the isolationist policies of ''Sakoku'' to promote political stability. The Tokugawa shoguns governed Japan in a feudal system, with each ''daimyō'' administering a ''han'' (f ...
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Wicker
Wicker is the oldest furniture making method known to history, dating as far back as 5,000 years ago. It was first documented in ancient Egypt using pliable plant material, but in modern times it is made from any pliable, easily woven material. The word ''wicker'' or "wisker" is believed to be of Scandinavian origin: , which means "to fold" in Swedish, and meaning willow. Wicker is traditionally made of material of plant origin, such as willow, rattan, reed, and bamboo, but synthetic fibers are now also used. Wicker is light yet sturdy, making it suitable for items that will be moved often like porch and patio furniture. ''Rushwork'' and wickerwork are terms used in England. A typical braiding pattern is called ''Wiener Geflecht'', Viennese Braiding, as it was invented in 18th century Vienna and later most prominently used with the Thonet coffeehouse chair. History Wicker has been documented as far back as ancient Egypt, made from indigenous "reed and swamp grasses." Middle ...
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Lacquerware
Lacquerware are objects decoratively covered with lacquer. Lacquerware includes small or large containers, tableware, a variety of small objects carried by people, and larger objects such as furniture and even coffins painted with lacquer. Before lacquering, the surface is sometimes painted with pictures, inlaid with shell and other materials, or carved. The lacquer can be dusted with gold or silver and given further decorative treatments. East Asian countries have long traditions of lacquer work, going back several thousand years in the cases of China, Japan and Korea. The best known lacquer, an urushiol-based lacquer common in East Asia, is derived from the dried sap of ''Toxicodendron vernicifluum''. Other types of lacquers are processed from a variety of plants and insects. The traditions of lacquer work in Southeast Asia, South Asia and the Americas are also ancient and originated independently. True lacquer is not made outside Asia, but some imitations, such as Japanning ...
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Boshin War
The , sometimes known as the Japanese Revolution or Japanese Civil War, was a civil war in Japan fought from 1868 to 1869 between forces of the ruling Tokugawa shogunate and a clique seeking to seize political power in the name of the Imperial Court. The war stemmed from dissatisfaction among many nobles and young samurai with the shogunate's handling of foreigners following the opening of Japan during the prior decade. Increasing Western influence in the economy led to a decline similar to that of other Asian countries at the time. An alliance of western samurai, particularly the domains of Chōshū, Satsuma, and Tosa, and court officials secured control of the Imperial Court and influenced the young Emperor Meiji. Tokugawa Yoshinobu, the sitting ''shōgun'', realizing the futility of his situation, abdicated and handed over political power to the emperor. Yoshinobu had hoped that by doing this the House of Tokugawa could be preserved and participate in the future gover ...
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Daimyō
were powerful Japanese magnates, feudal lords who, from the 10th century to the early Meiji era, Meiji period in the middle 19th century, ruled most of Japan from their vast, hereditary land holdings. They were subordinate to the shogun and nominally to the Emperor of Japan, emperor and the ''kuge''. In the term, means 'large', and stands for , meaning 'private land'. From the ''shugo'' of the Muromachi period through the Sengoku period, Sengoku to the ''daimyo'' of the Edo period, the rank had a long and varied history. The backgrounds of ''daimyo'' also varied considerably; while some ''daimyo'' clans, notably the Mōri clan, Mōri, Shimazu clan, Shimazu and Hosokawa clan, Hosokawa, were cadet branches of the Imperial family or were descended from the ''kuge'', other ''daimyo'' were promoted from the ranks of the samurai, notably during the Edo period. ''Daimyo'' often hired samurai to guard their land, and they paid the samurai in land or food as relatively few could aff ...
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Exposition Universelle (1867)
The International Exposition of 1867 (french: Exposition universelle 'art et d'industriede 1867), was the second world's fair to be held in Paris, from 1 April to 3 November 1867. A number of nations were represented at the fair. Following a decree of Emperor Napoleon III, the exposition was prepared as early as 1864, in the midst of the renovation of Paris, marking the culmination of the Second French Empire. Visitors included Tsar Alexander II of Russia, a brother of the King William and Otto von Bismarck of Prussia, Prince Metternich and Franz Josef of Austria, Ottoman Sultan Abdülaziz, and the Khedive of Egypt Isma'il. Conception In 1864, Napoleon III issued a decree stating that an international exposition should be held in Paris in 1867. A commission was appointed with Prince Jerome Napoleon as president, under whose direction the preliminary work began. The site chosen for the Exposition Universelle of 1867 was the Champ de Mars, the great military parade ground ...
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Bowl Detail, C
A bowl is a typically round dish or container generally used for preparing, serving, or consuming food. The interior of a bowl is characteristically shaped like a spherical cap, with the edges and the bottom forming a seamless curve. This makes bowls especially suited for holding liquids and loose food, as the contents of the bowl are naturally concentrated in its center by the force of gravity. The exterior of a bowl is most often round but can be of any shape, including rectangular. The size of bowls varies from small bowls used to hold a single serving of food to large bowls, such as punch bowls or salad bowls, that are often used to hold or store more than one portion of food. There is some overlap between bowls, cups, and plates. Very small bowls, such as the tea bowl, are often called cups, while plates with especially deep wells are often called bowls. In many cultures bowls are the most common kind of vessel used for serving and eating food. Historically small bowls w ...
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Negative Space
Negative space, in art, is the empty space around and between the subject(s) of an image. Negative space may be most evident when the space around a subject, not the subject itself, forms an interesting or artistically relevant shape, and such space occasionally is used to artistic effect as the "real" subject of an image. Overview The use of negative space is a key element of artistic composition. The Japanese word " ma" is sometimes used for this concept, for example in garden design. In a composition, the positive space has the more visual weight while the surrounding space - that is less visually important is seen as the negative space. In a two-tone, black-and-white image, a subject is normally depicted in black and the space around it is left blank (white), thereby forming a silhouette of the subject. Reversing the tones so that the space around the subject is printed black and the subject itself is left blank, however, causes the negative space to be apparent as it fo ...
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