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Samuel Beazley
Samuel Beazley (1786–1851) was an English architect, novelist, and playwright. He became the leading theatre architect of his time and the first notable English expert in that field. After fighting in the Peninsular War, Beazley returned to London and quickly became a successful architect. He combined this with writing more than a hundred theatre works, generally in a comic style. He is best remembered as a theatre architect, with two major London theatres of his still surviving, together with the well-known façade of another, but he was also an important figure in railway architecture, with many commissions in the south east of England. Beazley's other activities included translating opera libretti into English, and writing novels and non-fictional works on architecture. He was also a participant in the Berners Street hoax. Biography Early years and Berners Street hoax Beazley was born in Westminster, the son of Samuel Beazley, and his wife Ann (née Frith). Both facets of ...
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Lord Mayor Of The City Of London
Lord is an appellation for a person or deity who has authority, control, or power over others, acting as a master, chief, or ruler. The appellation can also denote certain persons who hold a title of the peerage in the United Kingdom, or are entitled to courtesy titles. The collective "Lords" can refer to a group or body of peers. Etymology According to the Oxford Dictionary of English, the etymology of the word can be traced back to the Old English word ''hlāford'' which originated from ''hlāfweard'' meaning "loaf-ward" or "bread-keeper", reflecting the Germanic tribal custom of a chieftain providing food for his followers. The appellation "lord" is primarily applied to men, while for women the appellation "lady" is used. This is no longer universal: the Lord of Mann, a title previously held by the Queen of the United Kingdom, and female Lords Mayor are examples of women who are styled as "Lord". Historical usage Feudalism Under the feudal system, "lord" had a wide ...
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Royalty Theatre
The Royalty Theatre was a small London theatre situated at 73 Dean Street, Soho. Established by the actress Frances Maria Kelly in 1840, it opened as Miss Kelly's Theatre and Dramatic School and finally closed to the public in 1938.Royalty Theatre
at the Arthur Lloyd site accessed 23 March 2007
The architect was . The theatre's opening was ill-fated, and it was little used for a decade. It changed its name twice and was used by an opera company, amateur drama companies and for French pieces. In 1861, it was renamed the New Royalty Theatre, and the next year it was leased by Mrs Charles Selby, who enlarged it from 20 ...
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Norton Folgate
Norton Folgate is a short length of street in London, connecting Bishopsgate with Shoreditch High Street, on the northern edge of the City of London. It constitutes a short section of the A10 road (England), A10 road, the former Roman Empire, Roman Ermine Street. Its name is a reminder of the tiny ancient Liberty of Norton Folgate situated in and around the area. The nearest List of London Underground stations, London Underground station is Liverpool Street station, Liverpool Street, also a National Rail mainline railway station. The nearest London Overground station is Shoreditch High Street railway station, Shoreditch High Street. It lends its name to a character played by Samuel Barnett (actor), Samuel Barnett in the ongoing Big Finish Productions ''Torchwood'' Torchwood (Big Finish series), audio drama series. In July 2015, more than 500 people protested against the demolition of the old buildings in historic Norton Folgate neighbourhood to make way for new developments. ...
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St James's Theatre
The St James's Theatre was in King Street, St James's, London. It opened in 1835 and was demolished in 1957. The theatre was conceived by and built for a popular singer, John Braham; it lost money and after three seasons he retired. A succession of managements over the next forty years also failed to make it a commercial success, and the St James's acquired a reputation as an unlucky theatre. It was not until 1879–1888, under the management of the actors John Hare and Madge and W. H. Kendal that the theatre began to prosper. The Hare-Kendal management was succeeded, after brief and disastrous attempts by other lessees, by that of the actor-manager George Alexander, who was in charge from 1891 until his death in 1918. Under Alexander the house gained a reputation for programming that was adventurous without going too far for the tastes of London society. Among the plays he presented were Oscar Wilde's ''Lady Windermere's Fan'' (1892) and ''The Importance of Being Earn ...
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Maria Malibran
Maria Felicia Malibran (24 March 1808 – 23 September 1836) was a Spanish singer who commonly sang both contralto and soprano parts, and was one of the best-known opera singers of the 19th century. Malibran was known for her stormy personality and dramatic intensity, becoming a legendary figure after her death in Manchester, England, at age 28. Contemporary accounts of her voice describe its range, power and flexibility as extraordinary. Life and career Malibran was born in Paris as María Felicitas García Sitches into a famous Spanish musical family. Her mother was Joaquina Sitches, an actress and operatic singer. Her father Manuel García was a celebrated tenor much admired by Rossini, having created the role of Count Almaviva in his ''The Barber of Seville''. García was also a composer and an influential vocal instructor, and he was her first voice teacher. He was described as inflexible and tyrannical; the lessons he gave his daughter became constant quarrels between t ...
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La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogat ...
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Caterina Cornaro (opera)
''Caterina Cornaro ossia La Regina di Cipro'' (''Caterina Cornaro or The Queen of Cyprus'') is a ''tragedia lirica'', or opera, in a prologue and two acts by Gaetano Donizetti. wrote the Italian libretto after Jules-Henri Vernoy de Saint-Georges' libretto for Halévy's ''La reine de Chypre'' (1841). It is based on the life of Caterina Cornaro (1454 - 1510), Queen of Cyprus from 1474 to 1489. It premiered at the Teatro San Carlo, Naples on 12 January 1844. Composition history Following the success of ''Linda di Chamounix'', ''Caterina Cornaro'' was commissioned by Bartolomeo Merelli, impresario of the Kaertnerthortheater in Vienna, and was partly composed in 1842, just before ''Don Pasquale'', and completed during the following summer. The Viennese realised that the same subject had been set to music the preceding year by Franz Lachner and the debut was cancelled. Donizetti dedicated himself instead to ''Maria di Rohan'', presented at the Theater am Kärntnertor in June 1843, a ...
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Robert Le Diable (opera)
''Robert le diable'' (''Robert the Devil'') is an opera in five acts composed by Giacomo Meyerbeer between 1827 and 1831, to a libretto written by Eugène Scribe and Germain Delavigne. ''Robert le diable'' is regarded as one of the first grand operas at the Paris Opéra. It has only a superficial connection to the medieval legend of ''Robert the Devil''. The opera was immediately successful from its first night on 21 November 1831 at the Opéra; the dramatic music, harmony and orchestration, its melodramatic plot, its star singers and its sensational stage effects compelled Frédéric Chopin, who was in the audience, to say, "If ever magnificence was seen in the theatre, I doubt that it reached the level of splendour shown in ''Robert''...It is a masterpiece...Meyerbeer has made himself immortal".Brown, ''Robert le diable'', p. 572 ''Robert'' initiated the European fame of its composer, consolidated the fame of its librettist, Scribe, and launched the reputation of the new direct ...
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The Morning Post
''The Morning Post'' was a conservative daily newspaper published in London from 1772 to 1937, when it was acquired by ''The Daily Telegraph''. History The paper was founded by John Bell. According to historian Robert Darnton, ''The Morning Post'' scandal sheet consisted of paragraph-long news snippets, much of it false. Its original editor, the Reverend Sir Henry Bate Dudley, earned himself nicknames such as "Reverend Bruiser" or "The Fighting Parson", and was soon replaced by an even more vitriolic editor, Reverend William Jackson, also known as "Dr. Viper". Originally a Whig paper, it was purchased by Daniel Stuart in 1795, who made it into a moderate Tory organ. A number of well-known writers contributed, including Samuel Taylor Coleridge, Charles Lamb, James Mackintosh, Robert Southey, and William Wordsworth. In the seven years of Stuart's proprietorship, the paper's circulation rose from 350 to over 4,000. From 1803 until his death in 1833, the owner and editor of the ...
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Mademoiselle D'Jeck
Mademoiselle D'Jeck (died 1837) (also D'Jick, Djeck, Djek, D'jek, D'Geck or other varied spellings) was a celebrated elephant who performed in Europe and the United States. Theatrical career D'Jeck first created a sensation in July 1829 in Paris, where she appeared at the Cirque Olympique of Antonio Franconi in a piece entitled ''l'éléphant du Roi de Siam'' (''Elephant of the King of Siam'') by Léopold Chandezon and Ferdinand Laloue.New Actor at Paris
''The Calcutta Magazine and Monthly Register'' February 1830, p. 22
Berthier, Patrick
Animal de théâtre ou bête de scène?
in ''L’Animal du XIXe siècle'' (2008) ...
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