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Samuel Dirksz Van Hoogstraten
Samuel Dirksz van Hoogstraten (2 August 1627, in Dordrecht – 19 October 1678, in Dordrecht) was a Dutch painter of the Golden Age, who was also a poet and author on art theory. Biography Samuel Dirksz van Hoogstraten trained first with his father Dirk van Hoogstraten and stayed in Dordrecht until about 1640. On the death of his father, he moved to Amsterdam where he entered the workshop of Rembrandt. A short time later, he started out on his own as a master and painter of portraits. He later made several travels which took him (1651) to Vienna, Rome and London, finally retiring to Dordrecht. There he married in 1656, and held an appointment as provost of the mint. Paintings and etches A sufficient number of Van Hoogstraten's works have been preserved to show that he strove to imitate different styles at different times. In a portrait dated 1645, currently in the Lichtenstein collection in Vienna, he imitates Rembrandt. He continued in this vein until as late as 1653 when he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dordrecht
Dordrecht (), historically known in English as Dordt (still colloquially used in Dutch, ) or Dort, is a city and municipality in the Western Netherlands, located in the province of South Holland. It is the province's fifth-largest city after Rotterdam, The Hague, Zoetermeer and Leiden, with a population of . The municipality covers the entire Dordrecht Island, also often called ''Het Eiland van Dordt'' ("the Island of Dordt"), bordered by the rivers Oude Maas, Beneden Merwede, Nieuwe Merwede, Hollands Diep, and Dordtsche Kil. Located about 17 km south east of Rotterdam, Dordrecht is the largest and most important city in the Drechtsteden and is also part of the Randstad, the main conurbation in the Netherlands. Dordrecht is the oldest city in Holland and has a rich history and culture. Etymology The name Dordrecht comes from ''Thuredriht'' (circa 1120), ''Thuredrecht'' (circa 1200). The name seems to mean 'thoroughfare'; a ship-canal or -river through which ships were pulle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Digital Library For Dutch Literature
The Digital Library for Dutch Literature (Dutch: Digitale Bibliotheek voor de Nederlandse Letteren or DBNL) is a website (showing the abbreviation as dbnl) about Dutch language and Dutch literature. It contains thousands of literary texts, secondary literature and additional information, like biographies, portrayals etcetera, and hyperlinks. The DBNL is an initiative by the DBNL foundation that was founded in 1999 by the Society of Dutch Literature (Dutch: Maatschappij der Nederlandse Letterkunde). Building of the DNBL was made possible by donations, among others, from the Dutch Organization for Scientific Research (Dutch: Nederlandse Organisatie voor Wetenschappelijk Onderzoek or NWO) and the Nederlandse Taalunie. From 2008 to 2012, the editor was René van Stipriaan. The work is done by eight people in Leiden (as of 2013: The Hague), 20 students, and 50 people in the Philippines who scan and type the texts. As of 2020, the library is being maintained by a collaboration of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedies
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonnet
A sonnet is a poetic form that originated in the poetry composed at the Court of the Holy Roman Emperor Frederick II in the Sicilian city of Palermo. The 13th-century poet and notary Giacomo da Lentini is credited with the sonnet's invention, and the Sicilian School of poets who surrounded him then spread the form to the mainland. The earliest sonnets, however, no longer survive in the original Sicilian language, but only after being translated into Tuscan dialect. The term "sonnet" is derived from the Italian word ''sonetto'' (lit. "little song", derived from the Latin word ''sonus'', meaning a sound). By the 13th century it signified a poem of fourteen lines that followed a strict rhyme scheme and structure. According to Christopher Blum, during the Renaissance, the sonnet became the "choice mode of expressing romantic love". During that period, too, the form was taken up in many other European language areas and eventually any subject was considered acceptable for writers o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Great Theatre Of Dutch Painters
''The Great Theatre of Dutch Painters and Paintresses'', or ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'', as it was originally known in Dutch, is a series of artist biographies with engraved portraits written by the 18th-century painter Arnold Houbraken. It was published in three volumes as a sequel to Karel van Mander's own list of biographies known as the ''Schilder-boeck''. The first volume appeared in 1718, and was followed by the second volume in 1719, the year Houbraken died. The third and last volume was published posthumously by Houbraken's wife and children in 1721. This work is considered to be a very important source of information on 17th-century artists of the Netherlands. The ''Schouburg'' is listed as one of the 1000 most important works in the Canon of Dutch Literature from the Middle Ages to today. Background and influence The ''Schouburg'' was not the first sequel to Karel van Mander's work. Various authors had attempted to illustrate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schilder-boeck
or is a book written by the Flemish writer and painter Karel van Mander first published in 1604 in Haarlem in the Dutch Republic, where van Mander resided. The book is written in 17th-century Dutch and its title is commonly translated into English as 'The Book of Painters' or 'The Book of (or on) Painting' and sometimes as 'The Book on Picturing'. consists of six parts and is considered one of the principal sources on the history of art and art theory in the 15th and 16th century Low Countries. The book was very well received and sold well. Karel van Mander died two years after its publication. A second posthumous edition, which included a brief, anonymous biography of van Mander was published in 1618. This second edition was translated by Hessel Miedema into English and published in 1994-1997 together with a facsimile of the original and five volumes of notes on the text. Summary is divided into six parts that have separate title pages and are indexed. The parts are: * The f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karel Van Mander
Karel van Mander (I) or Carel van Mander I (May 1548 – 2 September 1606) was a Flemish painter, poet, art historian and art theoretician, who established himself in the Dutch Republic in the latter part of his life. He is mainly remembered as a biographer of Early Netherlandish painters and Northern Renaissance artists in his ''Schilder-boeck''. As an artist and art theoretician he played a significant role in the spread and development of Northern Mannerism in the Dutch Republic.Painting in the Dutch Golden Age - A Profile of the Seventeenth Century, National Gallery of Art, 2007, p. 119 Life Most of the information about Karel van Mander's life is based on a brief and anonymous biographical sketch included in the posthumous second edition of the Schilder-boeck published in 1618 by Jacob Pietersz Wachter. It is not certain who wrote this biographical sketch and various candidates have been proposed. Most recently it has been argued that it was written by his son Kare ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnum Opus
A masterpiece, ''magnum opus'' (), or ''chef-d’œuvre'' (; ; ) in modern use is a creation that has been given much critical praise, especially one that is considered the greatest work of a person's career or a work of outstanding creativity, skill, profundity, or workmanship. Historically, a "masterpiece" was a work of a very high standard produced to obtain membership of a guild or academy in various areas of the visual arts and crafts. Etymology The form ''masterstik'' is recorded in English or Scots in a set of Aberdeen guild regulations dated to 1579, whereas "masterpiece" is first found in 1605, already outside a guild context, in a Ben Jonson play. "Masterprize" was another early variant in English. In English, the term rapidly became used in a variety of contexts for an exceptionally good piece of creative work, and was "in early use, often applied to man as the 'masterpiece' of God or Nature". History Originally, the term ''masterpiece'' referred to a piece of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Godfried Schalcken
Godfried Schalcken (1643 – 16 November 1706) was a Dutch genre and portrait painter. He was noted for his mastery in reproducing the effect of candlelight, and painted in the exquisite and highly polished manner of the Leiden fijnschilders. Life and work Godfried Schalcken was born in Made, North Brabant, the son of Cornelis Schalcken and Aletta Lydius. Before he was four years old, his family moved to Dordrecht, where his father became rector of the Latin school. Schalcke studied under Samuel van Hoogstraten in Dordrecht before he moved to Leiden, into the studio of Gerard Dou (1613–1675), one of Rembrandt's most famous pupils. His earlier genre pictures very closely resemble Dou's work. He worked in Leiden until c. 1675, then returning to Dordrecht until 1691, after which he settled in The Hague, where he continued to paint until his death, near age 63, in 1706. He also visited England (1692–1697), but his uncouth manners and bad temper alienated him from the society t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornelis Van Der Meulen
Cornelis van der Meulen or Cornelis Vermeulen (1642, Dordrecht – 1691, Stockholm), was a Dutch painter who after training in the Dutch Republic had a career in Sweden where he became a court painter.''Cornelis van der Meulen'' at the Dortrechts Museum He is known for still lifes of flowers and game, '''' and still lifes, topographical views and portraits.Cornelis van der Meulen at the |
Aert De Gelder
Aert de Gelder ( or Arent; October 26, 1645 – August 27, 1727) was a Dutch painter. only mentions "Aert", but the uses "Arent". He was the only Dutch artist to paint in the tradition of 's late style into the 18th century. Biography De Gelder was born and died in . He was one of Rembrandt’s last pupils while in |
Jan Van Hoogstraten
Jan van Hoogstraten (26 January 1628 - 28 July 1654) was a Dutch Golden Age painter who died young in Vienna, where he was living with his older brother Samuel van Hoogstraten. Biography Jan van Hoogstraten was born in Dordrecht. According to Houbraken he was the son of the painter Dirk van Hoogstraten and became a master in the Dordrecht Guild of St. Luke in 1649.Jan van Hoogstraten Biography in ''De groote schouburgh der Nederlantsche konstschilders en schilderessen'' (1718) by , courtesy of the |
