San Silvestro Al Quirinale
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San Silvestro Al Quirinale
San Silvestro al Quirinale (or ''St. Sylvester on Quirinal Hill'') is a historic church in central Rome, Italy. It is located near Via XXIV Maggio corner with Via Mazzarino, a few blocks south of the Piazza del Quirinale. History The first mentions of a church on the site are from 1039, when it was called ''Santo Stefano in Cavallo'' in recognition of its site on Monte Cavallo, a small hill in the Campo Marzio. In 1507, the church was granted to the Dominicans of the Florentine Congregation of St Mark by Pope Julius II. It was rebuilt in 1524-1584, when it was taken over by the Theatine Order. The high altar was consecrated in 1584 by Bishop Thomas Goldwell of St. Asaph's in North Wales, the last Catholic bishop in England under Queen Mary Tudor's reign. In 1801, San Silvestro was granted to the Lazarists, having been abandoned by the Theatines some years before. In the period when conclaves to elect a new Pope were held at the Quirinal Palace, the inaugural procession of the ...
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Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ...
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Lazzaro Baldi
Lazzaro Baldi ( – 30 March 1703) was an Italian painter and engraver of the Baroque period active mainly in Rome.The idea of artist's death and his burial in the Italian seventeenth century
in "Rivista d'arte", V ser., 2016 - a.51, n. 6 (2018), pp. 185-212


Biography


Study

Baldi was born in Pistoia around 1624. He is initially believed to have been a pupil of a little known Francesco Leoncini in his native city. Attracted by the fame of his fellow Tuscan

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Avanzino Nucci
Avanzino Nucci (c. 1552–1629) was an Italian painter of the late-Renaissance period. Biography He was born in Gubbio and died in Rome. He trained with Niccolò Circignani (il Pomarancio). Bernardino Gagliardi was one of his pupils. His paintings can be found in the Roman churches of San Rocco all'Augusteo, San Silvestro al Quirinale, and San Paolo fuora le Mura. Some more paintings dated 1596 are in the portico of the former Carthusian Monastery and now museum of San Martino in Naples. They depict the ''Foundation of the Carthusian order by St Bruno of Cologne'', the ''Approval of the order by the Pope Urban II'' and the ''Meeting of the Saint with the Norman king Roger I of Sicily''. He is said to have painted in the church of the Annunziata (1627) and in the church of San Benedetto (1620) in Gualdo Tadino Gualdo Tadino (Latin: ''Tadinum'') is an ancient town of Italy, in the province of Perugia in northeastern Umbria, on the lower flanks of Monte Penna, a mountain of the ...
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Raffaellino Da Reggio
Raffaele Motta (1550 – 1578), known as Raffaellino da Reggio, was an Italian Mannerist style painter from Reggio Emilia, who mainly worked in Rome. He assimilated the style of Taddeo Zuccari and also developed more personal traits. In the last three years of his short life, he worked alongside Lorenzo Sabbatini in works for the Vatican commissioned by Gregory XIII. The Late Mannerist painter and historian Giovanni Baglione considered Raffaellino's early death a significant loss to art. Biography He was born at Codemondo near Reggio Emilia in 1550. According to his earliest biographer, Bonifacio Fantini, he was a builder's son who initially trained under Lelio Orsi in his studio in nearby Novellara, as well as with a medallist, Alfonso Ruspagiari. Fantini says he painted facades in Reggio Emilia and in Guastalla, where he worked for Cesare Gonzaga. By December 1570, he was in Rome, performing a commission for the cardinal Ippolito d’Este. In 1575, he worked with Giovann ...
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Jacopo Zucchi
Jacopo Zucchi (c. 1541- c. 1590) was a Florentine painter of the Mannerist style, active in Florence and Rome. His training began in the studio of Giorgio Vasari, and he participated in decoration of the ''Studiolo'' and the ''Salone dei Cinquecento'' in the Palazzo Vecchio. Moving to Rome in the early 1570s, he worked for Cardinal Ferdinando de' Medici in his Palazzo Firenze (1574), for whom he also probably produced the oil on panel paintings '' The Golden Age'' and ''The Silver Age'' (both c.1576-1581, both now in the Uffizi). He also helped decorate, along with his brother Francesco, the apse and dome of Santo Spirito in Sassia with a fresco of the ''Pentecost''. He painted the grand salon of the former Rucellai (now Ruspoli) palace in Rome with mythologic genealogies. Two canvases, representing the ''Ascension'' and ''Resurrection'', are housed in the church of San Lorenzo Martire in San Lorenzo Nuovo San Lorenzo Nuovo is a small town and ''comune'' in the province o ...
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Marcello Venusti
Marcello Venusti (1512 – 15 October 1579) was an Italian Mannerist painter active in Rome in the mid-16th century. Native to Mazzo di Valtellina near Como, he was reputed to have been a pupil of Perino del Vaga. He is known for a scaled copy in oils (now Museo di Capodimonte, Naples) of Michelangelo's ''Last Judgement'' in the Sistine Chapel, commissioned by Cardinal Alessandro Farnese, and completed in the master's lifetime and meeting his approval. This is the best record of how the fresco looked before many of the nude figures had draperies added in the 1560s, though Venusti quietly adjusted some of Michelangelo's discrepancies in scale between the figures. His painting of ''Christ in the Garden'' is in the Galleria Doria Pamphilj. Buonarroti engaged him to paint an ''Annunciation'' from his design for the Capella de' Cesi in the church of Santa Maria della Pace. The copy of the ''Last Judgment'' is now at Naples. In the Palazzo Borghese there is a ''Christ bearing His C ...
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Cavaliere D'Arpino
Giuseppe Cesari (14 February 1568 – 3 July 1640) was an Italian Mannerist painter, also named Il Giuseppino and called ''Cavaliere d'Arpino'', because he was created ''Cavaliere di Cristo'' by his patron Pope Clement VIII. He was much patronized in Rome by both Clement and Sixtus V. He was the chief of the studio in which Caravaggio trained upon the younger painter's arrival in Rome. Biography Cesari's father, Muzio Cesari, had been a native of Arpino, but Giuseppe himself was born in Rome. Here, he was apprenticed to Niccolò Pomarancio. Cesari is stigmatized by Luigi Lanzi, as not less the corrupter of taste in painting than Marino was in poetry. (Lanzi disdained the style of post-Michelangelo Mannerism as a time of decline.) Cesari's first major work, done in his twenties, was the painting of the right counterfacade of San Lorenzo in Damaso, completed from 1588 to 1589. On 28 June 1589, he received the commission for the murals of the choir vault in the Certosa di San ...
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Maturino Da Firenze
Maturino da Firenze (1490–1528) was an Italian painter, born in Florence, but working in Rome during the Renaissance. Vasari described the relationship between Polidoro da Caravaggio and Maturino as exceedingly close: Vasari did not distinguish between the two painters in the joint works of Polidoro and Maturino Dr. Evelina Borea Evelina Borea (born 1931, Ferrara, Italy) is an Italian art historian, author and curator. Biography Evelina Borea obtained a degree in History of Art in 1958 at the University of Florence. Her tutor and mentor was art historian Roberto Longhi. ..., in her recent study on Polidoro, considers the contribution of the Florentine painter, Maturino, to be minimal. Most sources say he died ca.1528, but some say he was killed in the Sack of Rome the previous year.Lucy Whitaker, Martin Clayton, The Art of Italy in the Royal Collection; Renaissance and Baroque, p. 62, Royal Collection Publications, 2007, Notes External linksGiorgio Vasari, ''Vit ...
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Polidoro Da Caravaggio
Polidoro Caldara, usually known as Polidoro da Caravaggio ( – 1543) was an Italian painter of the Mannerist period, "arguably the most gifted and certainly the least conventional of Raphael's pupils", who was best known for his now-vanished paintings on the facades of Roman houses. He was unrelated to the later painter Michelangelo Merisi da Caravaggio, usually known just as Caravaggio, but both came from the town of Caravaggio. Life and work Polidoro Caldara was born in Caravaggio, in what is now Lombardy. According to Vasari, whilst working as a labourer carrying the materials for the builders of the Vatican logge he ingratiated himself with the artists, and attracted the admiration of Maturino da Firenze, one of Raphael's main assistants in the ongoing decoration of the Vatican. He then joined Raphael's large workshop, in about 1517, and worked on the Raphael Rooms in the Vatican. He and Maturino then set up as painters of palace facades, usually in sgraffito, with ...
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Pope Leo X
Pope Leo X ( it, Leone X; born Giovanni di Lorenzo de' Medici, 11 December 14751 December 1521) was head of the Catholic Church and ruler of the Papal States from 9 March 1513 to his death in December 1521. Born into the prominent political and banking Medici family of Republic of Florence, Florence, Giovanni was the second son of Lorenzo de' Medici, ruler of the Florentine Republic, and was elevated to the Cardinal (Catholicism), cardinalate in 1489. Following the death of Pope Julius II, Giovanni was elected pope after securing the backing of the younger members of the College of Cardinals, Sacred College. Early on in his rule he oversaw the closing sessions of the Fifth Council of the Lateran, but struggled to implement the reforms agreed. In 1517 he led a costly War of Urbino, war that succeeded in securing his nephew Lorenzo de' Medici, Duke of Urbino, Lorenzo di Piero de' Medici as Duke of Urbino, but reduced papal finances. In Protestant circles, Leo is associated with g ...
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Luca Della Robbia
Luca della Robbia (, also , ; 1399/1400–1482) was an Italian Renaissance sculptor from Florence. Della Robbia is noted for his colorful, Tin-glazed pottery, tin-glazed terracotta statuary, a technique which he invented and passed on to his nephew Andrea della Robbia and great-nephews Giovanni della Robbia and Girolamo della Robbia. Though a leading sculptor in stone, he worked primarily in terracotta after developing his technique in the early 1440s. His large workshop produced both cheaper works cast from molds in multiple versions, and more expensive one-off individually modeled pieces. The vibrant, polychrome glazes made his creations both more durable and expressive. His work is noted for its charm rather than the drama of the work of some of his contemporaries. Two of his famous works are ''The Nativity'' () and ''Madonna and Child'' (). In stone his most famous work is also his first major commission, the choir gallery, ''Cantoria'' in the Florence Cathedral (1431–143 ...
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Stefano Pozzi
Stefano Pozzi (9 November 1699 — 11 June 1768) was an Italian painter, designer, draughtsman and decorator whose career was spent largely in Rome. Born in Rome, he was one of four artist sons of his father, an innkeeper: Rocco (1701–74) was an engraver, with whom Stefano worked on occasion; Andrea (1718–69), a carver in ivory; Giuseppe (1723–65) was also a painter. Stefano Pozzi studied in the ateliers of the two best followers of Carlo Maratta, that of Andrea Procaccini, who departed for Spain in 1720, and then Agostino Masucci. In 1732 Stefano was admitted to the Pontifical Academy of Fine Arts and Letters of the Virtuosi al Pantheon and became its Regent in 1739. In 1736, he was admitted to the Accademia di San Luca, the artist guild in Rome. Pozzi worked primarily for Roman churches; for example, he painted a ''Blessed Niccolò Albergati'' for a chapel of the Basilica of Santa Maria Maggiore; eight ovals between the windows (c. 1736) for the church of San Silve ...
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