San Sepolcro (Parma)
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San Sepolcro (Parma)
San Sepolcro is a church in central Parma. History A church on the site is first mentioned in documents from 1275, likely built at the site of a prior structure. The present building was begun in 1506, attributed to work of Bartolomeo Pradesoli and Jacopo di Modena, but the nave was not completed in its present Neoclassic style until the 1700s. The 1616 bell-tower is attributed to the architects Malosso or Simone Moschino. The top was not added till 1753. The wooden ceiling was carved between 1613 and 1617 by Lorenzo Zaniboni and Giacomo Trioli. The canvases of various saints in the interior are attributed to the studio of Lionello Spada. The stations of the Via Crucis were sculpted by Giuseppe Carra. Adjacent to the church is the former monastery of the Canons Regular of the Lateran, who officiated at the church from 1257 till 1798, when the order was suppressed. The monastery has a Renaissance The Renaissance ( , ) , from , with the same meanings. is a period in E ...
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Catholic
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is th ...
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Canons Regular Of The Lateran
The Canons Regular of the Lateran (CRL), formally titled the Canons Regular of St. Augustine of the Congregation of the Most Holy Savior at the Lateran, is an international congregation of an order of canons regular, comprising priests and lay brothers in the Catholic Church. They received their present name from Pope Eugene IV in 1446. History The canons regular trace their origins to the 4th century reforms of the clergy by Martin of Tours in France and Eusebius of Vercelli in Italy. They and other bishops sought to model the accepted lifestyles of their clergy in a domestic model, based on the communal pattern followed by the first Christians as depicted in the Acts of the Apostles. The premier example of this effort was the life and work of Augustine of Hippo, who himself lived as a monk before being called to take up the office of bishop for his North African city. He later wrote a small monastic rule to guide a community of women who wanted to live the monastic ideal. This ...
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Towers Completed In The 17th Century
A tower is a tall structure, taller than it is wide, often by a significant factor. Towers are distinguished from masts by their lack of guy-wires and are therefore, along with tall buildings, self-supporting structures. Towers are specifically distinguished from buildings in that they are built not to be habitable but to serve other functions using the height of the tower. For example, the height of a clock tower improves the visibility of the clock, and the height of a tower in a fortified building such as a castle increases the visibility of the surroundings for defensive purposes. Towers may also be built for observation, leisure, or telecommunication purposes. A tower can stand alone or be supported by adjacent buildings, or it may be a feature on top of a larger structure or building. Etymology Old English ''torr'' is from Latin ''turris'' via Old French ''tor''. The Latin term together with Greek τύρσις was loaned from a pre-Indo-European Mediterranean language, ...
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Buildings And Structures Completed In 1616
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ...
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17th-century Roman Catholic Church Buildings In Italy
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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16th-century Roman Catholic Church Buildings In Italy
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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Antonio Ferrari D'Agrate
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician the ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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Giuseppe Carra
Giuseppe is the Italian form of the given name Joseph, from Latin Iōsēphus from Ancient Greek Ἰωσήφ (Iōsḗph), from Hebrew יוסף. It is the most common name in Italy and is unique (97%) to it. The feminine form of the name is Giuseppina. People with the given name Artists and musicians * Giuseppe Aldrovandini (1671–1707), Italian composer * Giuseppe Arcimboldo (1526 or 1527–1593), Italian painter * Giuseppe Belli (singer) (1732–1760), Italian castrato singer * Giuseppe Gioachino Belli (1791–1863), Italian poet * Giuseppe Castiglione (1829–1908) (1829–1908), Italian painter * Giuseppe Giordani (1751–1798), Italian composer, mainly of opera * Giuseppe Ottaviani (born 1978), Italian musician and disc jockey * Giuseppe Psaila (1891–1960), Maltese Art Nouveau architect * Giuseppe Sammartini (1695–1750), Italian composer and oboist * Giuseppe Sanmartino or Sammartino (1720–1793), Italian sculptor * Giuseppe Santomaso (1907–1990), Italian painter * Giu ...
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Parma
Parma (; egl, Pärma, ) is a city in the northern Italian region of Emilia-Romagna known for its architecture, Giuseppe Verdi, music, art, prosciutto (ham), Parmigiano-Reggiano, cheese and surrounding countryside. With a population of 198,292 inhabitants, Parma is the second most populous city in Emilia-Romagna after Bologna, the region's capital. The city is home to the University of Parma, one of the oldest universities in the world. Parma is divided into two parts by the Parma (river), stream of the same name. The district on the far side of the river is ''Oltretorrente''. Parma's Etruscan name was adapted by Romans to describe the round shield called ''Parma (shield), Parma''. The Italian literature, Italian poet Attilio Bertolucci (born in a hamlet in the countryside) wrote: "As a capital city it had to have a river. As a little capital it received a stream, which is often dry", with reference to the time when the city was capital of the independent Duchy of Parma. Histor ...
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Lionello Spada
Leonello Spada (also called ''Lionello Spada'') (1576 – 17 May 1622) was an Italian painter of the Baroque period, active in Rome and his native city of Bologna, where he became known as one of the followers of Caravaggio. Biography He first apprenticed with painter Cesare Baglioni. By the early 17th century, Spada was active, together with Girolamo Curti, as a member of a team specializing in decorative quadratura painting in Bologna. His early independent canvases reflect a mannerist style akin to the Flemish Denis Calvaert who resided in Bologna. In 1604 he made an unsuccessful bid for the commission to decorate the sacristy of the Basilica of Santa Maria di Loreto. By then he had already gravitated to the Carracci Academy, having contributed to the decorations for the funeral of Agostino Carracci in 1603. His earliest surviving major painting, the altarpiece of the ''Virgin and Saints Dominic & Francis Interceding with Christ'' (1604), shows that he had modeled his sty ...
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