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Santi Benedetto E Scholastica
Santi Benedetto e Scolastica is a church in Rome on the Via di Torre Argentina, although its postal address is Vicolo Sinibaldi 1, the headquarters of the confraternity. History This tiny church is one of the smallest in Rome, and is the regional church for natives of the city and region of Norcia living in Rome. An archconfraternity to care for the welfare of Nursian expatriates was set up in Rome in the early 1600s. Pope Paul V approved it as a confraternity in 1615. At first the group met in a chapel of Sant'Eustachio, but in 1622, the confraternity was bequeathed a property on the VIa di Torre Argentina. Gregory XV raised it to an archconfraternity in 1623. The already existing house chapel was converted into a church with a separate entrance in 1625, and given the dedication is because St Benedict started his monastic career at Norcia before moving to Montecassino. St Scholastica was his sister, and by tradition was the first Benedictine nun. After 1808, during the Fr ...
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Sant'Eustachio (rione Of Rome)
Sant'Eustachio is the 8th ''rione'' of Rome, identified by the initials R. VIII. It is named after the eponymous church and is located within the Municipio I. Its coat of arms depicts the head of a stag with a cross between the antlers, symbol of Saint Eustace: the figure is golden on a red background. Geography Northward, Sant'Eustachio borders with Campo Marzio (R. IV), whose boundary is defined by Piazza in Campo Marzio, Via della Stelletta and Via dei Portoghesi. It also borders with Ponte, from which is separated by Via dei Pianellari, Piazza di Sant'Agostino, Via di Sant'Agostino and Piazza delle Cinque Lune. To the west, the ''rione'' borders with Parione (R. VI), from which is separated by Piazza delle Cinque Lune, Corso del Rinascimento, Corso Vittorio Emanuele II, Largo dei Chiavari and Via dei Chiavari. Southward, Sant'Eustachio borders with Regola (R. VII), the boundary being outlined by Via dei Giubbonari, Piazza Benedetto Cairoli, Via Arenula and Via di Sa ...
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Gregory XV
Pope Gregory XV ( la, Gregorius XV; it, Gregorio XV; 9 January 15548 July 1623), born Alessandro Ludovisi, was head of the Catholic Church and ruler of the Papal States from 9 February 1621 to his death in July 1623. Biography Early life Alessandro Ludovisi was born in Bologna on 9 January 1554 to Pompeo Ludovisi, the Count of Samoggia (now Savigno in the Province of Bologna) and of Camilla Bianchini. He was the third of seven children. He was educated at the Roman College run by the Society of Jesus in Rome and he then went to the University of Bologna to get degrees in canon and Roman law which he received on 4 June, 1575. His early career was as a papal jurist in Rome, and there is no evidence that he had been ordained to the priesthood. He returned to Rome in 1575 and he served as the Referendary of the Apostolic Signatura from 1593 to 1596 and was appointed as the Vicegerent of Rome in 1597, a position he maintained until 1598. He also served as the Auditor of the Sac ...
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Roman Catholic Churches In Rome
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμα ...
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Lunette
A lunette (French ''lunette'', "little moon") is a half-moon shaped architectural space, variously filled with sculpture, painted, glazed, filled with recessed masonry, or void. A lunette may also be segmental, and the arch may be an arc taken from an oval. A lunette window is commonly called a ''half-moon window'', or fanlight when bars separating its panes fan out radially. If a door is set within a round-headed arch, the space within the arch above the door, masonry or glass, is a lunette. If the door is a major access, and the lunette above is massive and deeply set, it may be called a tympanum. A lunette is also formed when a horizontal cornice transects a round-headed arch at the level of the imposts, where the arch springs. If the top of the lunette itself is bordered by a hood mould it can also be considered a pediment. The term is also employed to describe the section of interior wall between the curves of a vault and its springing line. A system of intersectin ...
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Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ...
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Pilaster
In classical architecture Classical architecture usually denotes architecture which is more or less consciously derived from the principles of Greek and Roman architecture of classical antiquity, or sometimes even more specifically, from the works of the Roman architect V ..., a pilaster is an :Architectural elements, architectural element used to give the appearance of a supporting column and to articulate an extent of wall, with only an ornamental function. It consists of a flat surface raised from the main wall surface, usually treated as though it were a column, with a Capital (architecture), capital at the top, plinth (base) at the bottom, and the various other column elements. In contrast to a pilaster, an engaged column or buttress can support the structure of a wall and roof above. In human anatomy, a pilaster is a ridge that extends vertically across the femur, which is unique to modern humans. Its structural function is unclear. Definition In discussing Leon Battis ...
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Trompe-l'œil
''Trompe-l'œil'' ( , ; ) is an artistic term for the highly realistic optical illusion of three-dimensional space and objects on a two-dimensional surface. ''Trompe l'oeil'', which is most often associated with painting, tricks the viewer into perceiving painted objects or spaces as real. Forced perspective is a related illusion in architecture. History in painting The phrase, which can also be spelled without the hyphen and ligature in English as ''trompe l'oeil'', originates with the artist Louis-Léopold Boilly, who used it as the title of a painting he exhibited in the Paris Salon of 1800. Although the term gained currency only in the early 19th century, the illusionistic technique associated with ''trompe-l'œil'' dates much further back. It was (and is) often employed in murals. Instances from Greek and Roman times are known, for instance in Pompeii. A typical ''trompe-l'œil'' mural might depict a window, door, or hallway, intended to suggest a larger room. A version o ...
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Volute
A volute is a spiral, scroll-like ornament that forms the basis of the Ionic order, found in the capital of the Ionic column. It was later incorporated into Corinthian order and Composite column capitals. Four are normally to be found on an Ionic capital, eight on Composite capitals and smaller versions (sometimes called ''helix'') on the Corinthian capital. The word derives from the Latin ''voluta'' ("scroll"). It has been suggested that the ornament was inspired by the curve of a ram's horns, or perhaps was derived from the natural spiral found in the ovule of a common species of clover native to Greece. Alternatively, it may simply be of geometrical origin."Volute". ''The Concise Oxford Dictionary of Archaeology''. Timothy Darvill. Oxford University Press, 2002 The ornament can be seen in Renaissance and Baroque architecture and is a common decoration in furniture design, silverware and ceramics. A method of drawing the complex geometry was devised by the ancient Roman arch ...
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Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed just with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves and gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative aspect. A building's projecti ...
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Tondo (art)
A tondo (plural "tondi" or "tondos") is a Renaissance term for a circular work of art, either a painting or a sculpture. The word derives from the Italian ''rotondo,'' "round." The term is usually not used in English for small round paintings, but only those over about 60 cm (two feet) in diameter, thus excluding many round portrait miniatures – for sculpture the threshold is rather lower. A circular or oval relief sculpture is also called a roundel. History Artists have created tondi since Greek antiquity. The circular paintings in the centre of painted vases of that period are known as tondi, and the inside of the broad low winecup called a '' kylix'' also lent itself to circular enframed compositions. The style was revived in the fifteenth and sixteenth centuries, particularly in Italy, where it may have developed from the smaller desco da parto or birthing tray. Since then it has been less common. In Ford Madox Brown's painting '' The Last of England'', the sh ...
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Pope Pius IX
Pope Pius IX ( it, Pio IX, ''Pio Nono''; born Giovanni Maria Mastai Ferretti; 13 May 1792 – 7 February 1878) was head of the Catholic Church from 1846 to 1878, the longest verified papal reign. He was notable for convoking the First Vatican Council in 1868 and for permanently losing control of the Papal States in 1870 to the Kingdom of Italy. Thereafter he refused to leave Vatican City, declaring himself a " prisoner of the Vatican". At the time of his election, he was seen as a champion of liberalism and reform, but the Revolutions of 1848 decisively reversed his policies. Upon the assassination of his Prime Minister Rossi, Pius escaped Rome and excommunicated all participants in the short-lived Roman Republic. After its suppression by the French army and his return in 1850, his policies and doctrinal pronouncements became increasingly conservative, seeking to stem the revolutionary tide. In his 1849 encyclical '' Ubi primum'', he emphasized Mary's role in salvation. In 1 ...
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Napoleonic Occupation Of Rome
The Kingdom of Italy (1805–1814; it, Regno d'Italia; french: Royaume d'Italie) was a kingdom in Northern Italy (formerly the Italian Republic) in personal union with Napoleon I's French Empire. It was fully influenced by revolutionary France and ended with Napoleon's defeat and fall. Its government was assumed by Napoleon as King of Italy and the viceroyalty delegated to his stepson Eugène de Beauharnais. It covered some of Piedmont and the modern regions of Lombardy, Veneto, Emilia-Romagna, Friuli Venezia Giulia, Trentino, South Tyrol, and Marche. Napoleon I also ruled the rest of northern and central Italy in the form of Nice, Aosta, Piedmont, Liguria, Tuscany, Umbria, and Lazio, but directly as part of the French Empire, rather than as part of a vassal state. Constitutional statutes The Kingdom of Italy was born on 17 March 1805, when the Italian Republic, whose president was Napoleon Bonaparte, became the Kingdom of Italy, with the same man (now styled Napoleon I) as ...
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