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Sancta Maria In Sorbaces
Sancta may refer to: *Scala Sancta, a set of 28 white marble steps that are Roman Catholic relics located in an edifice on extraterritorial property of the Holy See in Rome, Italy *''Sancta Susanna'', an early opera by Paul Hindemith in one act *''Sancta Civitas'', an oratorio by Ralph Vaughan Williams *Sancta Sanctorum, a Roman Catholic chapel entered via the Scala Sancta *Sancta Sapientia or Hagia Sophia, Istanbul, Turkey *Silvester Petra Sancta Silvester Petra Sancta (1590, in Rome – 6 May 1647, in Rome) was an Italian Jesuit priest, and heraldist. His name is also spelt as Sylvester Petra Sancta, Petrasancta, in Italian Padre Silvestro da Pietrasanta. Pseudonym: Coelius S ... (1590–1647), Italian Jesuit priest, and heraldist See also * Sancta Maria (other) {{disambiguation ...
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Scala Sancta
The ( en, Holy Stairs, it, Scala Santa) are a set of 28 white marble steps that are Roman Catholic relics located in an edifice on extraterritorial property of the Holy See in Rome, Italy proximate to the Archbasilica of Saint John in Laterano. Officially, the edifice is titled the Pontifical Sanctuary of the Holy Stairs (Pontificio Santuario della Scala Santa), and incorporates part of the old Papal Lateran Palace. Replica stairs flank the original staircase, which may only be climbed on one's knees. The Holy Stairs lead to the Church of Saint Lawrence in Palatio ad Sancta Sanctorum (Chiesa di San Lorenzo in Palatio ad Sancta Sanctorum) or simply the "Sancta Sanctorum" ( en, Holy of Holies), which was the personal chapel of the early Popes. According to Roman Catholic tradition, the Holy Stairs were the steps leading up to the praetorium of Pontius Pilate in Jerusalem on which Jesus Christ stepped on his way to trial during his Passion. The Stairs reputedly were brought to ...
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Sancta Susanna
''Sancta Susanna'' is an early opera by Paul Hindemith in one act, with a German libretto by August Stramm. Composed over a two-week period in January/February 1921, its premiere was on 26 March 1922, at the Oper Frankfurt. The work is his third and final in a triptych of expressionist influenced one-act operas - the previous two being '' Mörder, Hoffnung der Frauen'' op. 12 (1921), and ''Das Nusch-Nuschi'' op. 20 (1921) – and much like the previous works, scandalised Frankfurt’s concert-going public, affording the young composer heightened critical attention and notoriety. Background ''Sancta Susanna'' examines the relationship between celibacy and lust in Christianity, depicting the descent of a nunnery into sexual frenzy. Hindemith, around this time in his career has often been regarded, ‘a twenty-four-year-old dabbling in the realm of German expressionism’, and although it cannot be described as a fully fledged work of expressionism, the opera undoubtedly shows a sig ...
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Sancta Civitas
''Sancta Civitas'' (The Holy City) is an oratorio by Ralph Vaughan Williams. Written between 1923 and 1925, it was his first major work since the Mass in G minor two years previously. Vaughan Williams began working on the piece from a rented furnished house in the village of Danbury, Essex, found for him by his former pupil, Cecil Armstrong Gibbs. The work received its first performance in Oxford in May 1926, during the General Strike. Although its title is in Latin, the libretto is entirely in English, based upon texts from Revelation. The text is drawn from several translations, including Taverner's Bible. Late in life, Vaughan Williams called ''Sancta'' the favourite of his choral works. Michael Kennedy described it as "in the form of a homage to Bach from the twentieth century".Kennedy, Michael. ''The Works of Ralph Vaughan Williams'' (1964), p.216 Orchestration ''Sancta Civitas'' is scored for a full orchestra, with optional organ, as well as a mixed chorus, a semi-chorus, ...
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Sancta Sanctorum
The Sancta Sanctorum ( it, Chiesa di San Lorenzo in Palatio ad Sancta Sanctorum) is a Roman Catholic chapel entered via the ''Scala Sancta'' (Holy Staircase) of the Lateran Palace in Rome. It was the original private chapel of the papacy before it moved to Avignon, and later to the Vatican Palace. The chapel is the only building from the old Lateran Palace that was not destroyed during its reconstruction. Name The chapel acquired the ''Sancta Sanctorum'' sometime in the ninth century. The spelling is ''Sancta'', the neuter plural form of the Latin adjective "holy": this is a reference to the multiple relics preserved there (i.e. "the most holy things") and to the Holy of Holies in Jerusalem, traditionally called in Latin both ''sanctum sanctorum'' (the singular form) or ''sancta sanctorum''. History The founder of the chapel is unknown. It was originally dedicated to Saint Lawrence, and served as the pope's private oratory until the Renaissance. It is located at the top of the ...
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Sancta Sapientia
Hagia Sophia ( 'Holy Wisdom'; ; ; ), officially the Hagia Sophia Grand Mosque ( tr, Ayasofya-i Kebir Cami-i Şerifi), is a mosque and major cultural and historical site in Istanbul, Turkey. The cathedral was originally built as a Greek Orthodox church which lasted from 360 AD until the conquest of Constantinople by the Ottoman Empire in 1453. It served as a mosque until 1935, when it became a museum. In 2020, the site once again became a mosque. The current structure was built by the eastern Roman emperor Justinian I as the Christian cathedral of Constantinople for the state church of the Roman Empire between 532 and 537, and was designed by the Greek geometers Isidore of Miletus and Anthemius of Tralles. It was formally called the Church of the Holy Wisdom () and upon completion became the world's largest interior space and among the first to employ a fully pendentive dome. It is considered the epitome of Byzantine architecture and is said to have "changed the history of a ...
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Silvester Petra Sancta
Silvester Petra Sancta (1590, in Rome – 6 May 1647, in Rome) was an Italian Jesuit priest, and heraldist. His name is also spelt as Sylvester Petra Sancta, Petrasancta, in Italian Padre Silvestro da Pietrasanta. Pseudonym: Coelius Servilius Biography He was the confessor of the Cardinal Pier Luigi Carafa (1581–1655) from a distinguished Neapolitan family. Between 1624 and 1634, Petra Sancta stayed with Carafa in Cologne where he fought against rising Protestantism through his sermons and religious discussions. He had emblem books published in 1634 and 1638, respectively. He was also Rector of the College of Loreto. Later he settled in Rome and published his treatise on heraldry there. During the mid-1620s, he published a translation in Liège. and since 1631 he was also the editor of a book published from Antwerp. That means during the late 1620s and the early 1630s he stayed in the Spanish Low Countries and the neighboring territories. In 1634 he published his fi ...
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