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Santa Maria Di Canepanova
Santa Maria di Canepanova is a Renaissance style Roman Catholic church located in central Pavia, region of Lombardy, Italy. Although in the past the design was popularly attributed to Bramante, the church was designed by Giovanni Antonio Amadeo. History The construction works of the church began in 1500 and the first part was completed in 1507. The construction project is earlier if it is true that in 1492 the Confraternity of Santa Maria Immacolata di Canepanova was founded, which is responsible for raising the necessary funds for the construction of the church. The works were carried out under the direction of Giovanni Antonio Amadeo (although according to some scholars the project of the church is by Bramante). In the place where the church was built there was a house of the noble Canepanova family, on a wall of this house a Nursing Madonna was frescoed and, around 1492, several miracles were attributed to the fresco and it was therefore decided to incorporate it in the new chur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavia
Pavia (, , , ; la, Ticinum; Medieval Latin: ) is a town and comune of south-western Lombardy in northern Italy, south of Milan on the lower Ticino river near its confluence with the Po. It has a population of c. 73,086. The city was the capital of the Ostrogothic Kingdom from 540 to 553, of the Kingdom of the Lombards from 572 to 774, of the Kingdom of Italy from 774 to 1024 and seat of the Visconti court from 1365 to 1413. Pavia is the capital of the fertile province of Pavia, which is known for a variety of agricultural products, including wine, rice, cereals, and dairy products. Although there are a number of industries located in the suburbs, these tend not to disturb the peaceful atmosphere of the town. It is home to the ancient University of Pavia (founded in 1361 and recognized in 2022 by the Times Higher Education among the top 10 in Italy and among the 300 best in the world), which together with the IUSS (Institute for Advanced Studies of Pavia), Ghislieri College, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardino Ciceri
Bernardino Ciceri (born 1650) was an Italian painter of the Baroque period, active mainly in Pavia. He was a pupil of the painter Carlo Sacchi Carlo Sacchi (1617–1706) was an Italian painter of the Baroque period. He was born in Pavia and trained with a painter Carlo Antonio Rossi in Milan,Filippo De Boni, ''Biografia degli artisti: Volume unico'', Venezia 1840 then traveled to Rome ... in Rome. One of his pupils was Gioseffo Cristona. He painted the ''Baptism of Christ'' for the church of Santa Maria del Carmine, Pavia. References * 1650 births 17th-century Italian painters Italian male painters Italian Baroque painters Year of death missing {{Italy-painter-17thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
16th-century Roman Catholic Church Buildings In Italy
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Churches Completed In 1507
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *ῬωμΠ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Architecture
Gothic architecture (or pointed architecture) is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the ÃŽle-de-France and Picardy regions of northern France. The style at the time was sometimes known as ''opus Francigenum'' (lit. French work); the term ''Gothic'' was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity. The defining design element of Gothic architecture is the pointed or ogival arch. The use of the pointed arch in turn led to the development of the pointed rib vault and flying buttresses, combined with elaborate tracery and stained glass windows. At the Abbey of Saint-Denis, near Paris, the choir was reconstructed between 1140 and 1144, draw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rib Vault
A rib vault or ribbed vault is an architectural feature for covering a wide space, such as a church nave, composed of a framework of crossed or diagonal arched ribs. Variations were used in Roman architecture, Byzantine architecture, Islamic architecture, Romanesque architecture, and especially Gothic architecture. Thin stone panels fill the space between the ribs. This greatly reduced the weight and thus the outward thrust of the vault. The ribs transmit the load downward and outward to specific points, usually rows of columns or piers. This feature allowed architects of Gothic cathedrals to make higher and thinner walls and much larger windows. It is a type of arcuated, or arched, vault in which the severies, or panels in the bays of the vault's underside are separated from one another by ribs which conceal the groins, or the intersections of the panels. Rib vaults are, like groin vaults, formed from two or three intersecting barrel vaults; the ribs conceal the junction o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia" Lexic.us. Retrieved on 2014-10-24. An overhanging loggia may be supported by a baldresca. From the early , nearly every Italian |
Alessandro Tiarini
Alessandro Tiarini (20 March 1577 – 8 February 1668) was an Italian Baroque painter of the Bolognese School. Biography Alessandro Tiarini was born in Bologna. His mother died when he was a child, and he was raised by an aunt. Early on his family tried, unsuccessfully, to guide him towards becoming a cleric. He was the godson of painter Lavinia Fontana and initially apprenticed in Bologna under her father Prospero Fontana, and subsequently with Bartolomeo Cesi. He was not inducted into the Carracci Academy. Forced to flee from Bologna, due to what Malvasia and Amorini describe as a quarrel leading to the death of the other party, he moved to Florence, where he painted frescoes, façade decorations, and altarpieces (1599–1606) including an ''Adoration of the Shepherds'' (Pitti Palace). In Florence, he mainly worked under Domenico Passignano, but also Bernardino Poccetti and Jacopo da Empoli. He was lured back to Bologna and Reggio Emilia, by Ludovico Carracci. His ''Grieving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Cesare Procaccini
Giulio Cesare Procaccini (1574–1625) was an Italian painter and sculptor of the early Baroque era in Milan. Biography Born in Bologna he was son of the Mannerist painter Ercole Procaccini the Elder and brother of Camillo Procaccini and Carlo Antonio Procaccini. The family moved to Milan around 1585 with the help of the rich art collector Pirro Visconti. He began as a sculptor in the Cathedral and in the Milanese church of Santa Maria presso San Celso. In 1610 he painted six of the '' Quadroni'', large canvases celebrating Saint Charles Borromeo. Among his many altarpieces are the ''Circumcision'' (c.1616) now in Galleria Estense, Modena, and the ''Last Supper'' (1616) for Convent associated with the Basilica della Santissima Annunziata del Vastato in Genoa. He also painted the '' Scourging of Christ''. In 1620 for the Church of Santa Maria di Canepanova in Pavia he painted two canvases depicting ''Debora who has the army gather'' and ''Rachel with Jacob'' at the we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Camillo Procaccini
300px, ''Nativity'' by Camillo Procaccini Camillo Procaccini (3 March 1561 at Parma – 21 August 1629) was an Italian painter. He has been posthumously referred to as the ''Vasari of Lombardy'', for his prolific Mannerist fresco decoration. Born in Bologna, he was the son of the painter Ercole Procaccini the Elder, and older brother to Giulio Cesare and Carlo Antonio, both painters. Works In 1587 he distinguished in the fresco decoration of the Basilica della Ghiara in Reggio Emilia. In the late 1580s he moved to Milan, where count Camillo Visconti Borromeo commissioned him the decoration of his villa in Lainate. The organ shutters for the Cathedral of Milan were painted after 1590 by Camillo, Giuseppe Meda (died 1599), and Ambrogio Figino. He painted the frescoes of the nave and the apse of the Cathedral of Piacenza in collaboration with Ludovico Carracci Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early-Baroque painter, etch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Testament
The Old Testament (often abbreviated OT) is the first division of the Christian biblical canon, which is based primarily upon the 24 books of the Hebrew Bible or Tanakh, a collection of ancient religious Hebrew writings by the Israelites. The second division of Christian Bibles is the New Testament, written in the Koine Greek language. The Old Testament consists of many distinct books by various authors produced over a period of centuries. Christians traditionally divide the Old Testament into four sections: the first five books or Pentateuch (corresponds to the Jewish Torah); the history books telling the history of the Israelites, from their conquest of Canaan to their defeat and exile in Babylon; the poetic and " Wisdom books" dealing, in various forms, with questions of good and evil in the world; and the books of the biblical prophets, warning of the consequences of turning away from God. The books that compose the Old Testament canon and their order and names differ b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simone Peterzano
Simone Peterzano (c. 1535–1599) was an Italian painter from Bergamo, but stressed his links to Venice where he probably trained. He painted in Mannerism, mannerist style and is mostly known as the master of Caravaggio. Peterzano called himself a pupil of Titian and would sometimes sign his works ''titiani alumnus.'' He debuted in Milan with the counterfaçade frescoes in San Maurizio al Monastero Maggiore (1573), influenced by Paolo Veronese, Veronese and Tintoretto. In the same year he painted two canvasses with ''Histories of Sts. Paul and Barnabas'' for the church of San Barnaba (Milan), San Barnaba, also in Milan. Also from the same period are a ''Pietà '' in the church of San Fedele di Milano, San Fedele and a ''Pentecost'' for San Paolo Converso (now in Basilica di Sant'Eufemia (Milan), Sant'Eufemia). Between 1578 and 1582 Peterzano executed frescoes in the presbytery of Garegnano Charterhouse, considered one of his masterworks. In the same period he painted a ''Nativity ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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