Sanjugo Naoki
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Sanjugo Naoki
was a pen name of a novelist in Taishō and Shōwa period Japan. His real name was . Early life Naoki Sanjūgo was born in what is now Chūō-ku, Osaka. The noted historian Uemura Seiji, specialist in East Asian history, was his brother. Against the wishes of his father, Naoki attended the preparatory schools of Waseda University to study English Literature but was forced to drop out of school on occasion due to his inability to pay the tuition. In 1920, he collaborated with Ton Satomi, Masao Kume, and Isamu Yoshii on the literary journal ''Ningen'' ("Human"). He returned to Osaka shortly after Great Kantō earthquake of 1923. At first, he attempted to work at a cosmetics company, but was soon drawn back to the literary world. Literary career At the invitation of Matsutarō Kawaguchi, Naoki started working in Osaka as editor of the literary magazine ''Kuraku'' ("Joys and Sorrows"), contributed his own works of fiction as well, and soon began publishing novels. Although interes ...
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Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ...
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Literary Criticism
Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, the ''Johns Hopkins Guide to Literary Theory and Criticism'' draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book form. Academic literary ...
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Ashikaga Takauji
was the founder and first ''shōgun'' of the Ashikaga shogunate."Ashikaga Takauji" in ''The New Encyclopædia Britannica''. Chicago: Encyclopædia Britannica Inc., 15th edn., 1992, Vol. 1, p. 625. His rule began in 1338, beginning the Muromachi period of Japan, and ended with his death in 1358. He was a male-line descendant of the samurai of the (Minamoto) Seiwa Genji line (meaning they were descendants of Emperor Seiwa) who had settled in the Ashikaga area of Shimotsuke Province, in present-day Tochigi Prefecture. According to Zen master and intellectual Musō Soseki, who enjoyed his favor and collaborated with him, Takauji had three qualities. First, he kept his cool in battle and was not afraid of death.Matsuo (1997:105) Second, he was merciful and tolerant. Third, he was very generous with those below him. Life His childhood name was Matagorō (又太郎). Takauji was a general of the Kamakura shogunate sent to Kyoto in 1333 to put down the Genkō War which had started i ...
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Kusunoki Masashige
was a Japanese samurai of the Kamakura period remembered as the ideal of samurai loyalty. Kusunoki fought for Emperor Go-Daigo in the Genkō War to overthrow the Kamakura shogunate and restore power in Japan to the Imperial Court. Kusunoki was a leading figure of the Kenmu Restoration in 1333 and remained loyal to the unpopular Emperor Go-Daigo after Ashikaga Takauji began to reverse the restoration in the Nanboku-chō wars three years later. Kusunoki attacked Takauji in Settsu at the command of the Emperor, an act of obedience surely to result in defeat, and died at the Battle of Minatogawa in 1336. Kusunoki became a popular legend in Japan representing loyalty and virtue, and associated with the phrase "Would that I had seven lives to give for my country!" (七生報國; "''Shichishō Hōkoku!''"). Kusunoki was posthumously awarded the highest court rank in Japan, Senior First Rank (''shō ichi-i)'', by the Meiji government in 1880, over 500 years after his death. Early ...
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Tetraphobia
Tetraphobia () is the practice of avoiding instances of the digit . It is a superstition most common in East Asian nations. __TOC__ Rationale The Chinese word for "four" (, pinyin: sì, jyutping: sei3), sounds quite similar to the word for "death" (, pinyin: sǐ, jyutping: sei2), in many varieties of Chinese. Similarly, the Sino-Japanese, Sino-Korean and Sino-Vietnamese words for "four", shi (し, Japanese) and sa (사, Korean), sound similar or identical to "death" in each language (see Korean numerals, Japanese numerals, Vietnamese numerals). Tetraphobia is known to occur in Korea and Japan since the two words sound identical, but not at all in Vietnam because they carry different tones (in the case of the word for "four", whether it is the Sino-Vietnamese reading ''tứ'' or the more common non-Sino-Vietnamese reading ''tư'', neither sounds like the word for "death" which is ''tử'') and Vietnamese does not use Sino-Vietnamese numerals as often in the first place. Sp ...
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Unlucky Number
Numerology (also known as arithmancy) is the belief in an occult, divine or mystical relationship between a number and one or more coinciding events. It is also the study of the numerical value, via an alphanumeric system, of the letters in words and names. When numerology is applied to a person's name, it is a form of onomancy. It is often associated with the paranormal, alongside astrology and similar to divinatory arts. Despite the long history of numerological ideas, the word "numerology" is not recorded in English before c. 1907. The term numerologist can be used for those who place faith in numerical patterns and draw inferences from them, even if those people do not practice traditional numerology. For example, in his 1997 book ''Numerology: Or What Pythagoras Wrought'' (), mathematician Underwood Dudley uses the term to discuss practitioners of the Elliott wave principle of stock market analysis. History The practice of gematria, assigning numerical values to w ...
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Folk Hero
A folk hero or national hero is a type of hero – real, fictional or mythological – with their name, personality and deeds embedded in the popular consciousness of a people, mentioned frequently in folk songs, folk tales and other folklore; and with modern trope status in literature, art and films. Overview Although some folk heroes are historical public figures, many are not. The lives of folk heroes are generally fictional, their characteristics and deeds often exaggerated to mythic proportions. The folk hero often begins life as a normal person, but is transformed into someone extraordinary by significant life events, often in response to social injustice, and sometimes in response to natural disasters. One major category of folk hero is the defender of the common people against the oppression or corruption of the established power structure. Members of this category of folk hero often, but not necessarily, live outside the law in some way. See also * List of folk ...
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Mito Kōmon
is a Japanese ''jidaigeki'' or period drama that was on prime-time television from 1969 to 2011, making it the longest-running ''jidaigeki'' in Japanese television history. The title character is the historic Tokugawa Mitsukuni, former vice-''shōgun'' and retired second ''daimyō'' of the Mito Domain. In the guise of Mitsuemon, a retired crepe merchant from Echigo, he roams Japan with two samurai retainers, fun-loving Sasaki Sukesaburō (Suke-san) and studious Atsumi Kakunoshin (Kaku-san). An episode typically starts with some injustice perpetrated by a corrupt official, a wealthy merchant or a gangster. The travelers arrive incognito, discover the injustice and quietly investigate it. The episode concludes with a brawl in which the unarmed, disguised protagonists defeat a crowd of samurai and gangsters, culminating in the presentation of the '' inrō'' that reveals the hero's identity. Afterwards, the hero passes judgement on the villains, sets things straight with comments and ...
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Television Series
A television show – or simply TV show – is any content produced for viewing on a television set which can be broadcast via over-the-air, satellite television, satellite, or cable television, cable, excluding breaking news, television advertisement, advertisements, or Trailer (promotion), trailers that are typically placed between shows. Television shows are most often broadcast programming, scheduled for broadcast well ahead of time and appear on electronic program guide, electronic guides or other TV listings, but streaming services often make them available for viewing anytime. The content in a television show can be produced with different methodologies such as taped variety shows emanating from a television studio stage, animation or a variety of film productions ranging from movies to series. Shows not produced on a television studio stage are usually contracted or licensed to be made by appropriate production companies. Television shows can be viewed live (real time), b ...
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Ryūnosuke Tsukigata
was a Japanese actor known especially for his work in jidaigeki in film and television. His real name was Kiyoto Monden. Career Born in Miyagi Prefecture, Tsukigata entered the actor's school at Nikkatsu in 1920, but earned his first starring role working at Shōzō Makino's studio in 1924. He became a star of chanbara films, but got into trouble when he ran away with Makino's daughter, Teruko Makino, even though he was married. He eventually left Teruko and returned to the fold, but left again to start his own production company, which soon failed. Continuing to work at various studios, Tsukigata appeared in films by such masters as Daisuke Itō, Mansaku Itami, and Hiroshi Inagaki. He is probably best known to foreign audiences for playing Sanshiro's rival in Akira Kurosawa's '' Sanshiro Sugata''. After World War II, he moved into supporting roles at the Tōei studio, but also played such major characters as Tokugawa Mitsukuni (Mito Kōmon) on film and television. Selected f ...
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Tokugawa Mitsukuni
, also known as , was a Japanese daimyo who was known for his influence in the politics of the early Edo period. He was the third son of Tokugawa Yorifusa (who in turn was the eleventh son of Tokugawa Ieyasu) and succeeded him, becoming the second daimyo of the Mito Domain. Biography Tokugawa Mitsukuni was born on July 11, 1628, in Mito Domain, Hitachi Province as the third son of Tokugawa Yorifusa, the first daimyo of Mito Domain. His father was the eleventh son of Tokugawa Ieyasu, the founder and first shogun of the Tokugawa shogunate. At the age of six, his elder brother Yorishige became valetudinarian, and Mitsukuni was chosen to succeed his father. At the age of nine, he underwent ''genpuku'' (coming-of-age ceremony). He was responsible for assembling the Mitogaku scholars to compile a huge Japanese history, ''Dai Nihonshi''. In it, Japan was depicted as a nation under the Emperor, analogous to that in Chinese dynasties. This helped the rise of nationalism in the late shogu ...
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