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Sanxian County
The (, literally "three strings") is a three-stringed traditional Chinese lute. It has a long fretless fingerboard, and the body is traditionally made from snake skin stretched over a rounded rectangular resonator. It is made in several sizes for different purposes and in the early 20th century a four-stringed version, the ''jiaxian sanxian'' (加弦三弦), was developed. The northern is generally larger, at about in length, while southern versions of the instrument are usually about in length. History It has been suggested that ''sanxian'', a form of spike lute, may have its origin in the Middle East, and older forms of spike lute were also found in ancient Egypt. Similar instruments may have been present in China as early as the Qin dynasty as ''qin pipa'' (''pipa'' was used as a generic term in ancient China for many other forms of plucked chordophones) or ''xiantao'' (弦鼗), which the Qinqin and Ruan also come from. Some thought that the instrument may have been re-in ...
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List Of Traditional Chinese Musical Instruments
Chinese musical instruments are traditionally grouped into eight categories known as (). The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups. The grouping of instruments in material categories in China is one of the first musical groupings ever devised. Silk (絲) Silk () instruments are mostly stringed instruments (including those that are plucked, bowed, and struck). Since ancient times, the Chinese have used twisted silk for strings, though today metal or nylon are more frequently used. Instruments in the silk category include: Plucked Bowed Struck Combined * () – a combination of the , , and with 50 or more steel strings. * () - strucked and bowed zither from Shandong, China. Bamboo ( 竹) Bamboo () mainly refers to woodwind instruments, which includes; Flutes Free reed pipes Single reed pipes Double reed pipes Wood (木) Most wood () instrume ...
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Yuan Dynasty
The Yuan dynasty (), officially the Great Yuan (; xng, , , literally "Great Yuan State"), was a Mongol-led imperial dynasty of China and a successor state to the Mongol Empire after its division. It was established by Kublai, the fifth khagan-emperor of the Mongol Empire from the Borjigin clan, and lasted from 1271 to 1368. In orthodox Chinese historiography, the Yuan dynasty followed the Song dynasty and preceded the Ming dynasty. Although Genghis Khan had been enthroned with the Han-style title of Emperor in 1206 and the Mongol Empire had ruled territories including modern-day northern China for decades, it was not until 1271 that Kublai Khan officially proclaimed the dynasty in the traditional Han style, and the conquest was not complete until 1279 when the Southern Song dynasty was defeated in the Battle of Yamen. His realm was, by this point, isolated from the other Mongol-led khanates and controlled most of modern-day China and its surrounding areas, including ...
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Manchu
The Manchus (; ) are a Tungusic East Asian ethnic group native to Manchuria in Northeast Asia. They are an officially recognized ethnic minority in China and the people from whom Manchuria derives its name. The Later Jin (1616–1636) and Qing (1636–1912) dynasties of China were established and ruled by the Manchus, who are descended from the Jurchen people who earlier established the Jin dynasty (1115–1234) in northern China. Manchus form the largest branch of the Tungusic peoples and are distributed throughout China, forming the fourth largest ethnic group in the country. They can be found in 31 Chinese provincial regions. Among them, Liaoning has the largest population and Hebei, Heilongjiang, Jilin, Inner Mongolia and Beijing have over 100,000 Manchu residents. About half of the population live in Liaoning and one-fifth in Hebei. There are a number of Manchu autonomous counties in China, such as Xinbin, Xiuyan, Qinglong, Fengning, Yitong, Qingyuan, Weichang, ...
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Kunqu Opera
Kunqu (), also known as Kunju (), K'un-ch'ü, Kun opera or Kunqu Opera, is one of the oldest extant forms of Chinese opera. Kunqu is one of the oldest traditional operas of the Han nationality, and is also a treasure of Chinese traditional culture and art, especially opera art. It evolved from the local melody of Kunshan and later came to dominate Chinese theater from the 16th to the 18th centuries. The style originated in the Wu cultural area. It has been listed as one of the Masterpieces of the Oral and Intangible Heritage of Humanity by UNESCO since 2001. Since the mid-Ming Dynasty, Wei Liang Fu has been the sole leader of Chinese opera for nearly 300 years. In 2006, it was listed on the first national intangible cultural heritage list. In 2008, it was included in the List of Representative Works of Intangible Cultural Heritage of Humanity. In December 2018, the General Office of the Ministry of Education announced that Peking University is the base for inheriting excellent ...
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Beijing Opera
Peking opera, or Beijing opera (), is the most dominant form of Chinese opera, which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as (). It has also spread to other regions such as the United States and Japan. Peking opera features four main role types, '' sheng'' (gentlemen), ''dan'' (women), '' jing'' (rough men), and '' chou'' (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera's characteristically sparse stage. They use the ...
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Suzhou Pingtan
''Pingtan'' (), also known as Suzhou pingtan, is a regional variety of ''quyi'' and a musical/oral performance art form popular in southern Jiangsu, northern Zhejiang, and Shanghai (the Jiangnan region of China). It originated in the city of Suzhou. It is a combination of the Chinese narrative musical traditions ''pinghua'' and ''tanci''. It dates back to Song dynasty and is influenced by Wuyue culture. Created by the work of the Pingtan artists, this art form enjoys great popularity in Jiangnan. The long history has also laid a solid foundation for its development. Its contents are rich, though the form is simple. "story telling, joke cracking, music playing and aria singing" are the performing techniques, while "reasoning, tastes, unexpectedness, interest and minuteness" are the artistic features. Although it originated in Suzhou, Pingtan flourished in Shanghai with the development of commerce and culture at the turn of the 19th century and the 20th century. After that, Pingta ...
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Jiangnan Sizhu
''Jiangnan sizhu'' () is a style of traditional Chinese instrumental music from the Jiangnan region of China. Name The name ''Jiangnan sizhu'' (江南丝竹 pinyin: Jiāngnán sīzhú) is made up of two parts. ''Jiangnan'' is the traditional name for the area south of the lower reaches of the Yangtze river in southern Jiangsu, Shanghai, and northern Zhejiang. ''Sizhu'', literally "silk and bamboo," refers to string and wind musical instruments, silk being the traditional material from which strings have historically been made in China, and bamboo being the material from which the Chinese flutes such as the '' dizi'' and '' xiao'' are made. The term ''sizhu'' by extension also came to refer to instrumental music in general, especially that played indoors. Other ''sizhu'' traditions also exist, particularly along China's ...
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Nanguan Music
Nanguan (; also ''nanyin'', ''nanyue'', ''xianguan'', or ''nanqu'') is a style of Chinese classical music from the southern Chinese province of Fujian. It is also popular in Taiwan, particularly Lukang on west coast, as well as among Overseas Chinese in Southeast Asia. Fujian is a mountainous coastal province of China. Its provincial capital is Fuzhou, while Quanzhou was a major port in the 7th century CE, the period between the Sui and Tang eras. Situated upon an important maritime trade route, it was a conduit for elements of distant cultures. The result was what is now known as ''nanguan'' music, which today preserves many archaic features. It is a genre strongly associated with male-only community amateur musical associations ( quguan or "song-clubs"), each formerly generally linked to a particular temple, and is viewed as a polite accomplishment and a worthy social service, distinct from the world of professional entertainers. It is typically slow, gentle, delicate and melo ...
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Chinese Orchestra
The term Chinese orchestra is most commonly used to refer to the modern Chinese orchestra that is found in China and various overseas Chinese communities. This modern Chinese orchestra first developed out of Jiangnan sizhu ensemble in the 1920s into a form that is based on the structure and principles of a Western symphony orchestra but using Chinese instruments. The orchestra is divided into four sections – wind, plucked strings, bow strings, and percussion, and usually performs modernized traditional music called ''guoyue''. The orchestra may be referred to as ''Minzu Yuetuan'' () or ''Minyuetuan'' () in mainland China, ''Chung Ngok Tuen'' () in Hong Kong, ''Huayuetuan'' () in Southeast Asia, or ''Guoyuetuan'' () in Taiwan, all meaning Chinese orchestra. The term modern Chinese orchestra is sometimes used to distinguish the current form from ancient Chinese orchestras that existed since the Shang dynasty and was used in royal courts and later during Confucian ceremonies. Anc ...
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Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by placing ...
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Range (music)
In music, the range, or chromatic range, of a musical instrument is the distance from the lowest to the highest pitch it can play. For a singing voice, the equivalent is vocal range. The range of a musical part is the distance between its lowest and highest note. Compass Among British English speakers, and perhaps others, compass means the same thing as chromatic range—the interval between the lowest and highest note attainable by a voice or musical instrument. Other ranges The terms sounding range, written range, designated range, duration range and dynamic range have specific meanings. The sounding range"Music theory online : musical instrument ranges & names", Brian Blood, Dolmetsch.com, 2009, webpage: Dolmetsch-M29 refers to the pitches produced by an instrument, while the written range refers to the compass (span) of notes written in the sheet music, where the part is sometimes transposed for convenience. A piccolo, for example, typically has a sounding range one oct ...
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Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Histo ...
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