Sant'Antonio Abate All'Esquilino
Sant'Antonio abate all’Esquilino ('' Saint Anthony Abbot on the Esquiline'') is a church in Rome, located near the Basilica of Santa Maria Maggiore on via Carlo Alberto in the Esquilino district. History It was built in 1308 to serve an existing hospital, established in 1259 from a bequest of Cardinal Pietro Capocci for sufferers from saint Anthony's fire. The rector enjoyed the particular privilege that allowed him to attend the papal table and remove the leftovers for the benefit of the patients. It replaced a 5th-century church known as "Sant'Andrea Catabarbara", which had been built inside the "Basilica of Giunio Basso", a large hall part of the private residence of the consul Basso. Pope Nicholas IV transferred the administration of the hospital to the Hospital Brothers of Saint Anthony, who in 1308 built the larger church. The church and hospital complex was then dedicated to S. Antonio abate. The hospital had large gardens, which reached north to the current Via Principe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Saints Cyril And Methodius
Cyril (born Constantine, 826–869) and Methodius (815–885) were two brothers and Byzantine Christian theologians and missionaries. For their work evangelizing the Slavs, they are known as the "Apostles to the Slavs". They are credited with devising the Glagolitic alphabet, the first alphabet used to transcribe Old Church Slavonic. After their deaths, their pupils continued their missionary work among other Slavs. Both brothers are venerated in the Eastern Orthodox Church as saints with the title of "equal-to-apostles". In 1880, Pope Leo XIII introduced their feast into the calendar of the Roman Catholic Church. In 1980, the first Slav pope, Pope John Paul II declared them co-patron saints of Europe, together with Benedict of Nursia. Apostolic letter of Pope John Paul II, 31 December 1980 Early career Early life The two brothers were born in Thessalonica, then located in the Byzantine province of the same name (today in Greece) – Cyril in about 827–828 and Methodius i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Bas-relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Iconostasis
In Eastern Christianity, an iconostasis ( gr, εἰκονοστάσιον) is a wall of icons and religious paintings, separating the nave from the sanctuary in a Church (building), church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine architecture, Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the "parochet, veil of the temple". Only the High Priest (Judaism), High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Giovanni Odazzi
Giovanni Odazzi (1663 – 6 June 1731) was an Italian painter and etcher of the Baroque period, active mainly in Rome. Biography Rest on Flight to Egypt He was a pupil of Ciro Ferri, then worked under the guidance of Giovanni Battista Gaulli. He also worked with Cornelis Bloemaert. Among his many works in Rome, he painted a ''Prophet Hosea'' for San Giovanni in Laterano and a ''Fall of Lucifer and rebel angels'' for the basilica of the Santi Apostoli, Rome. He frescoed the cupola of the cathedral of San Bruno in Velletri. He painted an ''Adoration of the Magi'' and ''Flight to Egypt'' for the church of Santa Maria in Aracoeli in Rome. He also painted altarpieces for Santa Maria degli Angeli, a ''Dream of Joseph'' for Santa Maria della Scala, San Clemente, a ''San Ciriaco'' for Santa Maria in Via Lata and San Giovanni in Laterano. He was knighted into the Academy of St Luke by Pope Clement XI. [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Cross-vault
A groin vault or groined vault (also sometimes known as a double barrel vault or cross vault) is produced by the intersection at right angles of two barrel vaults. Honour, H. and J. Fleming, (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, p. 949. The word "groin" refers to the edge between the intersecting vaults. Sometimes the arches of groin vaults are pointed instead of round. In comparison with a barrel vault, a groin vault provides good economies of material and labor. The thrust is concentrated along the groins or arrises (the four diagonal edges formed along the points where the barrel vaults intersect), so the vault need only be abutted at its four corners. Groin vault construction was first exploited by the Romans, but then fell into relative obscurity in Europe until the resurgence of quality stone building brought about by Carolingian and Romanesque architecture. It was superseded by the more flexible rib vaults of Gothic architecture in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Nave (architecture)
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. It p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Latin Cross
A Latin cross or ''crux immissa'' is a type of cross in which the vertical beam sticks above the crossbeam, with the three upper arms either equally long or with the vertical topmost arm shorter than the two horizontal arms, and always with a much longer bottom arm. If displayed upside down it is called St. Peter's Cross, because he was reputedly executed on this type of cross.Joyce Mori, ''Crosses of Many Cultures'' (Harrisburg, PA: Morehouse Publishing, 1998), p. 32 When displayed sideways it is called St. Philip's cross for the same reason. History In a broad sense, the Latin cross is used to represent all of Christianity and Christendom, given that it teaches that Jesus sacrificed himself for humanity upon it, atoning for the sins of the world. It is especially used among the denominations of Western Christianity, including the Roman Catholic tradition and several Protestant traditions, such as Lutheranism, Moravianism, Anglicanism, Methodism, and Reformed Christianity, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Collegium Russicum
The Collegium Russicum ( la, Pontificium Collegium Russicum Sanctae Theresiae A Iesu Infante; russian: Папская коллегия Ру́ссикум; '' en, Pontifical Russian College of Saint Thérèse of the Child Jesus'') is a Catholic college in Rome dedicated to studies of the culture and spirituality of Russia. It is located near the Basilica di Santa Maria Maggiore, separated from the Pontifical Oriental Institute by the Church of Saint Anthony, and is known informally as the Russicum. History The college is built on the site of what was once a hospital, created by bequest in 1529, by Cardinal Pietro Capocci. From the middle of the 18th century the hospital was assigned to Camaldolese nuns, who kept it until it was confiscated by the government in 1871. In 1928 the church of Sant'Antonio Abate all'Esquilino and its surroundings were acquired by the Holy See, which assigned the church to Russian Catholics of the Byzantine Rite and the surrounding buildings to the Colle ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Byzantine Rite
The Byzantine Rite, also known as the Greek Rite or the Rite of Constantinople, identifies the wide range of cultural, liturgical, and canonical practices that developed in the Eastern Christianity, Eastern Christian Church of Constantinople. The canonical hours are very long and complicated, lasting about eight hours (longer during Great Lent) but are abridged outside of large Monastery, monasteries. An iconostasis, a partition covered with icons, separates Sanctuary#Sanctuary as area around the altar, the area around the altar from the nave. The Sign of the cross#Eastern Orthodoxy, sign of the cross, accompanied by bowing, is made very frequently, e.g., more than a hundred times during the Divine Liturgy#Byzantine Rite, divine liturgy, and there is prominent veneration of icons, a general acceptance of the congregants freely moving within the church and interacting with each other, and distinctive traditions of liturgical chanting. Some traditional practices are falling out of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Sant'Eusebio
Sant'Eusebio is a titular church in Rome, devoted to Saint Eusebius of Rome, a 4th-century martyr, and built in the Esquilino rione. One of the oldest churches in Rome, it is a titular church and the station church for the Friday after the fourth Sunday in Lent. History The church is said to have been built on the site of the house of the priest and confessor, Eusebius of Rome, who died c. 357. It is recorded as the ''Titulus Eusebii'' in the acts of the 499 synod. It is again mentioned in the acts of a council held in Rome under Pope Symmachus in 498. The church was rebuilt by Pope Zacharias, and was consecrated "in honorem beatorum Eusebii et Vincentii" by Pope Gregory IX, after the restoration of 1238. A plaque commemorating the rebuilding is located on the porch of the church. The Romanesque style, dating back to this restoration, survived to the restorations of the 17th, 18th, and 20th centuries. The church once belonged to the Celestines. The annexed monastery housed one ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |