San Jacinto (song)
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San Jacinto (song)
"San Jacinto" is a song written and performed by the English rock musician Peter Gabriel. Released in 1982, it is the second track off his fourth self-titled album. Excerpts of the song’s coda were repurposed for "Powerhouse at the Foot of the Mountain" on Gabriel's 1985 '' Birdy'' soundtrack album. He also re-recorded "San Jacinto" with an orchestra on his '' New Blood'' album in 2011. A portion of the song also appeared in ''Starship'', a 1984 science fiction film directed by Roger Christian. Background Gabriel wrote the song after an encounter with an Apache man looking for a ride back to his flat. The Apache man was employed at the same hotel Gabriel and his band were staying at and recently learned that his flat had burned down. Upon hearing this, Gabriel agreed to transport the Apache man to his destination. During their ride, the Apache man revealed that he was more concerned about the condition of his cat than his apartment, which impressed Gabriel. The Apache person la ...
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Peter Gabriel
Peter Brian Gabriel (born 13 February 1950) is an English musician, singer, songwriter, record producer, and activist. He rose to fame as the original lead singer of the progressive rock band Genesis. After leaving Genesis in 1975, he launched a successful solo career with "Solsbury Hill" as his first single. His fifth studio album, '' So'' (1986), is his best-selling release and is certified triple platinum in the UK and five times platinum in the US. The album's most successful single, " Sledgehammer", won a record nine MTV Awards at the 1987 MTV Video Music Awards and, according to a report in 2011, it was MTV's most played music video of all time. Gabriel has been a champion of world music for much of his career. He co-founded the WOMAD festival in 1982. He has continued to focus on producing and promoting world music through his Real World Records label. He has also pioneered digital distribution methods for music, co-founding OD2, one of the first online music download ...
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Sitting Bull
Sitting Bull ( lkt, Tȟatȟáŋka Íyotake ; December 15, 1890) was a Hunkpapa Lakota leader who led his people during years of resistance against United States government policies. He was killed by Indian agency police on the Standing Rock Indian Reservation during an attempt to arrest him, at a time when authorities feared that he would join the Ghost Dance movement. Before the Battle of the Little Bighorn, Sitting Bull had a vision in which he saw many soldiers, "as thick as grasshoppers", falling upside down into the Lakota camp, which his people took as a foreshadowing of a major victory in which many soldiers would be killed. About three weeks later, the confederated Lakota tribes with the Northern Cheyenne defeated the 7th Cavalry under Lt. Col. George Armstrong Custer on June 25, 1876, annihilating Custer's battalion and seeming to bear out Sitting Bull's prophetic vision. Sitting Bull's leadership inspired his people to a major victory. In response, the U.S. governm ...
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Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ...
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Classic Rock (magazine)
''Classic Rock'' is a British magazine and website dedicated to rock music, owned and published by Future. It was launched in October 1998 and is based in London. The magazine publishes 13 editions a year, mainly covering rock bands from the 60, 70s, 80s and 90s, with the likes of Led Zeppelin, AC/DC, Pink Floyd, The Rolling Stones, Queen, Black Sabbath, Aerosmith and Deep Purple amongst its most prominent cover stars. As well as veteran rock artists, ''Classic Rock'' also covers modern rock bands and releases, with Alter Bridge, Rival Sons, Halestorm, Ghost, Blackberry Smoke and The Struts amongst the younger artists to have appeared on its cover in recent years. Publication history ''Classic Rock'' was launched by Dennis Publishing in 1998. It was subsequently sold to Future in 2000, then sold again to start-up publishing company TeamRock in April 2013. Following the collapse of TeamRock in December 2016, Future bought back the magazine and its website in January 2017. ...
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The Rhythm Of The Heat
''Peter Gabriel'' is the fourth studio album by the English rock musician Peter Gabriel. In the United States and Canada, the album was released by Geffen Records with the title ''Security''. A German-language version, entitled ''Deutsches Album'' (''German Album''), was also released. The album saw Gabriel expanding on the post-punk and world music influences from his 1980 self-titled record, and earned him his first US top 40 single with "Shock the Monkey". Songs The songs of this album cover a wide variety of subject matter. "The Rhythm of the Heat" is based on Carl Jung's experience while observing a group of African drummers. "San Jacinto" reflects on the fear and pain experienced by an Indigenous American man who sees his culture overwhelmed by modern white society, its lyrics based on a story told to Gabriel by an Apache member. "Shock the Monkey", a meditation on jealousy, uses imagery of a primate to describe personal anxieties. "Lay Your Hands on Me" deals with a ...
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Peter Gabriel (1980 Album)
''Peter Gabriel'' is the third solo studio album by the English rock musician Peter Gabriel, released on 30 May 1980 by Charisma Records. The album, produced by Steve Lillywhite, has been acclaimed as Gabriel's artistic breakthrough as a solo artist. AllMusic wrote that it established him as "one of rock's most ambitious, innovative musicians". Building on the experimental sound of his previous self-titled studio album, it saw Gabriel embracing post-punk and new wave with an art rock sensibility. Gabriel also explored more overtly political material with the anti-war song " Games Without Frontiers" (which became a No. 4 hit and remains his joint highest-charting single in the UK) and the anti-apartheid protest song " Biko", which remembered the murdered activist Steve Biko. In the US, the album was entitled ''Peter Gabriel III''. The album is also often referred to as ''Melt,'' owing to its cover photograph by Hipgnosis. Music streaming services currently refer to it as ''P ...
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No Self Control (Peter Gabriel Song)
"No Self Control" is a song written and performed by the English Rock music, rock musician Peter Gabriel. It was inspired by Steve Reich's composition ''Music for 18 Musicians'' (1978). The song features guest musicians Robert Fripp (guitar), Phil Collins (drums) and Kate Bush (backing vocals). Prior to being recorded for Peter Gabriel (1980 album), Gabriel's 1980 studio album, the song was performed live under the working title "I don't know how to stop". Later live performances, such as on ''Plays Live'' (1983), were slower and more subdued than the studio recording. Gabriel and his ''China 1984'' touring band performed "No Self Control" on BBC One's ''Top of the Pops'' in May 1980. Track listing 7" UK single (1980) # "No Self Control" – 3:47 # "Lead a Normal Life" – 4:10 Personnel * Peter Gabriel – lead vocals * Kate Bush – backing vocals * David Rhodes (guitarist), David Rhodes – guitar * Robert Fripp – guitar * John Giblin – bass guitar * Larry Fast – synth ...
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Music For 18 Musicians
''Music for 18 Musicians'' is a work of minimalist music composed by Steve Reich during 1974–1976. Its world premiere was on April 24, 1976, at The Town Hall in New York City. Following this, a recording of the piece was released by ECM New Series in 1978. Composition In his introduction to the score, Reich mentions that although the piece is named ''Music for 18 Musicians'', it is not necessarily advisable to perform the piece with that few players due to the extensive need for musicians to perform on multiple instruments. The piece is based on a cycle of eleven chords. A small piece of music is based on each chord, and the piece returns to the original cycle at the end. The sections are named "Pulses", and Section I-XI. This was Reich's first attempt at writing for larger ensembles, and the extension of performers resulted in a growth of psychoacoustic effects, which fascinated Reich, and he noted that he would like to "explore this idea further". A prominent factor i ...
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Steve Reich
Stephen Michael Reich ( ; born October 3, 1936) is an American composer known for his contribution to the development of minimal music in the mid to late 1960s. Reich's work is marked by its use of repetitive figures, slow harmonic rhythm, and canons. Reich describes this concept in his essay, "Music as a Gradual Process", by stating, "I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music." To do so, his music employs the technique of phase shifting, in which a phrase is slightly altered over time, in a flow that is clearly perceptible to the listener. His innovations include using tape loops to create phasing patterns, as on the early compositions ''It's Gonna Rain'' (1965) and '' Come Out'' (1966), and the use of simple, audible processes, as on ''Pendulum Music'' (1968) and ''Four Organs'' (1970). The 1978 recording ''Music for 18 Musicians'' would help entrench minimalism as a movement. Reich's work took o ...
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Common Time
The time signature (also known as meter signature, metre signature, or measure signature) is a notational convention used in Western musical notation to specify how many beats (pulses) are contained in each measure (bar), and which note value is equivalent to a beat. In a music score, the time signature appears at the beginning as a time symbol or stacked numerals, such as or (read ''common time'' or ''four-four time'', respectively), immediately following the key signature (or immediately following the clef symbol if the key signature is empty). A mid-score time signature, usually immediately following a barline, indicates a change of meter. There are various types of time signatures, depending on whether the music follows regular (or symmetrical) beat patterns, including simple (e.g., and ), and compound (e.g., and ); or involves shifting beat patterns, including complex (e.g., or ), mixed (e.g., & or & ), additive (e.g., ), fractional (e.g., ), and irrational met ...
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Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ...
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Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' and ...
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