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San Paolo Maggiore, Naples
San Paolo Maggiore is a basilica church in Naples, southern Italy, and the burial place of Gaetano Thiene, known as Saint Cajetan, founder of the Order of Clerics Regular (or Theatines). It is located on Piazza Gaetano, about 1-2 blocks north of Via dei Tribunali. History The Baroque style church is located on the site of the 1st-century temple of the Dioscuri. The church was built upon the ruins of that temple. The church occupied the area behind the temple's pronaos. The front section of the latter, including six columns and triangular tympanum, was visible until 1688, when it was destroyed by an earthquake. The current church includes two corinthian columns from the ancient edifice. They stand awkwardly in front, linked by a fragile beam projecting from the facade. The church erected here in the 8th-9th century was dedicated to St. Paul to celebrate a victory in 574 of the Duchy of Naples against pillaging Saracens.* In 1538, the building was ceded to St Cajetan and his order ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples (; it, Napoli ; nap, Napule ), from grc, Νεάπολις, Neápolis, lit=new city. is the regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 909,048 within the city's administrative limits as of 2022. Its province-level municipality is the third-most populous metropolitan city in Italy with a population of 3,115,320 residents, and its metropolitan area stretches beyond the boundaries of the city wall for approximately 20 miles. Founded by Greeks in the first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope ( grc, Παρθενόπη) was established on the Pizzofalcone hill. In the sixth century BC, it was refounded as Neápolis. The city was an important part of Magna Graecia, played a major role in the merging of Greek and Roman society, and was a significant cultural centre under the Romans. Naples served a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duchy Of Naples
The Duchy of Naples ( la, Ducatus Neapolitanus, it, Ducato di Napoli) began as a Byzantine province that was constituted in the seventh century, in the reduced coastal lands that the Lombards had not conquered during their invasion of Italy in the sixth century. It was governed by a military commander (''dux''), and rapidly became a ''de facto'' independent state, lasting more than five centuries during the Early and High Middle Ages. Naples remains a significant metropolitan city in present-day Italy. First local duchy In 661, Naples obtained from the emperor Constans II the right to be ruled by a local duke, one Basil, whose subjection to the emperor soon became merely nominal. Among his titles were ''patrikios'' ("patrician") and ''hypatos'' ("consul"). At that time the ''Ducatus Neapolitanus'' controlled an area corresponding roughly to the present day Province of Naples, encompassing the area of Vesuvius, the Campi Flegrei, the Sorrentine Peninsula, Giugliano, Aversa, Afr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacristy
A sacristy, also known as a vestry or preparation room, is a room in Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located inside the church, but in some cases it is an annex or separate building (as in some monasteries). In most older churches, a sacristy is near a side altar, or more usually behind or on a side of the main altar. In newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function. Often additional sacristies are used for maintaining the church and its items, such as candles and other materials. Description The sacristy is also where the priest and attendants vest and prepare before the service. They will return there at the end of the service to remove their vestments and put away any of the vessels used during the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bombing Of Naples In World War II
During World War II the Italian city of Naples suffered approximately 200 air raids by the Allies from 1940 to 1944; only Milan was attacked more frequently. Almost all of the attacks — a total of 181 — were launched in the first nine months of 1943 before the Four days of Naples and the Allied occupation of the city at the beginning of October. Estimates of civilian casualties vary between 20,000 and 25,000 killed.Air Raids on Naples in WWII Background was a major strategic objective in the |
Francesco Solimena
Francesco Solimena (4 October 1657 – 3 April 1747) was a prolific Italian painter of the Baroque era, one of an established family of painters and draughtsmen. Biography Francesco Solimena was born in Canale di Serino in the province of Avellino. He received early training from his father, Angelo Solimena, with whom he executed a ''Paradise'' for the cathedral of Nocera (a place where he spent a big part of his life) and a ''Vision of St. Cyril of Alexandria'' for the church of San Domenico at Solofra. He settled in Naples in 1674, where he worked in the studio of Francesco di Maria.Pavone, Mario Alberto (2003, January 1). "Solimena family". Grove Art Online. He was patronized early on, and encouraged to become an artist by Cardinal Vincenzo Orsini (later Pope Benedict XIII). By the 1680s, he had independent fresco commissions, and his active studio came to dominate Neapolitan painting from the 1690s through the first four decades of the 18th century. He modeled his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domenico Antonio Vaccaro
Domenico Antonio Vaccaro (June 3, 1678 – June 13, 1745) was an Italian painter, sculptor and architect. He created many important sculptural and architectural projects in Naples. His later works are executed in an individualistic Rococo style.Alexander Kader and Antonia Boström. "Vaccaro." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 7 Jun. 2016 Life Domenico Antonio Vaccaro was born in Naples as the son of Lorenzo Vaccaro. His father Lorenzo was a pupil of Cosimo Fanzago. Domenico Antonio Vaccaro first studied under his father. He subsequently trained in the workshop of Francesco Solimena. He initially dedicated himself to painting but from around 1707 he appears to have practised almost exclusively as a sculptor and architect. In the 1730s he resumed painting. Works of interest include a statue of ''Moses'' in the church of San Ferdinando, interior work at the Chiesa di Santa Maria in Portico, and the statues of ''Penitence'' and ''Solitude' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionisio Lazzaro
Dionisio, a variant of Dionysius, may refer to: People Given name * Dionisio Lazzari (1617-1689), Italian sculptor and architect * Dionisio Aguado y García (1784-1849), Spanish classical guitarist and composer * Papa Isio (1846-1911), Dionisio Magbuelas, Filipino leader of babaylanes * Dionisio Anzilotti (1867-1950), Italian jurist and judge * Dionisio Jakosalem (1878-1931), Filipino governor * Dionisio Carreras (1890-1949), Spanish long-distance runner * Dionisio Fernández (boxer) (born 1907), Spanish boxer * Dionisio Mejía (1907-1963), Mexican football forward * Dionisio Fernández (sport shooter) (born 1921), Argentine sports shooter * Dionísio Azevedo (1922-1994), Brazilian actor, director, and writer * Dionisio Romero (born 1936), Peruvian banker * Dionisio Gutiérrez (born 1959), Guatemalan businessman * Dionisio D'Aguilar (born 1964), Bahamian politician * Dionisio Cimarelli (born 1965), Italian sculptor * Dionísio (footballer, born 1970), Dionísio Domingos Rangel, B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Massimo Stanzione
Massimo Stanzione (also called Stanzioni; 1585 – 1656) was an Italian Baroque painter, mainly active in Naples, where he and his rival Jusepe de Ribera dominated the painting scene for several decades. He was primarily a painter of altarpieces, working in both oils and fresco (these usually for ceilings). His main subject matter was biblical scenes. He also painted portraits and mythological subjects. He had many pupils and followers as his rich color and idealized naturalism had a large influence on other local artists, such as Francesco Solimena.Thomas Willette, ''Stanzione (Stanzioni), Massimo, Cavaliere, (b ?Orta di Atella, nr Caserta, ?1585; d ?Naples, ?1656)'' Oxford Art Online, publishe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovan Giacomo Di Conforto
Giovanni Giacomo Di Conforto or Giovanni Giacomo Conforto (1569 – June 1630, in Naples) was an Italian architect and engineer, active mainly in Naples, Italy, in a late Mannerist style. He participated in the construction of many churches in Naples. His projects include Santa Teresa degli Scalzi (or agli Studi) (1602–1612) whose facade was completed by Cosimo Fanzago, Santa Maria della Verità (San Agostino agli Scalzi), as well as rebuilding of the Certosa di San Martino The ("Charterhouse of St. Martin") is a former monastery complex, now a museum, in Naples, southern Italy. Along with Castel Sant'Elmo that stands beside it, this is the most visible landmark of the city, perched atop the Vomero hill that command ... and San Severo al Pendino. ReferencesEntry in Treccani Encyclopedia {{DEFAULTSORT:Di Conforto, Giovanni Giacomo 1569 births 1630 deaths Engineers from Naples 17th-century Italian architects Architects from Naples ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Battista Cavagni
Giovanni Battista Cavagna, also known as Cavagni or Gavagni (c. 1545 in Rome – 1613) was an Italian architect, engineer, and painter mainly in Naples, but also in Rome and Ascoli Piceno, Italy. Biography In Naples, he worked in 1572–1577 at the church of San Gregorio Armeno together with Giovanni Vincenzo della Monica. He helped design the Bank in Naples, called the second Monte di Pietà, started in 1539 with goal, according to Sasso, of ''liberating'' citizens from the supposed usury of the Jews. By 1597, the building was completed and unified all the banks in the city. In this project, he was aided by Giovanni Giacomo Di Conforto and Giovanni Cola di Franco. After leaving Naples for Rome, he worked in the studio of Federico Zuccari and performed numerous frescoes. He returned to Naples in 1590 to design several transition edifices from the Renaissance. For example, he helped complete the Muscettola chapel in the church of Santa Maria della Stella, now no longer extant. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transept
A transept (with two semitransepts) is a transverse part of any building, which lies across the main body of the building. In cruciform churches, a transept is an area set crosswise to the nave in a cruciform ("cross-shaped") building within the Romanesque and Gothic Christian church architectural traditions. Each half of a transept is known as a semitransept. Description The transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery, or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis and to the transept. Upon its four piers, the crossing may support a spire (e.g., Salisbury Cathedral), a central tower (e.g., Gloucester Cathedral) or a crossing dome (e.g., St Paul's Cathedral). Since the altar is usually located at the east end of a church, a transept extends to the north and south. The north and south end walls often hold decorated windows of stained glass, such as rose windows, in sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
