Santa Caterina Da Siena, Naples
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Santa Caterina Da Siena, Naples
The church of Santa Caterina da Siena is located in the city center of Naples, Italy, and while built in the 16th century, the interior was decorated by Baroque era artists over the next two centuries. History The church building was commissioned in the 1570s by Don John of Austria, the victorious admiral during the Battle of Lepanto. It was attached to a nearby hospital of Santa Maria della Vittoria, then later to the hospital of San Giacomo. In 1613, the church was transferred to the Dominican Order, who established a nearby cloistered monastery. At present, the church is owned by the Archdiocese of Naples who lets a private non-profit music Foundation, the Centro di Musica Antica Pietà de' Turchini, founded in 1997 to highlight performances and research of Neapolitan 16th-18th century musical and theatrical works. Description The interior contains a holy water font attributed to the studio of Cosimo Fanzago. In 1760, the floor was decorated in maiolica tiles. In 1766, the ceil ...
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Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ...
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Vincenzo Diano
Vincenzo is an Italian male given name, derived from the Latin name Vincentius (the verb ''vincere'' means to win or to conquer). Notable people with the name include: Art *Vincenzo Amato (born 1966), Italian actor and sculptor *Vincenzo Bellavere (c.1540-1541 – 1587), Italian composer *Vincenzo Bellini (1801–1835), Italian composer *Vincenzo Camuccini (1771–1844), Italian academic painter *Vincenzo Catena (c. 1470 – 1531), Italian painter *Vincenzo Cerami (1940–2013), Italian screenwriter *Vincenzo Consolo (1933–2012), Italian writer *Vincenzo Coronelli (1650–1718), Franciscan friar, cosmographer, cartographer, publisher, and encyclopedist *Vincenzo Crocitti (1949–2010), Italian cinema and television actor *Vincenzo Dimech (1768–1831), Maltese sculptor *Vincenzo Galilei (1520–1591), composer, lutenist, and music theorist, father of Galileo *Vincenzo Marra (born 1972), Italian filmmaker *Vincenzo Migliaro (1858–1938), Italian painter *Vincenzo Natali (bo ...
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17th-century Roman Catholic Church Buildings In Italy
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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Churches In Naples
Christianity and religion in general has always been an important part of the social and cultural life of Naples. It is the seat of the Archdiocese of Naples, and the Catholic faith is highly important to the people of Naples and there are hundreds of historic churches in the city (about five hundred, 1000 in total). The Cathedral of Naples is the most important place of worship in the city, each year on September 19 it hosts the ''Miracle of Saint Januarius'', the city's patron saint. In the miracle which thousands of Neapolitans flock to witness, the dried blood of Januarius is said to turn to liquid when brought close to relics said to be of his body: this is one of the most important traditions for Neapolitans. Churches and their styles The cathedral of San Gennaro (Saint Januarius), was built under the patronage of Charles of Anjou in 1272, on the site of the ancient Stefania cathedral of the 8th century, and completed in 1341, the work of Nicolò Pisano, Maglione, and ...
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Saint Dominic In Soriano
''Saint Dominic in Soriano'' ( it, San Domenico in Soriano; es, Santo Domingo en Soriano) was a portrait of Saint Dominic painted in 1530. It is an important artefact in the Dominican friary at Soriano Calabro in southern Italy. It was believed to be of miraculous origin, and to inspire miracles. It was the subject of a Roman Catholic feast day celebrated on 15 September from 1644 to 1913. Its miraculous origin was the subject of several 17th-century paintings. Several ecclesiastical buildings have been named after it. History There seems to be no record that Dominic himself ventured further south in Italy than Rome. In 1510, members of the Dominican Order founded a friary at Soriano Calabro, Calabria, in the arch of the foot of the boot of Italy. A town grew up around it. In 1530, the friars began to display for public veneration a portrait of the founder of their Order. In the early 17th century, Silvestro Frangipane, a Dominican, investigated the painting and wrote a b ...
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Giacinto Diana
Giacinto Diano or Diana (28 March 1731 – 13 August 1803) was an Italian painter, active in Southern Italy in a style that mixes Rococo and Neoclassicism. Life Giacinto was born in Pozzuoli, and died in Naples. He trained in the studio of Francesco De Mura, whose work would influence his early compositions. He worked briefly in Rome with Anton Raphael Mengs, before settling in Naples in 1752. Naples was at the time experiencing a period of great artistic and cultural splendor due to the presence of the enlightened Charles III of Spain. Nicknamed ''o Puzzulaniello'' or referred to as ''il Pozzolano'', Giacinto succeeded in gaining within a short timespan a prominent place in the art scene of his time. Among his works were: *Frescoes for the Palazzo Francavilla (now Palazzo Cellammare) *Frescoes for the Hospital of Santa Maria della Pace *Frescoes for church of the Pellegrini *Two canvases for the church of Agostino della Zecca He became professor at Naples' Accademia del Diseg ...
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Francesco De Mura
Francesco de Mura (21 April 1696 – 19 August 1782) was an Italian painter of the late- Baroque period, active mainly in Naples and Turin. His late work reflects the style of neoclassicism. Life Francesco de Mura, also referred to as ''Franceschiello'', was a pupil of Francesco Solimena, then later with Domenico Viola, where he met his contemporary, Mattia Preti. While still in his teens he painted frescoes (1715) in San Nicola alla Carità in Naples. He painted ten canvases of the ''Virtues'' and an ''Adoration of the Magi'' (1728) for the church of Santa Maria Donnaromita. His other works include frescoes of the ''Adoration of the Magi'' (1732) in the apsidal dome of the church of the Nunziatella. De Mura also painted portraits. Among his pupils were Pietro Bardellino, Giacinto Diano, Fedele Fischetti, Oronzo Tiso, Nicola Menzele and Girolamo Starace. Selected works Dated * ''Saint Benedict Welcomes Totila'' (vers 1710), study for the frescoes at the church of S ...
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Lorenzo De Caro
Lorenzo de Caro (baptised 29 May 1719 – 2 December 1777) was an Italian painter, active in the late Baroque style in his native city of Naples. Biography Decaro's biographical information is sparse, and many canvases refer to painter of Neapolitan origin, active between 1740 and 1761. His name was known only from the autograph on the canvases. Decaro is known to have married the 22-year-old Anna Mariana Bozza on 28 February 1743. The couple had 10 children. According to a “census” of the local parish in 1757, the painter’s studio was in Vicolo della Porta piccola del Rosario, a narrow street between the areas of Chiaia and the Spanish Quarter. Decaro lived and worked at that address, according to recently discovered documentation in the archives of the Banco di Napoli, reflecting the “public banks of Naples”. The records of the Banco San Giacomo include receipts of rent payments made by the painter in 1768 and 1769 to his landlord, the Prince of Cannito, for “two ...
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Fedele Fischetti
Fedele Fischetti (30 March 1732 – 25 January 1792) was an Italian painter of the Neoclassical period. He was born and died in Naples the capital of the Kingdom of Naples. Biography F. Fischetti was mainly active as a fresco painter for palaces and villas in and around the city, including the Royal Palace at Portici. He painted frescoes of the seasons, ''Summer'' and ''Winter'', in the conversation rooms of the appartamento vecchio of the Royal Palace of Caserta. He was active all over Naples area between the 1750 ca until his last year of life. Among his works are listed: *''Virgin, St Anne, with Saints Carlo and Geronimo'' in the Chapel of the Assumption in the church of Spirito Santo *Three oil canvases in the Chapel of the Verdi in the church of Spirito Santo *''Virgin of the Rosary with Santa Rosa'' for the Chapel of the Prince della Roccella in the Church of San Domenico Maggiore *Canvases in Santa Caterina da Siena, San Eligio, and Santa Maria in Portico *''Summer ...
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Maiolica
Maiolica is tin-glazed pottery decorated in colours on a white background. Italian maiolica dating from the Renaissance period is the most renowned. When depicting historical and mythical scenes, these works were known as ''istoriato'' wares ("painted with stories"). By the late 15th century, multiple locations,L. Arnoux, 1877, British Manufacturing Industries – Pottery "Most of the Italian towns had their manufactory, each of them possessing a style of its own. Beginning at Caffagiolo and Deruta, they extended rapidly to Gubbio, Ferrara, and Ravenna, to be continued to Casteldurante, Rimini, Urbino, Florence, Venice, and many other places." mainly in northern and central Italy, were producing sophisticated pieces for a luxury market in Italy and beyond. In France maiolica developed as faience, in the Netherlands and England as delftware, and in Spain as talavera. In English the spelling was anglicised to ''majolica'' but the pronunciation usually preserved the vowel with an ...
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Italy
Italy ( it, Italia ), officially the Italian Republic, ) or the Republic of Italy, is a country in Southern Europe. It is located in the middle of the Mediterranean Sea, and its territory largely coincides with the homonymous geographical region. Italy is also considered part of Western Europe, and shares land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates of Vatican City and San Marino. It has a territorial exclave in Switzerland, Campione. Italy covers an area of , with a population of over 60 million. It is the third-most populous member state of the European Union, the sixth-most populous country in Europe, and the tenth-largest country in the continent by land area. Italy's capital and largest city is Rome. Italy was the native place of many civilizations such as the Italic peoples and the Etruscans, while due to its central geographic location in Southern Europe and the Mediterranean, the country has also historically been home ...
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Cosimo Fanzago
Cosimo Fanzago (Clusone, 12 October 1591 – Napoli, 13 February 1678) was an Italian architect and sculptor, generally considered the greatest such artist of the Baroque period in Naples, Italy. Facade Santa Maria della Sapienza. Biography Fanzago was born in Clusone (current Province of Bergamo) in a family of bronze-casters and architects. In 1608, after a short stay in Chieti, he moved to Naples. Here (according to what he wrote in 1612) he trained as a marble sculptor (''maestro di scultura di marmo'') and mason under the Tuscan sculptor Angelo Landi. His first important work was the sepulchre monument of Mario Carafa, a relative of Cardinal Carafa. His architectural debut was the design of San Giuseppe dei Vecchi a San Potito (completed 1669). According to an essay about Fanzago's life by count Fogaccia, in Naples he obtained the support of the Benedictines, the Viceroy Duke of Medina, Prince Caracciolo and the Carthusians, and soon opened a workshop of his own. 150px, ...
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