Sarcophagus Of The Satrap
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Sarcophagus Of The Satrap
The Sarcophagus of the Satrap is an ancient marble funerary monument discovered at the Royal necropolis of Ayaa, Ayaa Necropolis in Sidon, present-day Lebanon, and is believed to originate from the Achaemenid Empire, Achaemenid Persian Empire period (the mid-5th century BCE). The reliefs are believed to depict a Persian Satrap, whose body is assumed to have inhabited the tomb. It holds historical significance for its artistic craftsmanship and cultural insights, particularly the cultural mixing in the area at the time, between Greek, Persian and Levantine cultures. It is currently at the Istanbul Archaeology Museums. Scenes The primary artistic feature is the intricate bas-reliefs on the sides of the sarcophagus: a banquet scene on one end, and a journey scene and a hunt scene on either of the two long sides. The banquet scene, where the satrap is reclining on a lavish couch, partaking in feasting and merrymaking, shows the satrap depicted regally, alluding to his high status. ...
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Nymphaea
''Nymphaea'' () is a genus of hardy and tender aquatic plants in the family Nymphaeaceae. The genus has a cosmopolitan distribution. Many species are cultivated as ornamental plants, and many cultivars have been bred. Some taxa occur as introduced species where they are not native,''Nymphaea''.
Flora of North America.
and some are s.''Nymphaea''.
The Jepson eFlora 2013.
Plants of the genus are known commonly as water lilies,
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Hellenistic Art
Hellenistic art is the art of the Hellenistic period generally taken to begin with the death of Alexander the Great in 323 BC and end with the conquest of the Greek world by the Romans, a process well underway by 146 BCE, when the Greek mainland was taken, and essentially ending in 30 BCE with the conquest of Ptolemaic Egypt following the Battle of Actium. A number of the best-known works of Greek sculpture belong to this period, including ''Laocoön and His Sons'', ''Venus de Milo'', and the ''Winged Victory of Samothrace''. It follows the period of Classical Greek art, while the succeeding Greco-Roman art was very largely a continuation of Hellenistic trends. The term ''Hellenistic'' refers to the expansion of Greek influence and dissemination of its ideas following the death of Alexander – the "Hellenizing" of the world, with Koine Greek as a common language. The term is a modern invention; the Hellenistic World not only included a huge area covering the whole of the Aege ...
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History Of Sidon
Sidon is one of the oldest inhabited cities in the world and has a rich and diverse history that spans over 6,000 years. The city's name has changed over time and has been known by various names, including Sidun, Saida, and Saïd. The earliest evidence of human settlement in the area dates back to the Neolithic period, around 4000 BCE. Sidon rose to prominence during the Bronze Age and became one of the most important city-states in the region. It was a major center for trade and commerce and played a significant role in the Mediterranean trade network. The city's strategic coastal location made it a hub for maritime activities. In the years before Christianity, Sidon had many conquerors: Assyrians, Babylonians, Egyptians, Persians, Greeks, and finally Romans. Herod the Great visited Sidon. Both Jesus and Saint Paul are said to have visited it, too. The city was eventually conquered by the Arabs and then by the Ottoman Turks. Prehistory Sidon has been inhabited since very ear ...
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5th-century BC Sculptures
The 5th century is the time period from 401 ( CDI) through 500 ( D) ''Anno Domini'' (AD) or Common Era (CE) in the Julian calendar. The 5th century is noted for being a period of migration and political instability throughout Eurasia. It saw the collapse of the Western Roman Empire, which came to an end in 476 AD. This empire had been ruled by a succession of weak emperors, with the real political might being increasingly concentrated among military leaders. Internal instability allowed a Visigoth army to reach and ransack Rome in 410. Some recovery took place during the following decades, but the Western Empire received another serious blow when a second foreign group, the Vandals, occupied Carthage, capital of an extremely important province in Africa. Attempts to retake the province were interrupted by the invasion of the Huns under Attila. After Attila's defeat, both Eastern and Western empires joined forces for a final assault on Vandal North Africa, but this campaign was a sp ...
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Persian Art
Persian art or Iranian art () has one of the richest art heritages in world history and has been strong in many media including architecture, painting, weaving, pottery, calligraphy, metalworking and sculpture. At different times, influences from the art of neighbouring civilizations have been very important, and latterly Persian art gave and received major influences as part of the wider styles of Islamic art. This article covers the art of Persia up to 1925, and the end of the Qajar dynasty; for later art see Iranian modern and contemporary art, and for traditional crafts see arts of Iran. Rock art in Iran is its most ancient surviving art. Iranian architecture is covered at that article. From the Achaemenid Empire of 550 BC–330 BC for most of the time a large Iranian-speaking state has ruled over areas similar to the modern boundaries of Iran, and often much wider areas, sometimes called Greater Iran, where a process of cultural Persianization left enduring results even w ...
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Greek Art
Greek art began in the Cycladic and Minoan civilization, and gave birth to Western classical art in the subsequent Geometric, Archaic and Classical periods (with further developments during the Hellenistic Period). It absorbed influences of Eastern civilizations, of Roman art and its patrons, and the new religion of Orthodox Christianity in the Byzantine era and absorbed Italian and European ideas during the period of Romanticism (with the invigoration of the Greek Revolution), until the Modernist and Postmodernist. Greek art is mainly five forms: architecture, sculpture, painting, pottery and jewelry making. Ancient period Artistic production in Greece began in the prehistoric pre-Greek Cycladic and the Minoan civilizations, both of which were influenced by local traditions and the art of ancient Egypt. There are three scholarly divisions of the stages of later ancient Greek art that correspond roughly with historical periods of the same names. These are the Archai ...
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Ionic Order
The Ionic order is one of the three canonic orders of classical architecture, the other two being the Doric and the Corinthian. There are two lesser orders: the Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. The Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital, which have been the subject of much theoretical and practical discourse, based on a brief and obscure passage i ...
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Palmette
The palmette is a motif in decorative art which, in its most characteristic expression, resembles the fan-shaped leaves of a palm tree. It has a far-reaching history, originating in ancient Egypt with a subsequent development through the art of most of Eurasia, often in forms that bear relatively little resemblance to the original. In ancient Greek and Roman uses it is also known as the anthemion (from the Greek ανθέμιον, a flower). It is found in most artistic media, but especially as an architectural ornament, whether carved or painted, and painted on ceramics. It is very often a component of the design of a frieze or border. The complex evolution of the palmette was first traced by Alois Riegl in his ''Stilfragen'' of 1893. The half-palmette, bisected vertically, is also a very common motif, found in many mutated and vestigial forms, and especially important in the development of plant-based scroll ornament. Description The essence of the palmette is a symmetrical ...
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Istanbul Archaeological Museum Satrap Sarcophagus Long Side Satrap About To Go On A Journey 4021
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