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Santa Rita Da Cascia Alle Vergini (Cupola)
Santa Rita da Cascia alle Vergini is a Roman Catholic church in Rome, sited at the corner of Via delle Vergini and Via dell’Umiltà. Diagonal from the church on Via delle Vergini is the Teatro Quirino. History The church has a complex history. It was first built in 1615 with the dedication 'Santa Maria delle Vergini', on the site of a pre-existing church of the same name and assigned to the care of Augustinian monks of the neighboring 'Collegio della Madonna del Rifugio'. It was too small for the college and so was almost immediately expanded and rebuilt between 1634 and 1636. In 1660 the complex was finally completed, under the direction of Domenico Castelli. Its facade dates to 1681 and is attributed to Mattia de Rossi - a bell-tower was added in 1689. The church and the monastery remained with the Augustinian order until 1870, when they were confiscated by the state, which closed the monastery and deconsecrated the church. In 1904 the Chiesa di Santa Rita da Cascia in Campit ...
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Trevi, Lazio
Trevi is the 2nd ''rione'' of Rome, identified by the initials R. II, located in Municipio I. The origin of its name is not clear, but the most accepted theory is that it comes from the Latin ''trivium'' (meaning "three streets"), because there were three streets all leading to the current Piazza dei Crociferi, a square next to the modern Trevi square. Its coat of arms is made of three swords on a red background. History This rione, during the Roman republic belonged to the third region, while during the Roman empire was split up into two regions: the VI, called ''Alta Semita'' and the VII, called ''via Lata''. During the ancient Roman period, in rione Trevi there were large groups of private houses with some monumental buildings. Since that time the area was actually split up into two parts: a lower one, level and next to the river Tiber, and a higher one on the hills. The first one was one of the center of the activities of the city, while the second one was a rich and pea ...
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Mattia De Rossi
Mattia de Rossi (14 January 1637 – 2 August 1695) was an Italian architect of the Baroque period, active mainly in Rome and surrounding towns. Biography Born in Rome to a family of architects and artisans, he rose to prominence under the mentorship of Gian Lorenzo Bernini, and even inherited the position as chief architect of the ''Fabbrica di San Pietro'' (Workshop of St. Peter's Basilica) in 1680 after the master died. In that post, he continued the work that had been started by Bernini on the outside colonnade and the Ponte Sant’Angelo. He worked during a period with notable competitors, including the prolific Carlo Fontana. Among his works are the facades of the churches of Santa Galla and San Francesco a Ripa (built 1681–1701); finishing touches or reconstruction for Sant'Andrea al Quirinale, Santa Maria di Montesanto, and Santa Croce e San Bonaventura dei Lucchesi; the customs office in Ripa Grande; the Palazzo Muti Papazzurri (attributed, 1660); the tomb monument t ...
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Christian Hülsen
Christian Karl Friedrich Hülsen (born in Charlottenburg, 29 November 1858; died in Florence, Italy, on 19 January 1935) was a German architectural historian of the classical era who later changed to studying the Middle Ages and the Renaissance. Biography Hülsen was born in Berlin. He studied classical philology, ancient history and archaeology with Ernst Curtius, Johann Gustav Droysen (1808-1884), Emil Hübner (1834-1901), Johannes Vahlen (1830-1911), and Theodor Mommsen (1817-1903). His dissertation, on Ovid, was directed by Mommsen and Hübner. Through Mommsen, he was awarded a stipend from the DAI (Deutsches Archäologisches Institut) to travel to Rome where he assisted in the compilation of the ''Corpus Inscriptionum Latinarum'' for the city of Rome. In 1904 he published his ''Das Forum Romanum'', an important and widely translated work on the Roman Forum. As a topographical scholar he gained equal fame with his volume on Roman topography, volume three of ''Topographie der St ...
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Mariano Armellini
Mariano Armellini (7 February 1852 – 24 February 1896) was an Italian archaeologist and historian. Born in Rome, he was one of the founders of the Pontifical Academy of Martyrs. He is the author of ''Gli antichi cimiteri cristiani di Roma e d'Italia'' (''The Ancient Christian Cemeteries of Rome and Italy'') and ''Le catacombe romane'' (''The Roman Catacombs''), but became famous chiefly for ''Le chiese di Roma dal secolo IV al XIX'' (''The Churches of Rome from the 4th to the 19th Centuries''), a major work in which he recorded many of the city's churches, including those no longer extant. External linksLe chiese di Roma dal secolo IV al XIX(on LacusCurtius LacusCurtius is a website specializing in ancient Rome, currently hosted on a server at the University of Chicago. It went online on August 26, 1997; in July 2021 it had "3707 webpages, 765 photos, 772 drawings & engravings, 120 plans, 139 maps." T ...) 1852 births 1896 deaths Archaeologists from Rome Pontifical Aca ...
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Our Lady Of Lourdes
Our Lady of Lourdes (french: Notre-Dame de Lourdes) is a title of the Virgin Mary. She is venerated under this title by the Roman Catholic church due to her apparitions that occurred in Lourdes, France. The first apparition of 11 February 1858, of which Bernadette Soubirous (age 14) told her mother that a "Lady" spoke to her in the cave of Massabielle ( from the town) while she was gathering firewood with her sister and a friend. Similar apparitions of the "Lady" were reported on 18 occasions that year, until the climax revelation of Our Lady of the Immaculate Conception took place. On 18 January 1862, the local Bishop of Tarbes Bertrand-Sévère Laurence endorsed the veneration of the Blessed Virgin Mary in Lourdes. On 1 February 1876, Pope Pius IX officially granted a decree of canonical coronation to the image as ''Notre-Dame du Saint Rosaire''. The coronation was performed by Cardinal Pier Francesco Meglia at the courtyard of what is now part of the Rosary Basilica on 3 July ...
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Michelangelo Ricciolini
Michelangelo Ricciolini (29 September 1654 – 10 December 1715) was an Italian painter of the Baroque period. He first studied at Rome under Angelo Canini, then joined the large studio of Carlo Maratta.Abecedario de P.J. Mariette: et autres notes inédites de cet amateur sur les Arts et les Artistes, Volume 4
by Pierre Jean Mariette, Philippe de Chennevières, Anatole de Montaiglon; Publisher: JB Dumoulin, Quai des Agustins #13, Paris; 1857-1858; page 394-395. He painted various works in Rome, including the dome of

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Greek Cross
The Christian cross, with or without a figure of Christ included, is the main religious symbol of Christianity. A cross with a figure of Christ affixed to it is termed a ''crucifix'' and the figure is often referred to as the ''corpus'' (Latin for "body"). The term ''Greek cross'' designates a cross with arms of equal length, as in a plus sign, while the Latin cross designates a cross with an elongated descending arm. Numerous other variants have been developed during the medieval period In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire a .... Christian crosses are used widely in churches, on top of church buildings, on bibles, in heraldry, in personal jewelry, on hilltops, and elsewhere as an attestation or other symbol of Christianity. Crosses are a prominent feature of Christi ...
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Santa Rita Da Cascia Alle Vergini (Cupola)
Santa Rita da Cascia alle Vergini is a Roman Catholic church in Rome, sited at the corner of Via delle Vergini and Via dell’Umiltà. Diagonal from the church on Via delle Vergini is the Teatro Quirino. History The church has a complex history. It was first built in 1615 with the dedication 'Santa Maria delle Vergini', on the site of a pre-existing church of the same name and assigned to the care of Augustinian monks of the neighboring 'Collegio della Madonna del Rifugio'. It was too small for the college and so was almost immediately expanded and rebuilt between 1634 and 1636. In 1660 the complex was finally completed, under the direction of Domenico Castelli. Its facade dates to 1681 and is attributed to Mattia de Rossi - a bell-tower was added in 1689. The church and the monastery remained with the Augustinian order until 1870, when they were confiscated by the state, which closed the monastery and deconsecrated the church. In 1904 the Chiesa di Santa Rita da Cascia in Campit ...
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Umbria
it, Umbro (man) it, Umbra (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-55 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €22.5 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €25,400 (2018) , blank2_name_sec1 = HDI (2018) , blank2_info_sec1 = 0.884 · 12th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 = ITE , web ...
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National Churches In Rome
Charitable institutions attached to churches in Rome were founded right through the medieval period and included hospitals, hostels, and others providing assistance to pilgrims to Rome from a certain "nation", which thus became these nations' national church (Roman Catholicism), national churches in Rome (). These institutions were generally organized as confraternity, confraternities and funded through charity and legacies from rich benefactors belonging to that "nation". Often, they were also connected to national (ancestors of Rome's seminary, seminaries), where the clergymen of that nation were trained. The churches and their riches were a sign of the importance of their nation and of the prelates that supported them. Up to 1870 and Italian unification, these national churches also included churches of the Italian city states (now called "regional churches"). Many of these organizations, lacking a purpose by the 19th century, were expropriated through the 1873 legislati ...
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Saint Rita Of Cascia
Rita of Cascia, born Margherita Lotti (1381 – 22 May 1457), was an Italian widow and Augustinian nun venerated as a saint in the Roman Catholic Church. After Rita's husband died, she joined an Augustinian community of religious sisters, where she was known both for practicing mortification of the flesh and for the efficacy of her prayers. Various miracles are attributed to her intercession, and she is often portrayed with a bleeding wound on her forehead, which is understood to indicate a partial stigmata. Pope Leo XIII canonized Rita on 24 May 1900. Her feast day is celebrated on 22 May. At her canonization ceremony, she was bestowed the title of ''Patroness of Impossible Causes'', while in many Catholic countries, Rita came to be known as the patroness of abused wives and heartbroken women. Her incorrupt body remains in the Basilica of Santa Rita da Cascia. Early life Margherita Lotti was born in 1381 in the city of Roccaporena, a small suburb of Cascia (near S ...
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Altare Della Patria
The Victor Emmanuel II National Monument ( it, Monumento Nazionale a Vittorio Emanuele II), also known as Vittoriano or Altare della Patria ("Altar of the Fatherland"), is a large national monument built between 1885 and 1935 to honour Victor Emmanuel II, the first king of a unified Italy, in Rome, Italy. It occupies a site between the Piazza Venezia and the Capitoline Hill. The monument was realized by Giuseppe Sacconi. From an architectural perspective, it was conceived as a modern ''forum'', an agora on three levels connected by stairways and dominated by a portico characterized by a colonnade. The complex process of national unity and liberation from foreign domination carried out by King Victor Emmanuel II of Savoy, to whom the monument is dedicated, has a great symbolic and representative value, being architecturally and artistically centred on the Italian unification—for this reason the Vittoriano is considered one of the national symbols of Italy. It also preserve ...
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