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San Francesco, Pescia
San Francesco is a Romanesque and Gothic-style, Roman Catholic church located at Piazza San Francesco in Pescia, region of Tuscany, Italy. History Tradition holds that in 1211, St Francis, stayed three days in the house of Venanzio Orlandi which was located on the via dei Forni. Orlandi prior to the century, in turn built an oratory at the site where the tribune of this church stands. Construction of the church began circa 1295 and continued for decades. The oratory was enlarged into a church with an adjacent convent, and prominent families of the town added their chapels over the years. The church and convent were suppressed in 1810. The church was restored in 1911 to 1930. In 1328, representatives of the Guelf communities of the Valdinievole and Florentine Valeriana, joined in a league to oppose the Ghibelline city of Lucca. This league would lead to the annexation of the territory in 1339 to Florence. questo territorio al dominio di Firenze (1339). Interior The church has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Romanesque Architecture
Romanesque architecture is an architectural style of medieval Europe characterized by semi-circular arches. There is no consensus for the beginning date of the Romanesque style, with proposals ranging from the 6th to the 11th century, this later date being the most commonly held. In the 12th century it developed into the Gothic style, marked by pointed arches. Examples of Romanesque architecture can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. The Romanesque style in England and Sicily is traditionally referred to as Norman architecture. Combining features of ancient Roman and Byzantine buildings and other local traditions, Romanesque architecture is known by its massive quality, thick walls, round arches, sturdy pillars, barrel vaults, large towers and decorative arcading. Each building has clearly defined forms, frequently of very regular, symmetrical plan; the overall appearance is one of simplic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bonaventura Berlinghieri Francesco
Bonaventura may refer to: * Bonaventura (given name) Bonaventura, an Italian name (from Latin ''Bonaventura'', meaning "good fortune") may refer to: * Bonaventura Bellemo O.F.M. (died 1602), Roman Catholic prelate who served as Bishop of Andros * Bonaventura Berlinghieri (1228–1274), Italian pain ..., given name * Bonaventura (surname), surname * Bonaventura (VTA), light-rail station in San Jose, United States of America * ''Signor Bonaventura'', an Italian comic strip * Bonaventura Heinz House (first), in the West End of Davenport, listed on the National Register of Historic Places, NRHP from 1984 to 2005 * Bonaventura Heinz House (second), historic building located in the West End of Davenport, listed on HRHP from 1983 * CVV 8 Bonaventura, Italian two-seat competition glider designed during the 1950s and produced in 50 unities See also * Buenaventura (other) * Bonaventure (other) {{dis, geography ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cappella Cardini 01
{{disambiguation, surname ...
Cappella may refer to: * Cappella (band), Italian electronic music group * a cappella, unaccompanied singing People with the surname * Felix Cappella (1930-2011), Canadian race walker * Scipione Cappella (fl. 18th century), Italian painter See also * A cappella (other), including "A Cappella" * Capella (other) * Capela (other) Capela may refer to: Places *Capela (Penafiel), a parish in Penafiel Municipality, Portugal * Capela, Sergipe, a municipality in the Brazilian state of Sergipe * Capela, Alagoas, a municipality in the Brazilian state of Alagoas * Capela, Râmni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Vite
Antonio Vite was a fourteenth century Italian painter of the early 15th century. He was a pupil of Gherardo Starnina, and was born at Pistoia. He was active around the year 1428, and was perhaps identical with one ''Antonio Filippo da Pistoia'', whose name occurs in records of the period. He is said to have worked in the Campo Santo at Pisa. He also worked at the Palazzo del Ceppo in Prato, as well as in the church of San Domenico, Pistoia San Domenico is a Romanesque and Gothic-style, Roman Catholic church located in the Piazza of the same name, with a north flank of the nave parallel to Corso Silvani Fedi, in Pistoia, region of Tuscany, Italy. History The church structure dates t .... Other information dates him as being part of the Pistoia town council in 1378. The 15th century Tuscan architect Ventura Vitoni is said to have been the grandson of Antonio.F Tolomei, page 209. References * People from Pistoia 14th-century Italian painters Italian male painters 15t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Ligozzi
Jacopo Ligozzi (1547–1627) was an Italian painter, illustrator, designer, and miniaturist. His art can be categorized as late-Renaissance and Mannerist styles. Biography Born in Verona, he was the son of the artist Giovanni Ermano Ligozzi, and part of a large family of painters and artisans. After a time in the Habsburg court in Vienna, where he displayed drawings of animal and botanical specimens, he was invited to come to Florence and became one of the court artists for the Medici. Upon the death of Giorgio Vasari in 1574, he became head of the '' Accademia e Compagnia delle Arti del Disegno'', the officially patronized guild of artists, which was often called to advise on diverse projects. He served Francesco I, Ferdinando I, Cosimo II and Ferdinando II, Grand Dukes of Tuscany. For the Medici, he adorned the Grotto of Thetys in the Colossus of the Apennine. He was named director of the grand-ducal ''Galleria dei Lavori'', a workshop providing designs for artworks ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francesco, Bologna
The Basilica of Saint Francis ( it, Basilica San Francesco) is a historic church in the city of Bologna in northern Italy. Founded in the 13th century, it has been the property of the Conventual Franciscan friars since then. The church has been raised to the rank of a Roman Catholic basilica by the Holy See. History The Franciscans had occupied a modest house in the city called Santa Maria delle Pugliole, founded in 1211 by Bernard of Quintavalle, one of the first members of the Order. Their noted founder, St. Francis of Assisi, visited the city in 1222 to preach to the people of the city, which sparked a great interest in the Order he had founded. At the urging of Pope Gregory IX, the authorities of the medieval commune gave the property on which the basilica is now built to the friars in 1236 for a church of their own. It was located in the area of the city known as ''civitas antiqua rupta'' (the old city ruins), where the remains of the Roman city of Bononia were located. Cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenzo Pasinelli
Lorenzo Pasinelli (September 4, 1629 – March 4, 1700) was an Italian painter active mainly in Bologna during the late Baroque period. He was born in Bologna, and initially trained in the studio of Simone Cantarini. He then pursued studies in Rome. Despite that training, his works have an air of Mannerism. In an overview of two major Bolognese painters circa 1700, one author describes that Pasinelli: ''Lorenzo liked the design of Raphael joined with the charm of Paolo Veronese; while Carlo (Cignani) liked the grace of Correggio united to the erudition of Annibale (Carracci) ... while Pisanelli did not attain a fullness of correct design, which (Veronese) had advanced ... no one will fail to recognize in Pisanelli large picturesque fire and great new ideas, but sometimes is a tad forced in his movements, and using new and bizarre clothes''. He collaborated after 1648 with Flaminio Torre. He is known to have painted a ''Miracle of St. Anthony'' for the church of San Francesc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Martinelli
Giovanni Martinelli (22 October 1885 – 2 February 1969) was an Italian operatic tenor. He was associated with the Italian lyric-dramatic repertory, although he performed French operatic roles to great acclaim as well. Martinelli was one of the most famous tenors of the 20th century, enjoying a long career at the Metropolitan Opera in New York City and appearing at other major international theatres. Biography and career Martinelli was born 22 October 1885 in Montagnana, Province of Padua, Veneto in the Kingdom of Italy. After service as a clarinetist in a military band, he studied with Giuseppe Mandolini in Milan, and made his first operatic role in 1908 as the messenger in ''Aida''. On 29 December 1910, Martinelli made his professional debut at the Teatro dal Verme in ''Ernani''. On 12 June 1911, Martinelli debuted in Rome as Dick Johnson in ''La fanciulla del West''; he would continue singing in that role elsewhere in Italy including La Scala in 1912. Martinelli made h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spinello Aretino
Spinello Aretino (c. 1350 – c. 1410) was an Italian painter from Arezzo, who was active in Tuscany at the end of the 14th and the first decennium of the 15th century.S. Petrocchi, ''Spinello Aretino'' in: Enciclopedia dell' Arte Medievale (1999) His style influenced the development of late 14th- and early 15th-century painting in Tuscany. Life Spinello Aretino was the son of a Florentine named Luca. His family was active in the goldsmith trade and had taken refuge in Arezzo in 1310 when the rest of the party was exiled from |
Domenico Passignano
Domenico Passignano (1559 – 17 May 1638), born Domenico Cresti or Crespi, was an Italian painter of a late-Renaissance or Counter-''Maniera'' (Counter-Mannerism) style that emerged in Florence towards the end of the 16th century. Biography Cresti was born in Passignano in Val di Pesa, Passignano, currently a ''frazione'' of Barberino Tavarnelle about 30 km south of Florence, and was educated by the local Vallombrosan monks. He started his works in the stylized Tuscan manner, working with Giovanni Battista Naldini and Girolamo Macchietti. After travelling from Rome to Venice (1581–1589), he came under the influence of Tintoretto's style. He had traveled to Venice as an assistant to Federico Zuccari, who had employed him previously in the completion of Giorgio Vasari's ''The Last Judgement (Vasari and Zuccari), The Last Judgment'' on the ceiling of the dome of Florence Cathedral. He was known to paint with great speed; however, as he used less paint in order to work q ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Imbert
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album '' Unseen World'' * '' Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) San Giovanni, the Italian form of "Saint John", is a name that may refer to dozens of saints. It may also refer to several places (most of them in Italy) and religious buildings: Places France *San-Giovanni-di-Moriani, a municipality of the Hau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Byzantine Art
Byzantine art comprises the body of Christian Greek artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome and lasted until the Fall of Constantinople in 1453, the start date of the Byzantine period is rather clearer in art history than in political history, if still imprecise. Many Eastern Orthodox states in Eastern Europe, as well as to some degree the Islamic states of the eastern Mediterranean, preserved many aspects of the empire's culture and art for centuries afterward. A number of contemporary states with the Byzantine Empire were culturally influenced by it without actually being part of it (the "Byzantine commonwealth"). These included the Rus, as well as some non-Orthodox states like the Republic of Venice, which separated from the Byzantine Empire in the 10th century, and the Kingdom of Sicily, which had close ties to the Byzantine Empire a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
