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Santa Maria Della Pietà, Venice
The church of Santa Maria della Pietà or della Visitazione is a prominent church in the sestiere of Castello in Venice, Italy. It is sited on the ''Riva degli Schiavoni'', a short walk from the Doge's Palace. History The present church was built from 1745-1760 adjacent to the site of an earlier church, and adjacent to the orphanage and hospital, the Ospedale della Pietà. The design was by Giorgio Massari, but its façade remained incomplete, with marble facing rising only a third of the way up the columns. In 1906, it was completed but without the originally projected three statues on the roof. Only a single simple cross ornaments the centre. Above the entrance is a large bas-relief representing ''Charity'' (1800) by Marsili. The interior is oval. The ceilings were frescoed by Tiepolo depicting ''Strength and Peace'' and ''Triumph of Faith'', flanked by angelic musicians, while the presbytery was painted by the same artist with the theological Virtues, (1745-1755). Tiepolo was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is the on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Bonvicino
Alessandro Bonvicino (also Buonvicino) (possibly 22 December 1554), more commonly known as Moretto, or in Italian Il Moretto da Brescia (the Moor of Brescia), was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive. He also painted a few portraits, but these are more influential. A full-length '' Portrait of a Man'' in the National Gallery, London, dated 1526, seems to be the earliest Italian independent portrait at full length, all the more unexpected as the subject, though clearly a wealthy nobleman, shows no sign of being from a princely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Angeli
''Immaculate Conception with Saints'' (ca 1760) Giuseppe Angeli (Venice 1709- Venice, 1798) was an Italian painter of the late- Baroque, known for depicting both genre and religious subjects. Biography He trained in the studio of Giambattista Piazzetta. By 1741, he was enrolled in the guild of painters. In 1756, he began as an instructor at the Academy of Fine Arts of Venice; in 1772, he became president of the Academy. He is known for two canvases in the church of San Stae and for fresco murals at the Villa Widmann-Foscari at Mira, near Padua. His other works include an ''Immaculate Conception with Saints'' (ca. 1760) moved to sacristy of San Francesco della Vigna; two scenes of the Via Crucis for the church of Santa Maria Zobenigo; the altarpiece of ''St Pietro I Orseolo receives the monk's habit from St Romuald'' in the church of Santa Maria della Pietà; an ''Immaculate Conception with Saints'' in the basilica of Santa Maria Gloriosa dei Frari; an ''Ecstasy of St Francis'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambattista Piazzetta
Giovanni Battista Piazzetta (also called Giambattista Piazzetta or Giambattista Valentino Piazzetta) (February 13, 1682 or 1683 – April 28, 1754) was an Italian Rococo painter of religious subjects and genre scenes. Biography Piazzetta was born in Venice, the son of a sculptor Giacomo Piazzetta, from whom he had early training in wood carving. Starting in 1697 he studied with the painter Antonio Molinari. By Piazzetta's account, he studied under Giuseppe Maria Crespi while living in Bologna in 1703–05, although there is no record by Crespi of formal tutelage. Thanks to Crespi, Carlo Cignani's influence reached Piazzetta. Piazzetta did find inspiration in Crespi's art, in which the chiaroscuro of Caravaggio was transformed into an idiom of graceful charm in his pictures of common folk. He was also greatly impressed by the altarpieces created by another Bolognese painter of a half-century earlier, Guercino. Around 1710, he returned to Venice. There he won recognition as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Maria Morlaiter
Giovanni Maria Morlaiter (15 February 1699 – 22 February 1781) was an Italian sculptor of the Rococo or late-Baroque, active mainly in his native Venice. Biography Almost all the sculpture in the church of the Gesuati, Venice is the work of Morlaiter, whom Hugh Honour describes as "one of the ablest sculptors in eighteenth century Venice" and Semenzato as "the most brilliant interpreter of the rococo in Venetian sculpture" adding that "His work shows great dynamism" and "an inexhaustible felicity of invention". There is more of his work in the church than anywhere else in Venice.Semenzato pp.62-3 His first work for the church was the ''Glory of Angels'' (1738) on the second altar on the right, and after this Massari engaged him for all the other principal works of sculpture, ending with the statue of Melchisedek (1755). Clockwise from the entrance, the statues in six niches and coupled bas reliefs above are: ''Abraham'' (1754) and ''Jesus and the Centurion'' (1754); ''Aaron'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Ricci
Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was the uncle of Marco Ricci (1676 – 1730), who trained with him, and became an innovator in landscape painting. Early years He was born in Belluno, the son of Andreana and Livio Ricci. In 1671, he was apprenticed to Federico Cervelli of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young woman in question to avoid marriage. He was imprisoned, and released only after the intervention of a nobleman, probably a Pisani family member. He eventually married the mother of his child in 1691, although this was a stormy union ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Guarana
225px, ''Allegory of the virtues Mocenigo'', 1787 Jacopo Guarana (October 28, 1720 – April 18, 1808) was a Venetian painter of the late Baroque period who was born in Verona. He was active mainly in Venice and its mainland territories. In 1750 he completed frescoes for the interior of Ca' Rezzonico and, in 1780, for the church of San Tomà. He also painted for the church of San Teonisto in Treviso and the Villa Contarini in Cinto Euganeo and helped decorate the Villa Pisani at Stra. Other works were completed for the Palazzo Balbi, Palazzo Boldù a San Felice, Palazzo Erizzo a San Martino, Palazzo Michiel del Brusà, and Palazzo Mocenigo a San Stae. Guarana is the last remaining direct heir of the Tiepolesque tradition. He was a founding member of the Venetian Accademia di Belle Arti and is said to have studied under Sebastiano Ricci, then with Giovanni Battista Tiepolo. Among his most popular works are the wall frescoes at the concert hall of the Ospedaletto, Veni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ospedale Della Pietà
The Ospedale della Pietà was a convent, orphanage, and music school in Venice. Like other Venetian ''ospedali'', the Pietà was first established as a hospice for the needy. A group of Venetian nuns, called the Consorelle di Santa Maria dell’Umiltà, established this charitable institution for orphans and abandoned girls in the fourteenth century. By the seventeenth and eighteenth centuries the Pietà – along with the three other charitable Ospedali Grandi – was well known for its all-female musical ensembles that attracted tourists and patrons from around Europe. Musical activity Infants could be left at the Pietà via the ''scaffetta'', a window only large enough to admit infants. Not all infants were female, nor were they necessarily orphans. Through the seventeenth century all four of the surviving ''ospedali'' gained increasing attention through the performances of sacred music by their female musicians, known as ''figlie di coro''. Formal rules for the training of ''fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Rite
The Roman Rite ( la, Ritus Romanus) is the primary liturgical rite of the Latin Church, the largest of the ''sui iuris'' particular churches that comprise the Catholic Church. It developed in the Latin language in the city of Rome and, while distinct Latin liturgical rites such as the Ambrosian Rite remain, the Roman Rite has gradually been adopted almost everywhere in the Latin Church. In medieval times there were numerous local variants, even if all of them did not amount to distinct rites, yet uniformity increased as a result of the invention of printing and in obedience to the decrees of the Council of Trent of 1545–63 (see ''Quo primum''). Several Latin liturgical rites that survived into the 20th century were abandoned voluntarily after the Second Vatican Council. The Roman Rite is now the most widespread liturgical rite not only in the Catholic Church but in Christianity as a whole. The Roman Rite has been adapted through the centuries and the history of its Eucharistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doge's Palace, Venice
The Doge's Palace ( it, Palazzo Ducale; vec, Pałaso Dogal) is a palace built in Venetian Gothic style, and one of the main landmarks of the city of Venice in northern Italy. The palace was the residence of the Doge of Venice, the supreme authority of the former Republic of Venice. It was built in 1340 and extended and modified in the following centuries. It became a museum in 1923 and is one of the 11 museums run by the Fondazione Musei Civici di Venezia. History In 810, Doge Agnello Participazio moved the seat of government from the island of Malamocco to the area of the present-day Rialto, when it was decided a ''palatium duci'' (Latin for "ducal palace") should be built. However, no trace remains of that 9th-century building as the palace was partially destroyed in the 10th century by a fire. The following reconstruction works were undertaken at the behest of Doge Sebastiano Ziani (1172–1178). A great reformer, he would drastically change the entire layout of the St. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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