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Sant'Afra, Brescia
The church of Sant'Afra in Brescia, also known as the church of Sant'Afra in Sant'Eufemia, is located on Corso Magenta, near Piazzale Arnaldo. History Built initially in the 1450s, it underwent major reconstructions starting in the 1600s. It contains a number of prominent artworks, including paintings by Sante Cattaneo, Paolo Veronese, and Enea Salmeggia. The latter painting replaced in 1867 the ‘’Altarpiece of Sant'Eufemia’’ (1526-1530), painted by Alessandro Bonvicino, known as il Moretto, and which was moved to the Pinacoteca Tosio Martinengo. The term "Sant'Eufemia" derives from the fact, that the church was initially annexed to a monastery associated with the church of Sant'Eufemia della Fonte, just outside the medieval walls of the city. The suffix also distinguished this church of Sant'Afra with another found on via Francesco Crispi. The latter was destroyed during the bombardment of World War II, and has only been rebuilt now as the church of Sant'Angela Meric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaissance ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scholastica
Scholastica (c. 480 – 10 February 543) is a saint of the Catholic Church, the Eastern Orthodox Churches and the Anglican Communion. She was born in Italy. According to a ninth century tradition, she was the twin sister of Benedict of Nursia. Her feast day is 10 February, Saint Scholastica's Day. Scholastica is traditionally regarded as the founder of the Benedictine nuns. Life According to the ''Dialogues'' of Gregory the Great, Scholastica was born c. 480 in Nursia, Umbria, of wealthy parents (Anicius Eupropius and his wife Claudia Abondantia Reguardati). While Gregory states that Scholastica was Benedict's sister, a later tradition says she was his twin (whether this is meant biologically or spiritually, or both is unclear). Gregory also says she was dedicated to God from a young age. She and her brother Benedict were brought up together until the time he left to pursue studies in Rome. A young Roman woman of Scholastica's class and time would likely have remained in her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Roman Catholic Church Buildings In Italy
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Churches In Brescia
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμαá ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Footnotes
A note is a string of text placed at the bottom of a page in a book or document or at the end of a chapter, volume, or the whole text. The note can provide an author's comments on the main text or citations of a reference work in support of the text. Footnotes are notes at the foot of the page while endnotes are collected under a separate heading at the end of a chapter, volume, or entire work. Unlike footnotes, endnotes have the advantage of not affecting the layout of the main text, but may cause inconvenience to readers who have to move back and forth between the main text and the endnotes. In some editions of the Bible, notes are placed in a narrow column in the middle of each page between two columns of biblical text. Numbering and symbols In English, a footnote or endnote is normally flagged by a superscripted number immediately following that portion of the text the note references, each such footnote being numbered sequentially. Occasionally, a number between brack ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Museo Di Santa Giulia
Museo may refer to: * Museo, 2018 Mexican drama heist film *Museo (Naples Metro) Museo is a station on line 1 of the Naples Metro. It was opened on 5 April 2001 as the eastern terminus of the section of the line between Vanvitelli and Museo. On 27 March 2002 the line was extended to Dante Dante Alighieri (; – 14 S ..., station on line 1 of the Naples Metro * Museo, Seville, neighborhood of Seville, Spain {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco Giugno
Francesco Giugno (1577 - c. 1621) was an Italian painter of the late Mannerist and early-Baroque periods, mainly active in Brescia and Mantua. Born in Brescia, he became a pupil of Pietro Marone, and then of Palma il Giovane Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death .... He died in Mantua. References * 1577 births 1620s deaths 16th-century Italian painters Italian male painters 17th-century Italian painters Painters from Brescia {{Italy-painter-16thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Civerchio
Vincenzo Civerchio or Civercio (c. 1470c. 1544) was an Italian painter of the Renaissance, born at Crema, Lombardy, Crema, and active also in Brescia, where there are some of his alter-pieces. One of his works is at the National Gallery of Art, Washington D.C., others in the Pinacoteca di Brera, Milan, Italy. He is said to be an imitator of Bernardino Butinone, Bernardino Zenale, and influenced by Vincenzo Foppa. Luigi Donato of Como is said to have been a pupil. See also * Bartolomeo di Cassino External links Pinacoteca di Brera References 15th-century Italian painters Italian male painters 16th-century Italian painters Renaissance painters Painters from Brescia 1470 births 1544 deaths {{Italy-painter-15thC-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faustinus And Jovita
Saints Jovita and Faustinus were said to be Christian martyrs under Hadrian. Their traditional date of death is 120. They are patron saints of Brescia. Traditional vita Tradition states that they were members of a noble family of Brescia in Lombardy (northern Italy). Jovinus, the older brother, was a preacher; Faustinus, a deacon. For their fearless preaching of the Gospel, they were arraigned before the Roman Emperor Hadrian, who at Brescia, Rome and Naples, subjected them to frightful torments, after which they were beheaded at Brescia in the year 120, according to the Bollandists, although historian Paul Allard (''Histoire des Persécutions pendant les Deux Premiers Siècles'', Paris, 1885) places the date as early as 118.Murphy, John F.X. "Sts. Faustinus and Jovita." The Catholic Encycloped ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palma Giovane
Iacopo Negretti (1548/50 – 14 October 1628), best known as Jacopo or Giacomo Palma il Giovane or simply Palma Giovane ("Young Palma"), was an Italian painter from Venice and a notable exponent of the Venetian school. After Tintoretto's death (1594), Palma became Venice's dominant artist perpetuating his style. Outside Venice, he received numerous commissions in the area of Bergamo, then part of the Venetian Domini di Terraferma, and in Central Europe, most prominently from the connoisseur emperor Rudolph II in Prague. Biography Palma was born in Venice. Born into a family of painters, he was the great-nephew of the painter Palma Vecchio ("Old Palma") and the son of Antonio Nigreti (1510/15–1575/85), a minor painter who was himself the pupil of the elder Palma's workshop foreman Bonifacio de' Pitati and who after Bonifazio's death (1553) inherited Bonifacio's shop and clientele; the younger Palma seems to have polished his style making copies after Titian. In 1567 Guidobal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Innocenzo Carloni
Carlo Innocenzo Carlone or Carloni (1686–1775) was an Italian painter and engraver, active especially in Germany. Biography He was a native of Scaria, near Como, in Lombardy, but may have been from the Carloni family of Genoese painters. He was the son of a sculptor, but he preferred painting, and was placed under the care of Giulio Quaglio. He subsequently trained also with Giovanni Battista Colomba. He afterwards studied at Venice and at Rome, with Francesco Trevisani until he was 23 years of age, when he visited Germany, where he has left works in oil and in fresco at Ludwigsburg, Passau, Linz, Breslau, Prague, and Vienna. He painted large decorative fresco cycles for palaces in Vienna, Prague and Southern Germany. For example, Carlone is known for painting the ceiling images in the ''Upper Belvedere'' of the Belvedere palace complex. His ''The Glorification of Saints Felix and Adauctus'' (1759–1761) was commissioned for the cupola of the church of ''San Felice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quadratura
Illusionistic ceiling painting, which includes the techniques of perspective ''di sotto in sù'' and ''quadratura'', is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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