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Sappho Painter
Sappho Painter was an Attica, Attic black-figure vase painter, active . His name vase is a ''Kalpis (pottery), kalpis'' depicting the poet Sappho, currently held by the National Museum, Warsaw (Inv. 142333). The hand of the Sappho Painter has been identified on 95 vessels, 70% of which are ''Lekythos, lekythoi''. His work has been also seen on tomb wall slabs and Epinetron, epinetra. Nearly half of his paintings are of the White ground technique, white-ground style. He apparently avoided the then-predominant red-figure technique, but sometimes used Six's technique whereby figures are laid on a black surface in white or red and details are incised so that the black shows through.Mommsen, Heide, "Sappho Painter", in: ''Realencyclopädie der classischen Altertumswissenschaft, Brill's New Pauly'', Antiquity volumes edited by: Hubert Cancik and Helmuth Schneider He was influenced and possibly trained by the Edinburgh Painter, and shared a workshop with the Diosophos Painter. Refere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo Mousai Louvre L27
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label=Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Twelve Olympians, Olympian deities in Ancient Greek religion, classical Greek and Ancient Roman religion, Roman religion and Greek mythology, Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Ground Technique
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main techniques of black-figure and red-figure vase painting. Nevertheless, a wide range of subjects are depicted. Technique and style In white-ground pottery, the vase is covered with a light or white slip of kaolinite. A similar slip had been used as carrier for vase paintings in the Geometric and Archaic periods. White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Vase Painters
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edinburgh Painter
The Edinburgh Painter was an Attic black-figure vase painter, active around 500 BC. His speciality was white-ground '' lekythoi'' painted in the black-figure style. His real name is unknown. His conventional name is derived from his name vase in Edinburgh, National Museum of Scotland 1956.436. Gallery Image:NAMA Pélée, Achille & Chiron.jpg, ''Lekythos'', Peleas, Achilles and Cheiron, Athens, National Museum 550 Image:NAMA Thésée & taureau.jpg, ''Lekythos'', Theseus and the bull, Athens, National Museum 1124 Image:NAMA Ulysse & sirène 1.jpg, ''Lekythos'', Odysseus and a siren, Athens, National Museum 1130 Image:Edinburgh P 1872.23.12.JPG, Name vase, Edinburgh, National Museums of Scotland MoS 1872.23.12 Bibliography * C. H. Emilie Haspels: ''Attic black-figured lekythoi'', Paris 1936, p. 86-89. 215-221. * John Beazley: ''Attic Black-Figure Vase-Painters'', Oxford 1956, p. 476-480. * John Boardman: ''Schwarzfigurige Vasen aus Athen. Ein Handbuch'', Mainz 1977, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Six's Technique
Six's technique is the modern name for a technique used by Attic black-figure vase painters that involves laying on figures in white or red on a black surface and incising the details so that the black shows through. It was first described by the Dutch scholar Jan Six in 1888, and was given its English name by J. D. Beazley.Beazley, in ''Greek Vases in Poland'', 1928 Around 530 BCE, the technique began to be used regularly for decorating the whole vase, rather than for details as in previous practice. The effect is similar to red-figure painting. Nikosthenes, Psiax, and the Diosphos Painter were among the early users of the technique. It remained in use until the mid-5th century, when it can be observed on a small number of oenochoe from the Haimon painter workshop. See also * Corpus vasorum antiquorum Corpus Vasorum Antiquorum ("corpus of ancient vases"; abbreviated CVA) is an international research project for documentation of ancient ceramics. Its original ideal target c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red-figure
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens and fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epinetron
The ''epinetron'' ( el, ἐπίνητρον, : ''epinetra'', ἐπίνητρα; "distaff"); Beazley also called them ''onoi'', : ''onos'') was a shape of Attic pottery worn on the thighs of women during the preparation of wool, not unlike a thimble for the thigh. Decorated ''epinetra'' were placed on the graves of unmarried girls, or dedicated at temples of female deities. Because of the strong association between wool-working and the ideal woman and wife—as in the case of Penelope weaving in the ''Odyssey''—it is a shape associated with the wedding A wedding is a ceremony where two people are united in marriage. Wedding traditions and customs vary greatly between cultures, ethnic groups, religions, countries, and social classes. Most wedding ceremonies involve an exchange of marriage vo .... Its decoration was not exclusively related to its own use, though it often was. Often the top surface was incised to make it rough in order to rub the wool fibers. There was often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attica
Attica ( el, Αττική, Ancient Greek ''Attikḗ'' or , or ), or the Attic Peninsula, is a historical region that encompasses the city of Athens, the capital of Greece and its countryside. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The southern tip of the peninsula, known as Laurion, was an important mining region. The history of Attica is tightly linked with that of Athens, and specifically the Golden Age of Athens during the classical period. Ancient Attica ( Athens city-state) was divided into demoi or municipalities from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (''astu'') in the region of Athens main city and Piraeus (port of Athens), coastal (''paralia'') along the coastline and inland (''mesogeia'') in the interior. The modern administrative region of Attica is more extensive than the historical region and includes Megaris as part of the regional unit West Attica, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lekythos
A lekythos (plural lekythoi) is a type of ancient Greek vessel used for storing oil (Greek λήκυθος), especially olive oil. It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; the oinochoe is more like a modern jug. In the "shoulder" and "cylindrical" types which became the most common, especially the latter, the sides of the body are usually vertical by the shoulder, and there is then a sharp change of direction as the neck curves in; the base and lip are normally prominent and flared. However, there are a number of varieties, and the word seems to have been used even more widely in ancient times than by modern archeologists. They are normally in pottery, but there are also carved stone examples. Lekythoi were especially associated with funerary rites, and with the white ground technique of vase painting, which was too fragile for most items in regular use. Because of their handle they were norma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Museum, Warsaw
The National Museum in Warsaw ( pl, Muzeum Narodowe w Warszawie), popularly abbreviated as MNW, is a national museum in Warsaw, one of the largest museums in Poland and the largest in the capital. It comprises a rich collection of ancient art ( Egyptian, Greek, Roman), counting about 11,000 pieces, an extensive gallery of Polish painting since the 16th century and a collection of foreign painting ( Italian, French, Flemish, Dutch, German and Russian) including some paintings from Adolf Hitler's private collection, ceded to the museum by the American authorities in post-war Germany. The museum is also home to numismatic collections, a gallery of applied arts and a department of oriental art, with the largest collection of Chinese art in Poland, comprising some 5,000 objects. The museum boasts the Faras Gallery with Europe's largest collection of Nubian Christian art and the Gallery of Medieval Art with artefacts from all regions historically associated with Poland, supplement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
