San Paolo Converso
San Paolo Converso is a former Roman Catholic church in Milan, region of Lombardy, Italy, now utilized as a contemporary art space. History The church was constructed from 1549-1580 for the convent of the Angelic Sisters of Saint Paul, Order of the Angeliche, founded by Countess Ludovica Torelli. It has a nave with barrel vault with a wall dividing the church reserved to the nuns from that for the common faithful, as in conventual churches like in San Maurizio al Monastero Maggiore. The interior houses canvasses from the Cremonese masters Giulio Campi, Giulio, Antonio Campi, Antonio and Vincenzo Campi. The Angelicals were intended to be the female counterpart of the Barnabites and often worked with them during missions. When, in 1552 Pope Paul IV imposed the rule of cloister, Torelli separated from the religious community. With the rule of enclosure, the church was separated into two parts. The work by the Cremonese artists was likely funded by Giulia Sfondrati, of a noble and po ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giulio Campi
Giulio Campi (1502 – 5 March 1572) was an Italian painter and architect. His brothers Vincenzo Campi and Antonio Campi were also renowned painters. Biography The eldest of a family prominent painters, Campi was born at Cremona. His father Galeazzo (1475–1536) taught him the first lessons in art. In 1522, in Mantua, he studied painting, architecture, and modelling under Giulio Romano. He visited Rome, became an ardent student of the antique, and like Bernardino — distantly related to him — he combined a Lombard and Roman traditions. He collaborated on some works with Camillo Boccaccino, the son of Boccaccio Boccaccino, with whom Campi may also have received training. Campi is called the "Ludovico Carracci of Cremona" for his influence, since Campi was as influential during the Renaissance in Cremona as the latter was on the Baroque school of Bologna. When he was just twenty-seven Giulio executed for the church of Sant'Abondio his masterpiece, a ''Virgin and Child wi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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16th-century Roman Catholic Church Buildings In Italy
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roman Catholic Churches Completed In 1580
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *'' Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music * Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *" Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television * Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *ῬωμΠ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Basilica Di Sant'Eufemia (Milan)
Basilica di Sant'Eufemia is a church in Milan, Italy. It was established in 472. History The church was built in 472 by Senator (bishop of Milan), Bishop Senatore to house the relics of the martyr Euphemia. The bishop is buried in the church. Sant'Eufemia was subsequently the subject of various alterations funded by generous patrons. The church was then rebuilt in the 15th century. Canon Pietro Casola describes a Rogation days, rogation day procession that left from the Santa Tecla, Milan, Cathedral of Santa Tecla to Sant'Eufemia and other churches before returning to the cathedral. The church underwent renovation in 1870 by architect Enrico Terzaghi, who designed a neo-romanesque facade of terracotta and Vicenza stone. The rose window above the entrance is surrounded by bas-reliefs with symbols of the four evangelists. The interior is neo-Gothic; both the walls and vaults are richly decorated with frescoes. The ''Madonna and Child'' is by Marco d'Oggiono. Simone Peterzano's ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Simone Peterzano
Simone Peterzano (c. 1535–1599) was an Italian painter from Bergamo, but stressed his links to Venice where he probably trained. He painted in Mannerism, mannerist style and is mostly known as the master of Caravaggio. Peterzano called himself a pupil of Titian and would sometimes sign his works ''titiani alumnus.'' He debuted in Milan with the counterfaçade frescoes in San Maurizio al Monastero Maggiore (1573), influenced by Paolo Veronese, Veronese and Tintoretto. In the same year he painted two canvasses with ''Histories of Sts. Paul and Barnabas'' for the church of San Barnaba (Milan), San Barnaba, also in Milan. Also from the same period are a ''Pietà '' in the church of San Fedele di Milano, San Fedele and a ''Pentecost'' for San Paolo Converso (now in Basilica di Sant'Eufemia (Milan), Sant'Eufemia). Between 1578 and 1582 Peterzano executed frescoes in the presbytery of Garegnano Charterhouse, considered one of his masterworks. In the same period he painted a ''Nativity ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giovanni Battista Crespi
Giovanni Battista Crespi (23 December 1573 – 23 October 1632), called Il Cerano, was an Italian painter, sculptor, and architect. Biography He was born in Romagnano Sesia, the son of a painter, Raffaele Crespi, and moved to Cerano with his family some years later. In 1591 he is known to have been living in Milan. True to the Counter-Reformation piety zealously expressed in Milanese art of his time, his paintings focus on mysteries and mystical episodes in saintly life. The crowded canvases and the angles recall Mannerism, but his paintings show an emotion that evokes common sentiments in Baroque art. Along with other artists, he completed a series of paintings ( Quadroni of St. Charles) of the life of St. Charles Borromeofor the Duomo of Milan; an altarpiece with the ''Baptism of St. Augustine'' for San Marco, Milan; and a ''Mass of St. Gregory'' for the Basilica of San Vittore in Varese (1615–17). Also see the nightmarish, ''St. Gregory Delivers the Soul of a Monk'' (1617) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pope Paul IV
Pope Paul IV, born Gian Pietro Carafa, C.R. ( la, Paulus IV; it, Paolo IV; 28 June 1476 – 18 August 1559) was head of the Catholic Church and ruler of the Papal States from 23 May 1555 to his death in August 1559. While serving as papal nuncio in Spain, he developed an anti-Spanish outlook that later coloured his papacy. In response to an invasion of part of the Papal States by Spain during his papacy, he called for a French military intervention. After a defeat of the French and with Spanish troops at the edge of Rome, the Papacy and Spain reached a compromise: French and Spanish forces left the Papal States and the Pope thereafter adopted a neutral stance between France and Spain. Carafa was appointed bishop of Chieti, but resigned in 1524 in order to found with St. Cajetan the Congregation of Clerics Regular (Theatines). Recalled to Rome, and made Archbishop of Naples, he worked to re-organize the Inquisitorial system in response to the emerging Protestant movement ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Barnabites
, image = Barnabites.svg , image_size = 150px , caption = One version of the Barnabite logo. "P.A." refers to Paul the Apostle and the three hills symbolize the vows of poverty, chastity and obedience. , abbreviation = B or CRSP , nickname = Barnabites , formation = , founder = , founding_location = Milan, Italy , type = Order of Clerics Regular of Pontifical Right for Men , headquarters = Via Giacomo Medici 15, Rome, Italy , membership = 335 members (including 279 priests) as of 2020 , leader_title = Superior General , leader_name = Chagas Maria Santos da Silva, B , parent_organization = Catholic Church , website = The Barnabites ( la, Barnabitum), officially named as the Clerics Regular of Saint Paul ( la, Clerici Regulares Sancti Pauli), are a religious order of clerics regular founded in 1530 in the Catholic Church. They ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vincenzo Campi
Vincenzo Campi (; c.1530/1535–1591) was a 16th-century Italian painter working in Cremona during the Late Renaissance. Campi is best known as one of the first northern Italian artists to work in the Flemish style of realist genre painting. Early career Campi was born into a family of prominent artists. He was the son of Italian Renaissance painter Galeazzo Campi, and younger brother of painters Giulio and Antonio. Vincenzo and Antonio are thought to have trained in the workshop of their older brother Giulio, a prominent painter and architect working in Cremona. Few records exist of Vincenzo's early years, with the first record of the artist's work being a portrait (now lost) of Archduke Ernest and his brother Rudolf of Austria painted during their stay in Cremona during 1563. Style Cremonese Mannerism and Lombard naturalism While his brothers Giulio and Antonio worked closely within the Cremonese Mannerist style, Vincenzo was celebrated for his naturalism and ‘descri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Antonio Campi
Antonio Campi (c. 1522 – 1587) was an Italian painter of the Renaissance. He was born in Cremona. His style merges Lombard with Mannerist styles. In Cremona, his extended family was the foundation of the Cremonese school of painting. Giulio Campi and Antonio were reportedly half-brothers, while Vincenzo Campi was a full brother. Bernardino Campi may have been a relative. All were active as painters. Among Antonio's pupils are Galeazzo Ghidoni, Ippolito Storto, Giovanni Battista Belliboni, and Giovanni Paolo Fondulo. Partial anthology of works *''The Mystery of the Passion of Christ''*''Gaius Mucius Scaevola'' (drawing of Roman voluntarily placing hand into fire* ''Virgin and Child with Saints'' * ''Saint Jerolamus'' (''San Gerolamo'') (1563) * ''The Martyrdom of Saint Lawrence'' (1581) * ''Nude Woman'' (drawing) * ''Studies of an Old Woman's Face and a Leg'' (drawing) * ''Francesco Sfondrati Francesco Sfondrati (1493–1550) was an Italian Catholic Church, Roman Catholi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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San Maurizio Al Monastero Maggiore
San Maurizio al Monastero Maggiore is a church in Milan, Northern Italy. It was originally attached to the most important female convent of the Benedictines in the city, Monastero Maggiore, which is now in use as the Civic Archaeological Museum. The church today is used every Sunday from October to June to celebrate in the Byzantine Rite, in Greek according to the Italo-Albanian tradition. It is also used as concert hall. History The complex was founded in Lombard times, partially re-using ancient Roman edifices. Of these, there remain a polygonal tower, a relic of the ancient Maximian walls, and a square one, originally part of the lost Hippodrome and later adopted as the church's bell tower. The monastery is now home to Milan's Archaeological Museum. The Benedictine Monastery is documented starting from the 8th-9th century. The monastery and its church were initially dedicated to Mary. In 964, the emperor Otto I, donated a relic of St. Maurice to the monastery. There w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |