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Santa Maria In Provenzano, Siena
Santa Maria in Provenzano, or the Insigne Collegiata di Santa Maria in Provenzano, is a late-Renaissance- Baroque style, Roman Catholic, collegiate church in Piazza Provenzano Salvani, in the Terza Camollia, just southwest of the basilica of San Francesco, in the city of Siena, region of Tuscany, Italy. This Marian shrine was built around a 14th-century terracotta icon of the Madonna, which was credited with miracles. The Palio of Siena takes place on the day of veneration of this Marian devotion. History The church was consecrated on October 16, 1611 by the archbishop Camillo Borghesi. The image, which originally was in an aedicule on a wall next to a house, was carried by a procession (translated) into the church on this day. The event was painted by Taddeo Gregori. This painting is presently in the Sacristy of the Collegiata. The procession's members included the widowed former grand-duchess Cristina of Lorraine and the reigning Grand-Duchess Maria Maddalena d'Austria. A ...
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Charles V, Holy Roman Emperor
Charles V, french: Charles Quint, it, Carlo V, nl, Karel V, ca, Carles V, la, Carolus V (24 February 1500 – 21 September 1558) was Holy Roman Emperor and Archduke of Austria from 1519 to 1556, King of Spain (Crown of Castile, Castile and Crown of Aragon, Aragon) from 1516 to 1556, and Lord of the Netherlands as titular Duke of Burgundy from 1506 to 1555. He was heir to and then head of the rising House of Habsburg during the first half of the 16th century, his dominions in Europe included the Holy Roman Empire, extending from Kingdom of Germany, Germany to Kingdom of Italy (Holy Roman Empire), northern Italy with direct rule over the Austrian hereditary lands and the Burgundian Low Countries, and Habsburg Spain, Spain with its southern Italy, southern Italian possessions of Kingdom of Naples, Naples, Kingdom of Sicily, Sicily, and Kingdom of Sardinia, Sardinia. He oversaw both the continuation of the long-lasting Spanish colonization of the Americas and the short-live ...
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Vincenzo Meucci
Vincenzo Meucci (1694–1766) was an Italian painter of the late- Baroque period. Born in Florence. He was a pupil first of the painter Sebastiano Galeotti, then of Giovanni Gioseffo dal Sole in Bologna. He was patronized by the Marchese Giovan Battista Salimbeni of Siena, as well as the cardinals Alessandro Chigi Zondadari and Neri Corsini. His masterpiece was a commission by Anna Maria Luisa de' Medici, the last Medici resident of the Pitti Palace, who contracted him to fresco the cupola of the Basilica di San Lorenzo di Firenze with the ''Glory of Florentine Saints'' (1742). Among his pupils are Tommaso Gherardini. Selected works *Frescoes for Chapel of San Mauro, Badia Fiorentina, Florence (1717) *''Madonna del Rosario'', Santa Lucia alla Castellina, Sesto Fiorentino (1731) *Frescoes for ceiling at the entrance of Ospedale di San Giovanni di Dio, Florence(1735) *Frescoes for Palazzo Panciatichi, Florence (c. 1741) *''Marriage of Virgin'' Church of San Paolino, Florence * ...
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Giuseppe Nicola Nasini
Giuseppe Nicola Nasini (January 25, 1657– July 3, 1736) was an Italian painter of the Baroque period, active in Rome and Tuscany. Biography Born in Castel del Piano, now in the Province of Grosseto, Giuseppe was the son of the painter Francesco Nasini and was one of the Tuscan pupils in the Medici-patronized Grand-Ducal Academy for the Arts located in Rome and directed from 1673–86, by Ciro Ferri. He was also sponsored in Rome by Agostino Chigi. From 1679 to 1680, Nasini completed over a dozen portraits of Chigi's family; some are copies of paintings by Jacob Ferdinand Voet and Alessandro Mattia da Farnese. On October 15, 1680, his paintings of the ''Judgement of Solomon'' and ''Elias meets a child and widow'' was awarded second prize for design in the first class of painting at the Accademia di San Luca contest. In July 1681, he completed a ''St Peter of Alcantara'' for the church in the Villa Medicea L'Ambrogiana, near Montelupo Fiorentino Nasini returned to Florence ...
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Dionisio Montorselli
Dionisio Montorselli (1653 - circa 1712) was an Italian painter of the late-Baroque period. Biography He was born in L'Aquila, but mainly active in Siena painting for churches. In 1685, he traveled to Rome where he became a follower of Pietro da Cortona and Guido Reni Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious .... he painted works in the Oratory of San Chiodi (adjacent to the church of San Michele in Poggio); San Vigilio;Guida di Siena, page 103. and Santa Maria in Provenzano. References 1653 births 1712 deaths 17th-century Italian painters Italian male painters 18th-century Italian painters Painters from Siena Italian Baroque painters 18th-century Italian male artists {{Italy-painter-17thC-stub ...
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Giovanni Domenico Manenti
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Battista, Pra ...
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Francesco Rustici
Francesco Rustici, called Il Rustichino (Siena, 1592 – Siena, 1626) was an Italian painter active in Siena. He worked on commissions for the local churches as well as from the Grand-Dukes of Tuscany. In his work he shows a preference for nocturnal effects which reveals the influence of Caravaggio and his followers, the so-called Caravaggisti. Life Francesco Rustici was born in Siena in 1592 as the scion of an artistic family. His father Vincenzo Rustici as well as his uncle Cristoforo Rustici and his mother's brother Alessandro Casolani were all prominent painters active in Siena.Ladislav Daniel, ''The Florentines: art from the time of the Medici grand dukes'', Exhibition catalogue: Prague, Waldstein Riding School Gallery, 16.5.-18.8.2002, Olomouc, Museum of Arts, 26.9.-5.1.2003, Cheb, Gallery of Fine Arts, 14.2.-6.4.2003, published by National Gallery in Prague, 2002, p. 92 He trained with his father who was the chief collaborator in the workshop of his brother-in-law Al ...
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Fabio Piccolomini
Fabio is a given name descended from Latin ''Fabius'' and very popular in Italy and Latin America (due to Italian migration). Its English equivalent is Fabian. The name is written without an accent in Italian and Spanish, but is usually accented in Portuguese as ''Fábio'' (with the diminutive Fabinho or Fabiano). The presence or absence of the written accent does not affect pronunciation. First name A–K * Fabio (DJ), drum-and-bass DJ and producer from the UK * Fabio Armiliato (born 1956), Italian operatic tenor * Fábio Aurélio (born 1979), Brazilian footballer * Fábio Bahia (Fábio Júnior Nascimento Santana, born 1983), currently playing for Goiás * Fabio Bencivenga, Italian water polo player * Jud "Fabio" Birza, winner of ''Survivor: Nicaragua'' * Fabio Borini, Italian footballer * Fábio Camilo de Brito (Nenê, born 1975), currently playing for Coritiba Foot Ball Club * Fabio Cannavaro, former captain of the Italy national team * Fabio Capello, Italian manager of the R ...
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Massa Marittima
Massa Marittima (Latin: ''Massa Veternensis'') is a town and ''comune'' of the province of Grosseto, southern Tuscany, Italy, 49 km NNW of Grosseto. There are mineral springs, mines of iron, mercury, lignite and copper, with foundries, ironworks and olive-oil mills. In Follonica, on the coast, there are furnaces where the iron ore of Elba is smelted. History The territory around Massa Marittima was inhabited since prehistoric and proto-historical times, as evidenced by numerous finds dating from the Paleolithic to the Bronze Age. Etruscan settlements have been found in the area of Lake of Accesa and others dating from the 9th to the 5th century BC. Further proof of the existence of a settlement in the place where Massa Marittima is now comes from the Res Gestae by Ammianus Marcellinus, where a Massa Veternensis is cited as the birthplace of Constantius Gallus, nephew of Constantine; this town can be identified with the village of Massa Vecchia. The name Massa appears for t ...
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Rutilio Manetti
Rutilio di Lorenzo Manetti (c. 1571 – 22 July 1639) was an Italian painter of late-Mannerism or proto-Baroque, active mainly in Siena. Biography He was influenced and/or taught by the local artists Francesco Vanni and Ventura Salimbeni. He is known to have collaborated with Raffaello Vanni, the son of Francesco. Among his masterpieces are his contributions to the Casino Mediceo, which he worked alongside Matteo Rosselli, Giovanni Lanfranco, and Cesare Dandini. One of his pupils or followers is Stefano Volpi. He is known for the following works in Siena or nearby towns: ''Story of St Catherine and Pope Gregory'' (1597; Palazzo Pubblico), ''Baptism of Christ'' (1600; church of San Giovannino in Pantaneto); a fresco cycle of the ''Story of St Roch'' (1605–1610; San Rocco alla Lupa), ''Pope Alexander I freed from prison by an Angel'' from San Giovanni Battista in Sant'Ansano in Greti; a ''Temptation of Saint Anthony'' (1620, Sant'Agostino); a ''Rest on the Flight to Egypt'' ...
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Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ...
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Altare Della Madonna Di Provenzano, Di Flaminio Del Turco, 1617-31, 02 Angeli E Ss
Altare ( lij, Artâ, pms, Latè, L’Atæ in local dialect) is a ''comune'' (municipality) in the Province of Savona in the Italian region Liguria, located about west of Genoa and about northwest of Savona. As of 1 January 2009, it had a population of 2,160 August 2009. and an area of . Altare borders the following municipalities: Cairo Montenotte, Carcare, Mallare, Quiliano, and Savona. Geography Altare is just west of the Cadibona pass, which at divides the Ligurian Alps from the Ligurian Apennines. Also called pass of Altare, it is accessed from the coast by the ''Via Nazionale Piemonte'', winding up from Savona and crossing into Piedmont towards the north Italian plain. History Altare was home to an ancient glassmaking tradition, dating back to the Middle Ages. The origin of Altare glassworks is still unknown. Oral tradition has it that the art was spread from Northern France by Benedictine monks. Samuel Kurinsky posits that the original glassmakers were Sephardic Jews ...
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