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San Pietro Di Sorres
San Pietro di Sorres is a former cathedral church (Sorres Cathedral), now a Benedictine monastery, in Borutta, a village in the province of Sassari, northern Sardinia, Italy. Built in Pisan Romanesque style during the 12th-13th centuries, it was the seat of the now disappeared diocese of Sorres until 1505. Since 1950 the church and the annexed monastery have housed a community of Benedictine monks. The church is located at the top of a volcanic hill in the so-called Meilogu region. History The site of San Pietro di Sorres has been inhabited since at least Neolithic times; archaeological excavations have proven the presence of the Carthaginians and the Romans also. The few existing documents attest the presence of a settlement known as ''Sorres'' here during the 12th century, which was the site of a bishopric. The construction of a cathedral church dedicated to Saint Peter was started in 1171-1178 under bishop Goffredo di Meleduno, and completed in the early 13th century. Sorre ...
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Cathedral
A cathedral is a church that contains the '' cathedra'' () of a bishop, thus serving as the central church of a diocese, conference, or episcopate. Churches with the function of "cathedral" are usually specific to those Christian denominations with an episcopal hierarchy, such as the Catholic, Eastern Orthodox, Anglican, and some Lutheran churches.New Standard Encyclopedia, 1998 by Standard Educational Corporation, Chicago, Illinois; page B-262c Church buildings embodying the functions of a cathedral first appeared in Italy, Gaul, Spain, and North Africa in the 4th century, but cathedrals did not become universal within the Western Catholic Church until the 12th century, by which time they had developed architectural forms, institutional structures, and legal identities distinct from parish churches, monastic churches, and episcopal residences. The cathedral is more important in the hierarchy than the church because it is from the cathedral that the bishop governs the area unde ...
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Kingdom Of Aragon
The Kingdom of Aragon ( an, Reino d'Aragón, ca, Regne d'Aragó, la, Regnum Aragoniae, es, Reino de Aragón) was a medieval and early modern kingdom on the Iberian Peninsula, corresponding to the modern-day autonomous community of Aragon, in Spain. It should not be confused with the larger Crown of Aragon, which also included other territories — the Principality of Catalonia (which included the former Catalan Counties), the Kingdom of Valencia, the Kingdom of Majorca, and other possessions that are now part of France, Italy, and Greece — that were also under the rule of the King of Aragon, but were administered separately from the Kingdom of Aragon. In 1479, upon John II of Aragon's death, the crowns of Aragon and Castile were united to form the nucleus of modern Spain. The Aragonese lands, however, retained autonomous parliamentary and administrative institutions, such as the Corts, until the Nueva Planta decrees, promulgated between 1707 and 1715 by Philip V of Sp ...
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Romanesque Architecture In Sardinia
The Sardinian Romanesque is the Romanesque architectural style that developed in Sardinia. The Romanesque architecture in Sardinia has had a remarkable development since the early origins, during the Giudicati era, and for a long period. His expressions, although autonomous, are not classifiable in a recognizable image, since in the island the Romanesque manifested itself with unusual results but in numerous forms; this is due to the establishment in Sardinia of several religious orders, coming from various Italian regions and from France. Consequently, in the architectures of that era Pisan, Lombard and Provençal influences are recognizable as well as traces of the passage of workers, coming from the Iberian Peninsula, of Islamic culture. History The first Romanesque building on the island is the Basilica of San Gavino in Porto Torres, Giudicato of Torres, which was started under the reign of the Judike Gonario I of Torres Lacon-Gunale (circa 1015–1038). The new basilica w ...
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Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ...
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Madonna And Child
In art, a Madonna () is a representation of Mary, either alone or with her child Jesus. These images are central icons for both the Catholic and Orthodox churches. The word is (archaic). The Madonna and Child type is very prevalent in Christian iconography, divided into many traditional subtypes especially in Eastern Orthodox iconography, often known after the location of a notable icon of the type, such as the ''Theotokos of Vladimir'', ''Agiosoritissa'', ''Blachernitissa'', etc., or descriptive of the depicted posture, as in ''Hodegetria'', ''Eleusa'', etc. The term ''Madonna'' in the sense of "picture or statue of the Virgin Mary" enters English usage in the 17th century, primarily in reference to works of the Italian Renaissance. In an Eastern Orthodox context, such images are typically known as '' Theotokos''. "Madonna" may be generally used of representations of Mary, with or without the infant Jesus, is the focus and central figure of the image, possibly flanke ...
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Oculus (architecture)
An oculus (; ) is a circular opening in the center of a dome or in a wall. Originating in antiquity, it is a feature of Byzantine and Neoclassical architecture. It is also known as an '' œil-de-boeuf'' from the French, or simply a "bull's-eye". History Classical The oculus was used by the Ancient Romans, one of the finest examples being that in the dome of the Pantheon. Open to the weather, it allows rain and air to enter and fall to the floor, where it is carried away through drains. Though the opening looks small, it actually has a diameter of , allowing it to light the building. Byzantine The oculus was widely used in the architecture of the Byzantine Empire. It was applied to buildings in Syria in the 5th and 6th centuries and again in the 10th century. In Constantinople's Myrelaion Church (c. 920), there are two oculi above the stringcourse on both lateral facades. Renaissance Early examples of the oculus in Renaissance architecture can be seen in Florence Cathedral ...
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Mullioned Window
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are called transoms. History Stone mullions were used in Armenian, Saxon and Islamic architecture prior to the 10th century. They became a common and fashionable architectural feature across Europe in Romanesque architecture, with paired windows divided by a mullion, set beneath a single arch. The same structural form was used for open arcades as well as windows, and is found in galleries and cloisters. In Gothic architecture windows became larger and arrangements of multiple mullions and openings were used, both for structure and o ...
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Cross Vault
A groin vault or groined vault (also sometimes known as a double barrel vault or cross vault) is produced by the intersection at right angles of two barrel vaults. Honour, H. and J. Fleming, (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, p. 949. The word "groin" refers to the edge between the intersecting vaults. Sometimes the arches of groin vaults are pointed instead of round. In comparison with a barrel vault, a groin vault provides good economies of material and labor. The thrust is concentrated along the groins or arrises (the four diagonal edges formed along the points where the barrel vaults intersect), so the vault need only be abutted at its four corners. Groin vault construction was first exploited by the Romans, but then fell into relative obscurity in Europe until the resurgence of quality stone building brought about by Carolingian and Romanesque architecture. It was superseded by the more flexible rib vaults of Gothic architecture i ...
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Lombard Band
A Lombard band is a decorative blind arcade, usually located on the exterior of building. It was frequently used during the Romanesque and Gothic periods of Western architecture. It resembles a frieze of arches. Lombard bands are believed to have been first used during the First Romanesque period, in the early 11th century. At that time, they were the most common architectural decorative motif for facades in regions such as Lombardy, Aragon and Catalonia. Arches of early Christian buildings of Ravenna, such as the Mausoleum of Galla Placidia, have been suggested as the origin of Lombard bands. See also * Lombard architecture * Lesene (low-relief pillars), another Lombardic element Similar-looking structures: * Corbel In architecture, a corbel is a structural piece of stone, wood or metal jutting from a wall to carry a superincumbent weight, a type of bracket. A corbel is a solid piece of material in the wall, whereas a console is a piece applied to the s ...s * Jetty ...
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Rhombus
In plane Euclidean geometry, a rhombus (plural rhombi or rhombuses) is a quadrilateral whose four sides all have the same length. Another name is equilateral quadrilateral, since equilateral means that all of its sides are equal in length. The rhombus is often called a "diamond", after the diamonds suit in playing cards which resembles the projection of an octahedral diamond, or a lozenge, though the former sometimes refers specifically to a rhombus with a 60° angle (which some authors call a calisson after the French sweet – also see Polyiamond), and the latter sometimes refers specifically to a rhombus with a 45° angle. Every rhombus is simple (non-self-intersecting), and is a special case of a parallelogram and a kite. A rhombus with right angles is a square. Etymology The word "rhombus" comes from grc, ῥόμβος, rhombos, meaning something that spins, which derives from the verb , romanized: , meaning "to turn round and round." The word was used both by Eucl ...
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Loggia
In architecture, a loggia ( , usually , ) is a covered exterior gallery or corridor, usually on an upper level, but sometimes on the ground level of a building. The outer wall is open to the elements, usually supported by a series of columns or arches. They can be on principal fronts and/or sides of a building and are not meant for entrance but as an outdoor sitting room."Definition of Loggia"
Lexic.us. Retrieved on 2014-10-24.
An overhanging loggia may be supported by a baldresca. From the early , nearly every Italian

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Lucca
Lucca ( , ) is a city and ''comune'' in Tuscany, Central Italy, on the Serchio River, in a fertile plain near the Ligurian Sea. The city has a population of about 89,000, while its province has a population of 383,957. Lucca is known as one of the Italian's "Città d'arte" (Arts town), thanks to its intact Renaissance-era city walls and its very well preserved historic center, where, among other buildings and monuments, are located the Piazza dell'Anfiteatro, which has its origins in the second half of the 1st century A.D. and the Guinigi Tower, a tower that dates from the 1300s. The city is also the birthplace of numerous world-class composers, including Giacomo Puccini, Alfredo Catalani, and Luigi Boccherini. Toponymy By the Romans, Lucca was known as ''Luca''. From more recent and concrete toponymic studies, the name Lucca has references that lead to "sacred wood" (Latin: ''lucus''), "to cut" (Latin: ''lucare'') and "luminous space" (''leuk'', a term used by the firs ...
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