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Sandra Warfield
Sandra Warfield (June 8, 1921 – June 29, 2009) was an American operatic mezzo-soprano who performed with New York City's Metropolitan Opera from the 1950s through the 1970s. She was born in Kansas City, Missouri on June 8, 1921, as Flora Jean Bornstein and studied music there at the Kansas City Conservatory of Music (which later became a division of the University of Missouri–Kansas City). She made her stage debut with the Los Angeles Civic Light Opera during the 1940s.Fox, Margalit"Sandra Warfield, Opera and Cabaret Singer, Dies at 88" ''The New York Times'', July 4, 2009. Accessed July 5, 2009. In 1950 she portrayed Prince Orlofsky in ''Die Fledermaus'' at the Chautauqua Opera. Warfield first appeared on the stage of Metropolitan Opera in a 1953 performance of '' The Marriage of Figaro'', the 1786 opera by Wolfgang Amadeus Mozart, in which she sang the role of a peasant girl. She sang the role of Delilah in Camille Saint-Saëns's ''Samson and Delilah'' at a concert i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandra Warfield
Sandra Warfield (June 8, 1921 – June 29, 2009) was an American operatic mezzo-soprano who performed with New York City's Metropolitan Opera from the 1950s through the 1970s. She was born in Kansas City, Missouri on June 8, 1921, as Flora Jean Bornstein and studied music there at the Kansas City Conservatory of Music (which later became a division of the University of Missouri–Kansas City). She made her stage debut with the Los Angeles Civic Light Opera during the 1940s.Fox, Margalit"Sandra Warfield, Opera and Cabaret Singer, Dies at 88" ''The New York Times'', July 4, 2009. Accessed July 5, 2009. In 1950 she portrayed Prince Orlofsky in ''Die Fledermaus'' at the Chautauqua Opera. Warfield first appeared on the stage of Metropolitan Opera in a 1953 performance of '' The Marriage of Figaro'', the 1786 opera by Wolfgang Amadeus Mozart, in which she sang the role of a peasant girl. She sang the role of Delilah in Camille Saint-Saëns's ''Samson and Delilah'' at a concert i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Free Lance–Star
''The Free Lance–Star'' is the principal daily newspaper distributed throughout Fredericksburg, Virginia, United States, with a circulation area including the city of Fredericksburg and all or parts of the counties of Spotsylvania, Stafford, King George, Caroline, Culpeper, Fauquier, Louisa, Orange, Prince William and Westmoreland. ''The Free Lance'' was first published on January 27, 1885, when Col. John W. Woltz and William E. Bradley founded the paper as a twice-weekly publication to serve the news and advertising needs of the community. A one-year subscription that first year cost $1.50. In 1900, the ''Free Lance'' operation merged with its competitor, ''The Fredericksburg Daily Star''. The two papers continued to be published separately until 1926 when, under the leadership of Josiah P. Rowe Jr. (a World War One fighter pilot with the 147th Aero Squadron November 1917 to November 1918), they were combined into ''The Free Lance–Star'', a single newspaper published ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Tucker (tenor)
Richard Tucker (August 28, 1913January 8, 1975) was an American operatic tenor and cantor. Long associated with the Metropolitan Opera, Tucker's career was primarily centered in the United States. Early life Tucker was born Rivn (Rubin) Ticker in Brooklyn, New York, the son of Bessarabian Jewish parents who immigrated to the US in 1911. His father, Sruel (Sam) Ticker, and mother Fanya-Tsipa (Fanny) Ticker had already adopted the surname "Tucker" by the time their son entered first grade. His musical aptitude was discovered early, and was nurtured under the tutelage of Samuel Weisser at the Tifereth Israel synagogue in Lower Manhattan. As a teenager, Tucker's interests alternated between athletics, at which he excelled during his high-school years, and singing for weddings and bar mitzvahs as a hazzan, cantorial student. Eventually, he progressed from a part-time cantor at Temple Emanuel in Passaic, New Jersey, to full-time cantorships at Temple Adath Israel in the Bronx and, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried (opera)
''Siegfried'' (), WWV 86C, is the third of the four music dramas that constitute ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''), by Richard Wagner. It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of ''The Ring'' cycle. Background and context The libretto of ''Siegfried'' was drafted by Wagner in November–December 1852, based on an earlier version he had prepared in May–June 1851 and originally entitled ''Jung-Siegfried'' (''Young Siegfried''), later changed to ''Der junge Siegfried''. The musical composition was commenced in 1856, but not finally completed until 1871.Millington, (n.d.) The libretto arose from Wagner's gradual reconception of the project he had initiated with his libretto ''Siegfrieds Tod'' (''Siegfried's Death'') which was eventually to be incarnated as ''Götterdämmerung'', the final section of the Ring cycle. Having grappled with his text for ''Siegfrieds Tod'', and indeed having under ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gioachino Rossini
Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of 12 and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823 he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Barber Of Seville
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Stockho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Greek Passion (opera)
''The Greek Passion'' (Czech ''Řecké pašije'') is an opera in four acts by Bohuslav Martinů. The English-language libretto, by the composer, is based on Jonathan Griffin's translation of the novel ''The Greek Passion'' (or ''Christ Recrucified'') by Nikos Kazantzakis. Background The opera exists in two versions. Martinů wrote the original version from 1954 to 1957. He offered this original version of the opera in 1957 to the Royal Opera House, Covent Garden, where the music director, Rafael Kubelík, and the general administrator, David Webster, had approved the score for production. However, following intervention by Sir Arthur Bliss, the company then demurred on the production and did not stage the work at the time. The composer then produced a second version of the opera first performed, at the Zurich Opera, Zürich, on 9 June 1961, after Martinů's death in 1959. The second version was first produced in the UK at Welsh National Opera on 29 April 1981, conducted by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bohuslav Martinů
Bohuslav Jan Martinů (; December 8, 1890 – August 28, 1959) was a Czech composer of modern classical music. He wrote 6 symphonies, 15 operas, 14 ballet scores and a large body of orchestral, chamber, vocal and instrumental works. He became a violinist in the Czech Philharmonic Orchestra, and briefly studied under Czech composer and violinist Josef Suk. After leaving Czechoslovakia in 1923 for Paris, Martinů deliberately withdrew from the Romantic style in which he had been trained. During the 1920s he experimented with modern French stylistic developments, exemplified by his orchestral works ''Half-time'' and ''La Bagarre''. He also adopted jazz idioms, for instance in his '' Kitchen Revue'' (''Kuchyňská revue''). In the early 1930s he found his main fount for compositional style: neoclassicism, creating textures far denser than those found in composers treating Stravinsky as a model. He was prolific, quickly composing chamber, orchestral, choral and instrumental w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
