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Samuel Bernard (artist)
Samuel Bernard, also known as Jacques-Samuel Bernard The ULAN database gives "Samuel Bernard as the preferred version. was a French miniature painter and engraver. Life Born to a Protestant family in Paris in 1615, he was the son of Noel Bernard, a painter. He was a pupil of both Simon Vouet and of Louis du Guernier, and made some attempts at fresco painting, but not succeeding to his expectation, he painted miniatures for a while, before finally devoting himself entirely to engraving. Some still lifes, painted in the early 1660s are also known. He joined the Académie Royale de Peinture et de Sculpture on its foundation in 1648 and became professor there in 1655. He was expelled on religious grounds in 1681, but restored to his post following his recantation of Protestantism four years later. He died in Paris in 1687. The financier Samuel Bernard was his son. Works He engraved plates, both in line and in mezzotint. They include: Line engravings *''Charles Louis, Duke of ...
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Samuel Bernard (1615-1687)
Samuel Bernard may refer to: * Samuel Bernard (financier) (1651–1739), French noble and financier * Samuel Bernard (artist), his father, French miniature painter and engraver * Samuel Bernard (Jamaica), speaker of the House of Assembly of Jamaica for 1679–88 See also * Sam Bernard Sam Bernard (born Samuel Barnett, 5 June 1863 – 16 May 1927) was an English-born American vaudeville comedian who also performed in musical theatre, comic opera and burlesque and appeared in a few silent films. Life and career Bernard was bor ...
(1863–1927), English-born American vaudeville comedian {{hndis, Bernard, Samuel ...
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Philippe De Champaigne
Philippe de Champaigne (; 26 May 1602 – 12 August 1674) was a Brabançon-born French Baroque era painter, a major exponent of the French school. He was a founding member of the Académie de peinture et de sculpture in Paris, the premier art institution in France in the eighteenth century. Life and work Born of a poor family in Brussels (Duchy of Brabant, Southern Netherlands), during the reign of the Archduke Albert and Isabella, Champaigne was a pupil of the landscape painter Jacques Fouquières. In 1621 he moved to Paris, where he worked with Nicolas Poussin on the decoration of the Palais du Luxembourg under the direction of Nicolas Duchesne, whose daughter he would eventually marry. According to Houbraken, Duchesne was angry at Champaigne for becoming more popular than he was at court, and this is why Champaigne returned to Brussels to live with his brother. It was only after he received news of Duchesne's death that he returned to marry his daughter. After the death ...
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17th-century French Painters
The 17th century lasted from January 1, 1601 (Roman numerals, MDCI), to December 31, 1700 (Roman numerals, MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal ...
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17th-century French Engravers
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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Painters From Paris
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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1687 Deaths
Events January–March * January 3 – With the end of latest of the Savoyard–Waldensian wars in the Duchy of Savoy between the Savoyard government and Protestant Italians known as the Waldensians, Victor Amadeus III, Duke of Savoy, carries out the release of 3,847 surviving prisoners and their families, who had forcibly been converted to Catholicism, and permits the group to emigrate to Switzerland. * January 8 – Richard Talbot, 1st Earl of Tyrconnell, is appointed as the last Lord Deputy of Ireland by the English crown, and begins efforts to include more Roman Catholic Irishmen in the administration. Upon the removal of King James II in England and Scotland, the Earl of Tyrconnell loses his job and is replaced by James, who reigns briefly as King of Ireland until William III establishes his rule over the isle. * January 27 – In one of the most sensational cases in England in the 17th century, midwife Mary Hobry murders her abusive husband, Denis H ...
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1615 Births
Events January–June * January 1 – The New Netherland Company is granted a three-year monopoly in North American trade, between the 40th and 45th parallels. * February – Sir Thomas Roe sets out to become the first ambassador from the court of the King of England to the Mughal Emperor Jahangir, sailing in the ''Lyon'' under the command of captain Christopher Newport. * March 10 – John Ogilvie, a Jesuit priest, is hanged and drawn at Glasgow Cross in Scotland for refusing to pledge allegiance to King James VI of Scotland; he will be canonised in 1976, becoming the only post-Reformation Scottish saint. * April 21 – The Wignacourt Aqueduct is inaugurated in Malta. * May 6 – The Peace of Tyrnau is signed between Matthias, Holy Roman Emperor, and Gábor Bethlen. * June 2 – The first Récollet missionaries arrive at Quebec City, from Rouen, France. * June 3 – The Eastern Army of Tokugawa Ieyasu and the Osaka Army of Toyotomi ...
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Antonio Da Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri. In 1503–1505, he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with the ...
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Giovanni Benedetto Castiglione
Giovanni Benedetto Castiglione (baptized 23 March 16095 May 1664) was an Italian Baroque painter, printmaker and draftsman, of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monotyping. He was known as ''Il Grechetto'' in Italy and in France as ''Le Benédette''. Biography Castiglione was born in Genoa. The biographer of Genoese painters, Raffaele Soprani says his parents had him places in the studio of Giovanni Battista Paggi. Wittkower describes him as a "passionate student" of Anthony van Dyck, who arrived in 1621, and Peter Paul Rubens, who stayed in the city in the first decade of the 17th century and whose paintings were readily accessible there. He may have trained under the Genoese Bernardo Strozzi. He lived in Rome from 1634 to about 1645, then returned to Genoa. He also traveled to Florence and Naples. He was back in Rome in 1647, before moving in 1651 to be a court artist in Mantua for Duke Carlo II and h ...
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Rembrandt
Rembrandt Harmenszoon van Rijn (, ; 15 July 1606 – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker and draughtsman. An innovative and prolific master in three media, he is generally considered one of the greatest visual artists in the history of art and the most important in Dutch art history.Gombrich, p. 420. Unlike most Dutch masters of the 17th century, Rembrandt's works depict a wide range of style and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological themes and animal studies. His contributions to art came in a period of great wealth and cultural achievement that historians call the Dutch Golden Age, when Dutch art (especially Dutch painting), whilst antithetical to the Baroque style that dominated Europe, was prolific and innovative. This era gave rise to important new genres. Like many artists of the Dutch Golden Age, such a ...
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François De Troy
François de Troy ( 28 February 1645 – 1 May 1730) was a French painter and engraver who became principal painter to King James II in exile at Saint-Germain-en-Laye and Director of the Académie Royale de peinture et de sculpture. Early life One of a family of artists, Troy was born in Toulouse, the son of Antoine Troy (baptised 28 July 1608 – 15 September 1684), a painter in that city,Robert-Dumesnil, Alexandre Pierre F., ''Le peintre-graveur français, ou Catalogue raisonné des estampes gravées par les peintres et les dessinateurs de l'ecole française'', vol. 7 (1844p. 337online at books.google.com (accessed 15 February 2008) and Astrugue Bordes. François Troy and was the brother of the painter Jean de Troy (4 April 1638 – 25 June 1691). Troy was taught the basic skills of painting by his father, and perhaps also by the more worldly Antoine Durand.
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Guido Reni
Guido Reni (; 4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Biography Born in Bologna into a family of musicians, Guido Reni was the only child of Daniele Reni and Ginevra Pozzi.Spear, Richard E. "Reni, Guido". ''Grove Art Online. Oxford Art Online''. Oxford University Press. Apprenticed at the age of nine to the Bolognese studio of Denis Calvaert, he was soon joined in that studio by Albani and Domenichino. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named ''Accademia degli Incamminati'' (Academy of the "newly embarked", or progress ...
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