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Samuel Courtauld (art Collector)
Samuel Courtauld (7 May 1876 – 1 December 1947) was an English industrialist who is best remembered as an art collector. He founded The Courtauld Institute of Art in London in 1932 and, after a series of gifts during the 1930s, bequeathed his collection to the institute on his death. By the early 20th century, the Courtauld family business had become a major international company, having successfully developed and marketed rayon, an artificial fibre and inexpensive silk substitute. Samuel Courtauld took charge of the firm from 1908 as director and as chairman from 1921 to 1946. Personal life Courtauld was the son of Sydney Courtauld (1840–1899) and Sarah Lucy Sharpe (1844–1906), and the great-nephew of textile magnate Samuel Courtauld. He was educated at Rugby School. After he finished school he visited Germany and France and studied textile technology to prepare to work in the family business. In 1901, he became director of one of the factories (in Halstead, Essex), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sydney Courtauld
Sydney Courtauld Justice of the Peace, JP (1840–1899) was a Crêpe_(textile), Crêpe and Silk manufacturer, and part of the Courtauld family empire in Great Britain Personal life He was born on 10 March 1840 in Bocking, Essex, Bocking, Braintree, Essex. He was the son of George Courtauld (industrialist, born 1802), George Courtauld (1802–1861) and Susanna Sewell (1803–1888). He married Sarah Lucy Sharpe on 4 April 1865 at the Unitarian Chapel, Islington, London. Children from the marriage included: *Sir William Julien Courtauld 1st Bt. JP (16 June 1870 - 1940) *Sydney Renée Courtauld (1873–1962) *Samuel Courtauld (art collector), Samuel Courtauld (27 May 1876 – 1 December 1947) *Catharine Dowman, Catharine Courtauld (1878–1972) *John Sewell Courtauld MC MP (30 August 1880 – 20 April 1942) *Stephen Courtauld, Sir Stephen Lewis Courtauld MC (27 February 1882 – 1967) He was a Justice of the Peace for Essex. He built a house called Bocking Place in Braintree, E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlington Fine Arts Club
The Burlington Fine Arts Club (established 1866; dissolved 1952) was a London gentlemen's club based at 17 Savile Row. The club had its roots in the informal Fine Arts Club, a gathering of amateur art enthusiasts, founded by John Charles Robinson, that met in Marlborough House in 1856, moving to South Kensington from 1857. In 1866 they formalised the new club, although informal meetings under the Fine Arts Club banner continued to be held separately until 1874, using the Burlington as its base. The original Burlington clubhouse occupied the upper three floors of 177 Piccadilly from 1866 until 1869, when the club moved to its Savile Row premises, where it remained for the rest of its existence. The club aimed to evoke the atmosphere of a typical gentlemen's club for those interested in art, as well as to provide a showcase for amateur artists. Part of the clubhouse doubled as a regular exhibition venue, the location having been selected for its proximity to Mayfair art dealers. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Lee, 1st Viscount Lee Of Fareham
Arthur Hamilton Lee, 1st Viscount Lee of Fareham, (8 November 1868 – 21 July 1947), was an English soldier, diplomat, politician, philanthropist and patron of the arts. After military postings and an assignment to the British Embassy in Washington, he retired from the military in 1900. He entered politics, was first elected in 1900, and later served as Minister of Agriculture and Fisheries and First Lord of the Admiralty following the First World War. He donated his country house, Chequers, to the nation as a retreat for the Prime Minister, and co-founded the Courtauld Institute of Art. Early life and family Arthur Hamilton Lee was born at The Rectory, Bridport, Dorset in 1868. His father, Rev. Melville Lauriston Lee was rector of the town's Anglican St. Mary's Church. He was a grandson of Sir John Theophilus Lee, who as a midshipman was present at the Battle of the Nile.Lord Lee of Fareham Professor of Strategy and Tactics, R.M.C., 1893–98 By No. 2141, T. L. Brock; Roy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Loge
''La Loge'' ('The Theatre Box') is an 1874 oil painting by Pierre-Auguste Renoir. It is part of the collection at the Courtauld Institute of Art in London. Vegelin van Claerbergen, Ernst; Wright, Barnaby, eds. (2008). ''Renoir at the theatre: looking at la loge,'' The Courtauld Gallery, The painting depicts a young couple in a box at the Paris theatre. The woman was modelled by Nini Lopez, Renoir's new model who would feature in fourteen of his paintings over the next few years. The man was his brother Edmond, a journalist and art critic. Going to the theatre was as much about being seen as watching the performance and whilst the woman is making her presence obvious, her companion is scanning the audience through his opera-glasses. ''La Loge'' was included in the Impressionists’ first group exhibition in 1874, where reaction was mixed. It was subsequently shown in London in an exhibition organised by his dealer Paul Durand-Ruel, making it one of the earliest Impressionist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre-Auguste Renoir
Pierre-Auguste Renoir (; 25 February 1841 – 3 December 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre. Life Youth Pierre-Auguste Renoir was born in Limoges, Haute-Vienne, France, in 1841. His father, Léonard Renoir, was a tailor of modest means, so, in 1844, Renoir's family moved to Paris in search of more favorable prospects. The location of their home, in rue d’Argenteuil in central Paris, placed Renoir in proximity to the Louvre. Although the young Renoir had a natural proclivity for drawing, he exhibited a greater t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mont Sainte-Victoire (Cézanne)
''Mont Sainte-Victoire'' is a 1904–1906 series of oil paintings by French artist Paul Cézanne. Description Montagne Sainte-Victoire is a mountain in southern France, overlooking Aix-en-Provence. It became the subject of a number of Cézanne's paintings, in total numbering about thirty paintings and watercolors. Mont Sainte-Victoire became one of Cézanne’s most repeated and varied themes, with Cézanne changing something about the scene each time, from his angle to the lighting to the compositional specifics to the mood he tried to evoke. Cézanne used three primary vantage points for these paintings: near his brother’s property in Bellevue, near Bibemus quarry, and in Les Lauves. His scenes generally included Mont Sainte-Victoire itself, a grey-white limestone mountain, and the surrounding valley and plains that the mountain rose from. Cézanne’s Mont Sainte-Victoire paintings fell into two main periods: those he executed during his so-called “period of synthesis,â ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Cézanne
Paul Cézanne ( , , ; ; 19 January 1839 – 22 October 1906) was a French artist and Post-Impressionism, Post-Impressionist painter whose work laid the foundations of the transition from the 19th-century conception of artistic endeavour to a new and radically different world of art in the 20th century. Cézanne is said to have formed the bridge between late 19th-century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. While his early works are still influenced by Romanticism – such as the murals in the Bastide du Jas de Bouffan, Jas de Bouffan country house – and Realism, he arrived at a new pictorial language through intensive examination of Impressionist forms of expression. He gave up the use of Perspective (graphical), perspective and broke with the established rules of Academic Art and strived for a renewal of traditional design methods on the basis of the impressionistic color space and color modulation principles. Cézanne's often re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Bar At The Folies-Bergère
''A Bar at the Folies-Bergère'' (french: Un bar aux Folies Bergère) is a painting by Édouard Manet, considered to be his last major work. It was painted in 1882 and exhibited at the Paris Salon of that year. It depicts a scene in the Folies Bergère nightclub in Paris. The painting originally belonged to the composer Emmanuel Chabrier, a close friend of Manet, and hung over his piano. It is now in the Courtauld Gallery in London. Painting The painting exemplifies Manet's commitment to Realism in its detailed representation of a contemporary scene. Many features have puzzled critics but almost all of them have been shown to have a rationale, and the painting has been the subject of numerous popular and scholarly articles. The central figure stands before a mirror, although critics—accusing Manet of ignorance of perspective and alleging various impossibilities in the painting—have debated this point since the earliest reviews were published. In 2000, however, a photograp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Édouard Manet
Édouard Manet (, ; ; 23 January 1832 – 30 April 1883) was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the naval career originally envisioned for him; he became engrossed in the world of painting. His early masterworks, ''The Luncheon on the Grass'' (''Le déjeuner sur l'herbe'') and '' Olympia'', both 1863, caused great controversy and served as rallying points for the young painters who would create Impressionism. Today, these are considered watershed paintings that mark the start of modern art. The last 20 years of Manet's life saw him form bonds with other great artists of the time; he developed his own simple and direct style that would be heralded as innovative and serve as a major influence for future painters. Early life Édouard Manet was born in Par ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Boch
Anna Rosalie Boch (10 February 1848 – 25 February 1936) was a Belgian painter, born in Saint-Vaast, Hainaut. Anna Boch died in Ixelles in 1936 and is interred there in the Ixelles Cemetery, Brussels, Belgium. Artistic style Boch participated in the Neo-Impressionist movement. Her early works used a Pointillist technique, but she is best known for her Impressionist style which she adopted for most of her career. A pupil of Isidore Verheyden, she was influenced by Théo van Rysselberghe whom she met in the Groupe des XX. Collection Besides her own paintings, Boch held one of the most important collections of Impressionist paintings of her time. She promoted many young artists, including Vincent van Gogh, whom she admired for his talent and who was a friend of her brother Eugène Boch. '' La Vigne Rouge'' (''The Red Vineyard''), purchased by Anna Boch, is believed to be the only painting Van Gogh sold during his lifetime. The Anna Boch collection was sold after her death. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Self-Portrait With Bandaged Ear
''Self-Portrait with Bandaged Ear'' is an 1889 self-portrait by Dutch, Post-Impressionist artist Vincent van Gogh. The painting is now in the collection of the Courtauld Institute of Art and on display in the Gallery at Somerset House. Description In this self-portrait, Van Gogh is shown wearing a blue cap with black fur and a green overcoat, with a bandage covering his ear and extending under his chin. He is in a traditional three-quarter view, and his forward gaze falls slightly to the right, out of the frame. Behind him is an open window, assumedly letting in a winter breeze, a canvas on an easel, with a few indistinguishable marks, as well as a Japanese woodblock print. This woodblock print has been identified as a ''Geishas in a Landscape'' published by Sato Tokyo in the 1870s. This shows an important influence of Japonism and wood block print on Van Gogh's work, which also appear in the background of other portraits he had created. The painting is composed of impasto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Van Gogh
Vincent Willem van Gogh (; 30 March 185329 July 1890) was a Dutch Post-Impressionism, Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include Trees and Undergrowth (Van Gogh series), landscapes, Still life paintings by Vincent van Gogh (Paris), still lifes, Portraits by Vincent van Gogh, portraits and Portraits of Vincent van Gogh, self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive paintwork, brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven. Born into an upper-middle class family, Van Gogh drew as a child and was serious, quiet, and thoughtful. As a young man, he worked as an ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
