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San Zaccaria Altarpiece
The ''San Zaccaria Altarpiece'' (also called ''Madonna Enthroned with Child and Saints'') is a painting by the Italian Renaissance painter Giovanni Bellini, executed in 1505 and located in the church of San Zaccaria, Venice. History The work was mentioned in 1648 by writer and painter Carlo Ridolfi as a large panel commissioned in memory of Venetian politician and diplomat Pietro Cappello; he described it as "one of the most beautiful and delicate by the artist". It is Bellini's first work in which the influence of Giorgione is undeniable, starting the last phase in the artist's career, a tonalist one Description The work is set in a large niche, depicting a sacred conversation within an established scheme: the Madonna and Child enthroned, a musician angel on a step and four saints placed symmetrically at the sides. They are St. Peter the Apostle, St. Catherine of Alexandria, St. Lucy and St. Jerome. While the general ensemble is not different from previous works, such as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni Bell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Zaccaria, Venice (photograph)
''San Zaccaria, Venice'' is a color photograph taken by German photographer Thomas Struth, in 1995. The photograph was taken inside the San Zaccaria church in Venice, and is part of his series ''Museum Photographs,'' dedicated to the interior of several museums and monuments across the world. It has a ten prints edition. History and description Struth became interested by the work of the Italian painter Giovanni Bellini, due to his conexion to the Scottish art historian Giles Robertson, who published a monograph on him, in 1968, and who had been the subject of two of his portraits. Struth took interest in the current painting, the ''San Zaccaria Altarpiece'' or ''Sacra Conversazione'', after this book and also after visiting Venice, in 1990. He decided to include it, in his religious environment, in his series dedicated to ''Museum Photographs'', that he took from 1990 to 2003. The current photograph focus in particular in the ''San Zaccaria Altarpiece'', seen at the center of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Books In Art
A book is a medium for recording information in the form of writing or images, typically composed of many pages (made of papyrus, parchment, vellum, or paper) bound together and protected by a cover. The technical term for this physical arrangement is ''codex'' (plural, ''codices''). In the history of hand-held physical supports for extended written compositions or records, the codex replaces its predecessor, the scroll. A single sheet in a codex is a leaf and each side of a leaf is a page. As an intellectual object, a book is prototypically a composition of such great length that it takes a considerable investment of time to compose and still considered as an investment of time to read. In a restricted sense, a book is a self-sufficient section or part of a longer composition, a usage reflecting that, in antiquity, long works had to be written on several scrolls and each scroll had to be identified by the book it contained. Each part of Aristotle's ''Physics'' is called a bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In Venice
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of Saint Lucy
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of Jerome
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Of The Madonna And Child
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Giovanni Bellini
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1505 Paintings
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Santa Cristina Al Tiverone Altarpiece
''Santa Cristina al Tiverone Altarpiece'' is an oil-on-panel painting by the Italian Renaissance painter Lorenzo Lotto, executed around 1504–1506. It is still housed in its original location, the parish church of Santa Cristina in Quinto di Treviso, a ''frazione'' of Treviso, northern Italy. Measuring 90x179 cm ( lunette) and 177x162 cm (central panel), it is signed "Laurentius / Lotus / P. nxit at the base of the throne. It was perhaps commissioned around 1505 by bishop Bernardo de' Rossi, in whose court Lotto worked at the time. It was released on 14 May 1507, just before the artist's move to Recanati. Description The main panel, of rectangular shape, shows a sacred conversation with ''Madonna and Child'' sitting on a large throne. Around her are the saints Peter, Christine, Liberalis and Jerome, all enclosed within a classical style architecture. The composition derives from Giovanni Bellini's San Zaccaria Altarpiece, as testified by the niche in the throne wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Struth
Thomas Struth (born 11 October 1954) is a German photographer who is best known for his ''Museum Photographs'' series, family portraits and black and white photographs of the streets of Düsseldorf and New York taken in the 1970s. Struth lives and works in Berlin and New York. Early life and education Born to ceramic potter Gisela Struth and bank director Heinrich Struth in Geldern, Germany, Struth trained at the Düsseldorf Academy from 1973 until 1980 where he initially studied painting under Peter Kleemann and, from 1974, Gerhard Richter. Increasingly drawn to photography and with Richter's support, Struth, along with Candida Höfer, Axel Hütte, and Roswitha Ronkholz, joined the first year of the new photography class run by Bernd and Hilla Becher, in 1976. In 2007, he was an artist in residence at the Atlantic Center for the Arts. In 2007, Struth married author Tara Bray Smith in New York. Work In 1976, as part of a student exhibition at the Academy, Struth first showe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Zeno Altarpiece
The ''San Zeno Altarpiece'' is a triptych by the Italian Renaissance painter Andrea Mantegna, from c. 1457–1460. It is located in the Basilica di San Zeno, the main church of Verona. The three predellas, stripped by the French in 1797 along with the main picture (restored to Verona in 1815), have been replaced by copies. The originals are in the Louvre (''Crucifixion'') and in the Musée des Beaux-Arts in Tours (''Resurrection'' and ''Agony in the Garden''). The work was commissioned by the Abbot Gregorio Correr. In the centre is the Madonna enthroned with the Child, portrayed according to the Byzantine iconography of the Victorious Madonna and surrounded by chanting angels. Eight saints are placed at the sides, according to the commissioner's preferences: on the left are Peter, Paul, John the Evangelist and Zeno; on the right, Benedict, Lawrence, Gregory and John the Baptist. The entire composition is full of detail referring to classical antiquity: the frieze with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
