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Santi Pietro E Paolo, Buonconvento
Santi Pietro e Paolo is a Baroque-style, Roman Catholic parish church located in the center of the town of Buonconvento, region of Tuscany, Italy. History A church at the site dates to 1103, but was refurbished in the 18th century, with the brick facade completed in 1723. The belltower dates to the early 19th century. History recalls that in 24 August 1313, Henry VII of Luxembourg, Holy Roman Emperor died likely of malaria, at the age of 40 during the course of a siege of Siena. The church was severely damaged during an incursion of troops from Perugia in 1358. The church was enriched by its position in the pilgrimage route to Rome. An inventory from 1895 listed the following works: a frescoed medieval icon of the Madonna, and a ''St Catherine of Alexandria'' by a painter of the Nasini family, a ''St Dominic'' by Stefano Volpi, an Immaculate Conception by Giacomo Pacchiarotti; and a ''Virgin of the Assumption'' by Arcangelo Salimbeni. The sacristy had paintings attribu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lippo Memmi
Lippo Memmi (c. 1291 – 1356) was an Italian painter from Siena. He was the foremost follower of Simone Martini, who was his brother-in-law. Together with Martini, in 1333 he painted what is regarded as one of the masterworks of the International Gothic, the ''Annunciation with St. Margaret and St. Ansanus'' (now in the Uffizi), probably mainly working on the two saints. He was one of the artists who worked at Orvieto Cathedral, for which he finished the '' Virgin of Mercy'' ("Madonna dei Raccomandati"). Later he followed Martini to the Papal court in Avignon, where he worked until the mid-14th century. After his return to Siena, Memmi continued to work until his death in 1356. Memmi's famed artwork, ''La Madonna della Febbre'' was the first venerated image of the Blessed Virgin Mary granted with a Canonical coronation by a Pope on 27 May 1631. The image has long been since held miraculous and is enshrined at the Sacristy chapel of the Blessed Sacrament inside Saint Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
18th-century Roman Catholic Church Buildings In Italy
The 18th century lasted from January 1, 1701 ( MDCCI) to December 31, 1800 ( MDCCC). During the 18th century, elements of Enlightenment thinking culminated in the American, French, and Haitian Revolutions. During the century, slave trading and human trafficking expanded across the shores of the Atlantic, while declining in Russia, China, and Korea. Revolutions began to challenge the legitimacy of monarchical and aristocratic power structures, including the structures and beliefs that supported slavery. The Industrial Revolution began during mid-century, leading to radical changes in human society and the environment. Western historians have occasionally defined the 18th century otherwise for the purposes of their work. For example, the "short" 18th century may be defined as 1715–1789, denoting the period of time between the death of Louis XIV of France and the start of the French Revolution, with an emphasis on directly interconnected events. To historians who exp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Architecture In Tuscany
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Russia. By ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Churches In The Province Of Siena
Church may refer to: Religion * Church (building), a building for Christian religious activities * Church (congregation), a local congregation of a Christian denomination * Church service, a formalized period of Christian communal worship * Christian denomination, a Christian organization with distinct doctrine and practice * Christian Church, either the collective body of all Christian believers, or early Christianity Places United Kingdom * Church (Liverpool ward), a Liverpool City Council ward * Church (Reading ward), a Reading Borough Council ward * Church (Sefton ward), a Metropolitan Borough of Sefton ward * Church, Lancashire, England United States * Church, Iowa, an unincorporated community * Church Lake, a lake in Minnesota Arts, entertainment, and media * '' Church magazine'', a pastoral theology magazine published by the National Pastoral Life Center Fictional entities * Church (''Red vs. Blue''), a fictional character in the video web series ''Red vs. Blue'' * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolo Di Fredi
Bartolo di Fredi (c. 1330 – 26 January 1410), also called Bartolo Battiloro, was an Italian painter, born in Siena, classified as a member of the Sienese School. Biography He had a large studio and was one of the most influential painters working in Siena and the surrounding towns in the second half of the fourteenth century. He registered in the Guild of that city in 1355; he had several children, who all died before him, with the exception of Andrea di Bartolo. He was the companion of Andrea Vanni from 1353, and helped decorate the Hall of Council at Siena, in 1361. From 1356 he worked in the Collegiata, or principal church, of San Gimignano, some 30 km from Siena, where he painted the entire side of the left aisle with a cycle of frescoes of ''Scenes from the Old Testament''; the completed work was signed and dated in 1367. In 1366 the Council of the city of Gimignano ordered a painting, representing ''Two Monks of the Augustine Order'' to be placed in the Palazzo Pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo D'Arte Sacra Della Val D'Arbia
The Museo d'Arte Sacra della Val d'Arbia is a small museum of religious art in Buonconvento, in the Val d'Arbia to the south of Siena, in Tuscany in central Italy. It contain a number of paintings by important artists of the Sienese School, among them Duccio di Buoninsegna, Sano di Pietro and Pietro Lorenzetti. The museum is housed in the Palazzo Ricci Socini, close to the parish church of Santi Pietro e Paolo. History The museum was started by the parish priest, Crescenzio Massari, in 1926, and has since expanded. A number of works were originally in various churches in the area. Collection The museum holds paintings by several important artists of the Sienese School. Among them are: * a tetraptych of the ''Annunciation'', painted in 1397 by Andrea di Bartolo * a ''Madonna and Child'' (the "''Madonna di Buonconvento''") by Duccio di Buoninsegna * the ''Madonna del Latte'' of Luca di Tommè * a ''Madonna and Child with Two Angels'' by Matteo di Giovanni, painted be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sano Di Pietro
Sano di Pietro or Ansano di Pietro di Mencio (1405–1481) was an Italian painter of the Sienese school of painting. He was active for about half a century during the Quattrocento period, and his contemporaries included Giovanni di Paolo and Sassetta. Life Sano was born in 1405. His name entered the roll of painters in 1428 where it remained until his death in 1481. In addition to his own painting and overseeing the pupils and assistants in his workshop, Sano was part of the civic fabric of Siena; in 1431 and 1442 he was the leader of the San Donato district of Siena. Sano was also employed as an arbitrator; in 1475 he was called upon to settle a dispute between fellow painters Neroccio di Bartolommeo and Francesco di Giorgio Martini. However, he made his living as a painter. The workshop he ran produced a large number of artworks. He wasn't merely a painter of altarpieces. He also produced frescoes, miniatures, and book bindings. Sano died in 1481. His death notice read: :: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duccio Di Buoninsegna
Duccio di Buoninsegna ( , ; – ) was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages,Duccio ''Encyclopedia Britannica''. and is credited with creating the painting styles of and the Sienese school. He also contributed significantly to the Sienese . Biography Alt ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietro Di Francesco Orioli
Pietro di Francesco degli Orioli (approx. 1458–1496) was an Italian painter of the Renaissance period. Biography Pietro Orioli was born in Siena in Tuscany. The art of Siena has previously been celebrated primarily for its late medieval masters such as Duccio, Simone Martini, as well as Ambrogio and Pietro Lorenzetti; Orioli arose in the next century, and the art in Siena of this period has been generally overshadowed by the art of Florentine masters of the Quattrocento. In 1458 the Sienese cardinal Aeneas Sylvius Piccolomini was elected as Pope Pius II. The period between this date and the end of the Sienese republic in 1558 saw the development of a unique style of art from the city state, showing tendencies towards some of the more ethereal properties of the golden age of Sienese art rather than the studied realism and veneration of classical aesthetics and principles which drove many artists within the more celebrated centres of Florence, Rome and Venice. The artistic de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matteo Di Giovanni
Matteo di Giovanni (c. 1430 – 1495) was an Italian Renaissance artist from the Sienese School. Biography Matteo di Giovanni di Bartolo was born in Borgo Sansepolcro around 1430. His family relocated to Siena and he is firmly associated with the art of that city. Matteo was twice married—first in 1463 to a wealthy noble woman and, after her death, to a rich widow, who made it possible for Matteo to buy real estate and by whom he fathered many children. Documentation concerning the early phases of Matteo's life and career as an artist is scanty and nothing is recorded about his apprenticeship. Left to conjecture, we might imagine him as having been trained in the workshop of sculptor/painter Lorenzo di Pietro, better known as Vecchietta but he clearly was influenced by Stefano di Giovanni, called Sassetta and Domenico di Bartolo. The miniaturist Girolamo da Cremona and the Florentine painter Antonio del Pollaiuolo also seemed to have contributed to Matteo's distinctive ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcangelo Salimbeni
Arcangelo Salimbeni (circa 1536 –1579) was an Italian painter of the Renaissance period active in his native Siena, Italy. He was the father of the painter Ventura Salimbeni, stepfather of Francesco Vanni, and son of Leonardo. He was a follower of Domenico Beccafumi and Il Sodoma, and influenced by Federico Zuccaro. He painted in a delicate, often diaphonous Mannerist Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Ita ... style. References 1530s births[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
