|
San Filippo Neri, Turin
San Filippo Neri is a late- Baroque style, Roman Catholic church located in Turin, region of Piedmont, Italy. The church is located on Via Maria Vittoria 5; the left flank of the nave faces the Turin Academy of Sciences. The church is still used for services. long and wide, it is the largest church in the city of Turin. History The church was commissioned late in life by Charles Emmanuel II, Duke of Savoy, and completed after his death in 1675 with the patronage of his widow Maria Giovanna Battista of Savoy-Nemours. The original design was by Antonio Bettini, however, the roof of this original church collapsed in 1706 during the fierce Siege of Turin by French forces. The church was rebuilt (1715-1730) according to designs by Filippo Juvarra. The main altar (1703) was designed by Antonio Bertola with six Solomonic columns surmounted by statues of ''Faith'' ''Hope'' and ''Charity'' by Carlo Francesco Plura. The altarpiece was painted by Carlo Maratta, and the tribune and choi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elliptical Domes
An elliptical dome, or an ''oval dome'', is a dome whose bottom cross-section takes the form of an ellipse. Technically, an ''ellipsoidal dome'' has a circular cross-section, so is not quite the same. While the cupola can take different geometries, when the ceiling's cross-section takes the form of an ellipse, and due to the reflecting properties of an ellipse, any two persons standing at a focus of the floor's ellipse can have one whisper, and the other hears; this is a whispering gallery. The largest elliptical dome in the world is at the Sanctuary of Vicoforte in Vicoforte, Italy. In architecture Elliptical domes have many applications in architecture; and are useful in covering rectangular spaces. The oblate, or horizontal elliptical dome is useful when there is a need to limit height of the space that would result from a spherical dome. As the mathematical description of an elliptical dome is more complex than that of spherical dome, design care is needed. In a geode ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the ''cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as long as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Perego
Gaetano Perego (died 1783) was an Italian painter active in Northern Italy. Few biographical details are known about this painter. He worked in the Sanctuary of Vicoforte in preparation for the wedding of Victor Amadeus III of Savoy Victor Amadeus III (Vittorio Amadeo Maria; 26 June 1726 – 16 October 1796) was Kingdom of Sardinia, King of Sardinia from 1773 to his death. Although he was politically conservative, he carried out numerous administrative reforms until he de ... and Maria Antonietta of Bourbon in 1750. In 1753–1780, he helped decorate the Carignano theater in Turin, and the Hunting Lodge of Stupinigi. He married the daughter of the painter Vittorio Amedeo Cignaroli. Perego died in Turin. Bibliography * Luigi Mallè. ''Stupinigi''. Tipografia torinese editrice, 1968. * Translated from Italian Wikipedia entry 1700s births 1783 deaths 18th-century Italian painters Italian male painters Painters from Piedmont 18th-century Italian male artists {{ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Conca
Sebastiano Conca (8 January 1680 – 1 September 1764) was an Italian painter. Biography He was born at Gaeta, then part of the Kingdom of Naples, and apprenticed in Naples under Francesco Solimena. In 1706, along with his brother Giovanni, who acted as his assistant, he settled in Rome, where for several years he worked only in chalk, to improve his drawing. He was patronized by the Cardinal Ottoboni, who introduced him to Clement XI, who commissioned him a well-received ''Jeremiah'' painted for the church of St. John Lateran. He also painted an ''Assunta'' for the church of Santi Luca e Martina in Rome. Conca was knighted by the pope. He collaborated with Carlo Maratta in the ''Coronation of Santa Cecilia'' (1721–24) in the namesake church of Santa Cecilia in Trastevere. In 1718 he was elected to the Accademia di San Luca, and was its director in 1729–1731, replacing Camillo Rusconi as ''Principe'' in 1732. He was also elected Principe in 1739–1741. His painting was str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratory (worship)
In the canon law of the Catholic Church, an oratory is a place which is set aside by permission of an ordinary for divine worship, for the convenience of some community or group of the faithful who assemble there, but to which other members of the faithful may have access with the consent of the competent superior. The word ''oratory'' comes from the Latin verb ''orare'', to pray. History Oratories seem to have been developed in chapels built at the shrines of martyrs, for the faithful to assemble and pray on the spot. The oldest extant oratory is the Archiepiscopal Chapel in Ravenna (). The term is often used for very small structures surviving from the first millennium, especially in areas where the monasticism of Celtic Christianity was dominant; in these cases it may represent an archaeological guess as to function, in the absence of better evidence. Public, semi-public, private Previously, canon law distinguished several types of oratories: private (with use restricted t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luigi Vacca
Luigi Vacca (1778–1854) was an Italian painter and scenic designer, active in the Piedmont. He was trained under first his father, Angelo Vacca the elder, and later with Filippo Collino and Laurent Pécheux. He was a scenic designer for the Royal Theater of Turin and the Teatro Carignano for five decades. He painted the sipario of the theater. He taught this line of work at the Accademia Albertina. He also painted canvases depicting historic and mythologic subjects, such as ''Votive prayer of the people of Carmagnola asking for the cessation of the plague'' (1810) for the Collegiata di Carmagnola, Turin and ''La vendetta di Latona'', exhibited posthumously at the Promotrice of Turin 1892. He was involved in the decoration of numerous palaces and churches, such as the Palazzo Pellizzari (1810) in Valenza, Alessandria; the Castle of Covone (1820) in Cuneo; the Abbey of Altacomba (1826–27) in Savoy; and the church of Santi Martiri (circa 1844) in Turin. From 1829 to 1835, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacristy
A sacristy, also known as a vestry or preparation room, is a room in Christian churches for the keeping of vestments (such as the alb and chasuble) and other church furnishings, sacred vessels, and parish records. The sacristy is usually located inside the church, but in some cases it is an annex or separate building (as in some monasteries). In most older churches, a sacristy is near a side altar, or more usually behind or on a side of the main altar. In newer churches the sacristy is often in another location, such as near the entrances to the church. Some churches have more than one sacristy, each of which will have a specific function. Often additional sacristies are used for maintaining the church and its items, such as candles and other materials. Description The sacristy is also where the priest and attendants vest and prepare before the service. They will return there at the end of the service to remove their vestments and put away any of the vessels used during the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando Cavalleri
Ferdinando Cavalleri (1794–1867) was an Italian painter, specializing in history subjects and portrait, active in a Neoclassical-style. Life He was born at Turin, and studied art at Rome. He was in later life a professor at the Academy of St. Luke in Rome. Works His works include: *''Beatrice Cenci ascending the Scaffold''. *''The Burning of Old St Paul's''. *''The Death of Leonardo da Vinci''. *'' Prince Eugene, after the Battle of Peterwardein''. *''Self-Portrait'' (in the Uffizi The Uffizi Gallery (; it, Galleria degli Uffizi, italic=no, ) is a prominent art museum located adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums ..., Florence). References * 1794 births 1867 deaths Painters from Turin 18th-century Italian painters Italian male painters 19th-century Italian painters 19th-century Italian male artists 18th-century Italian male artists {{Italy-pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sebastiano Valfrè
Sebastiano is both a masculine Italian given name and a surname. Notable people with the name include: * Sebastiano Antonio Tanara (1650–1724), Italian cardinal * Sebastiano Baggio (1913–1993), Italian clergyman * Sebastiano Bianchi (16th century), Italian engraver * Sebastiano Bombelli (1635–1724), Italian painter * Sebastiano Brunetti (died 1649), Italian painter * Sebastiano Carezo (fl. 1780), Spanish dancer (''Sebastián Cerezo'') * Sebastiano Conca (c. 1680 – 1764), Italian painter * Sebastiano Dolci (1699–1777), Croatian writer * Sebastiano Esposito (born 2002), Italian footballer * Sebastiano Filippi (c. 1536 – 1602), Italian late Renaissance-Mannerist painter * Sebastiano Galeotti (1656–1746), Italian painter * Sebastiano Ghezzi (1580–1645), Italian painter and architect * Sebastiano Guala (17th century), Italian church architect * Sebastiano Martinelli (1848–1918), Cardinal of the Roman Catholic Church * Sebastiano Mazzoni (c. 1611 – 1678), Italian paint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Putto
A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and sometimes winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University of North Carolina Press, Chapel Hill and London, 2001. the putto came to represent the sacred cherub (plural cherubim), and in Baroque art the putto came to represent the omnipresence of God. A putto representing a cupid is also called an amorino (plural amorini) or amoretto (plural amoretti). Etymology The more commonly found form ''putti'' is the plural of the Italian word ''putto''. The Italian word comes from the Latin word ''putus'', meaning "boy" or "child". Today, in Italian, ''putto'' means either toddler winged angel or, rarely, toddler boy. It may have been derived from the same Indo-European root as the Sanskrit word "putra" (meaning "boy child", as opposed to "son"), Avestan ''puθra''-, Old Persian ''puça''-, Pahlavi (Middle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Roman Catholic Church")
