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Samson And Delilah (short Film)
Samson and Delilah are Biblical figures. Samson and Delilah may also refer to: In music * ''Samson and Delilah'' (opera), an opera by Camille Saint-Saëns * ''Samson & Delilah'' (album), released in 2013 by V V Brown * "Samson and Delilah" (traditional song), a song most famously played by the Grateful Dead * Samson and Delilah (Middle of the Road song) Films * ''Samson and Delilah'' (1922 film) * ''Samson and Delilah'' (1949 film) * ''Samson and Delilah'' (1984 film) * ''Samson and Delilah'' (1985 film), nominated for the 1984 BAFTA Award for Best Short Film * ''Samson and Delilah'' (1996 film) * ''Samson and Delilah'' (2009 film) Art * There have been many depictions in art, some listed here * The subject is one of those commonly found in the Power of women trope in art and literature * ''Samson and Delilah'' (painting), a painting by Peter Paul Rubens * Samson and Delilah (van Dyck, London), a painting by Anthony van Dyck * Samson and Delilah (van Dyck, Vienna) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson
Samson (; , '' he, Šīmšōn, label= none'', "man of the sun") was the last of the judges of the ancient Israelites mentioned in the Book of Judges (chapters 13 to 16) and one of the last leaders who "judged" Israel before the institution of the monarchy. He is sometimes considered as an Israelite version of the popular Near Eastern folk hero also embodied by the Sumerian Enkidu and the Greek Heracles. The biblical account states that Samson was a Nazirite, and that he was given immense strength to aid him against his enemies and allow him to perform superhuman feats, including slaying a lion with his bare hands and massacring an entire army of Philistines using only the jawbone of a donkey. However, if Samson's long hair were cut, then his Nazirite vow would be violated and he would lose his strength. Samson is betrayed by his lover Delilah, who, sent by the Philistines officials to entice him, orders a servant to cut his hair while he is sleeping and turns him over to hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Of Women
The "Power of Women" (german: Weibermacht) is a medieval and Renaissance artistic and literary topos, showing "heroic or wise men dominated by women", presenting "an admonitory and often humorous inversion of the male-dominated sexual hierarchy". It was defined by Susan L. Smith as "the representational practice of bringing together at least two, but usually more, well-known figures from the Bible, ancient history, or romance to exemplify a cluster of interrelated themes that include the wiles of women, the power of love, and the trials of marriage". Smith argues that the topos is not simply a "straightforward manifestation of medieval antifeminism"; rather, it is "a site of contest through which conflicting ideas about gender roles could be expressed". Smith argues the topos originates in classical literature and finds it in medieval texts such as ''Aucassin et Nicolette'', ''The Consolation of Philosophy'', the ''Roman de la Rose'', and the ''Canterbury Tales''.Harp p. 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sansão E Dalila
''Sansão e Dalila'' (English: ''Samson and Delilah'') is a Brazilian miniseries produced and broadcast by RecordTV. It premiered on January 4, 2011 and ended on February 2, 2011. The series is based on the Book of Judges. Plot Sansão is a brave, strong, courageous man, a Hebrew who fights against many enemy armies of his people and wild animals; besides he keeps the mysterious secret of his strength. Born as the promise to be the liberator of his people, who were oppressed and persecuted. The triumph of Sansão reaches the ears of Dalila, a philistine woman who has an exuberant beauty and is very ambitious. She was chosen by Inarus, the prince of Gaza, to be another of the courtesans in his palace. In search of power, Dalila draws attention to being pretty and very soon becomes the favorite among all the courtesans. Sansão is unsurpassed, wins many battles and provokes the wrath of his main enemy, the Philistines. Prince Inarus is infuriated by every victory of the Hebrew war ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
England, My England And Other Stories
''England, My England'' is a collection of short stories by D. H. Lawrence. Individual items were originally written between 1913 and 1921, many of them against the background of World War I. Most of these versions were placed in magazines or periodicals. Ten were later selected and extensively revised by Lawrence for the ''England, My England'' volume. This was published on 24 October 1922 by Thomas Seltzer (translator), Thomas Seltzer in the US. The first UK edition was published by Martin Secker in 1924. Stories The stories included in the collection are: * England, My England * Tickets, Please * The Blind Man * Monkey Nuts * Wintry Peacock * You Touched Me * Samson and Delilah * The Primrose Path * The Horse Dealer's Daughter * Fanny And Annie Wintry Peacock The short story, ''Wintry Peacock'' tells the story of an Englishwoman who has been left with her husband's parents for the duration of the war. Shortly before her husband's return, there is a letter addressed to her ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunderland A
Sunderland () is a port city in Tyne and Wear, England. It is the City of Sunderland's administrative centre and in the Historic counties of England, historic county of County of Durham, Durham. The city is from Newcastle-upon-Tyne and is on the River Wear's mouth to the North Sea. The river also flows through Durham, England, Durham roughly south-west of Sunderland City Centre. It is the only other city in the county and the second largest settlement in the North East England, North East after Newcastle upon Tyne. Locals from the city are sometimes known as Mackems. The term originated as recently as the early 1980s; its use and acceptance by residents, particularly among the older generations, is not universal. At one time, ships built on the Wear were called "Jamies", in contrast with those Tyneside, from the Tyne, which were known as "Geordies", although in the case of "Jamie" it is not known whether this was ever extended to people. There were three original settlements ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Sarah Connor Chronicles)
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a v ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Linnankoski
Johannes Linnankoski (originally Vihtori Johan Peltonen, 18 October 1869 – 10 August 1913) was a Finland, Finnish author and playwright, which mainly influenced writing in the Golden Age of Finnish Art. His most famous work is the romance novel, ''The Song of the Blood-Red Flower'' (1905). His primary themes were guilt, punishment, and redemption as moral questions. Life Linnankoski was born in Vakkola, Askola and was active in the cultural life of Eastern Uusimaa. He was one of the founders of the bank in Porvoo and also founded Finnish-language schools and daily newspapers such as ''Uusimaa (newspaper), Uusimaa'', the first Finnish-language newspaper situated outside of the major towns of Uusimaa. Linnankoski married Ester Drugg in 1899 and they had four children: Marjatta, Salama, Touko and Urmas. All his children were born under the surname Peltonen. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson And Delilah (play)
Samson and Delilah are Biblical figures. Samson and Delilah may also refer to: In music * ''Samson and Delilah'' (opera), an opera by Camille Saint-Saëns * ''Samson & Delilah'' (album), released in 2013 by V V Brown * "Samson and Delilah" (traditional song), a song most famously played by the Grateful Dead * Samson and Delilah (Middle of the Road song) Films * ''Samson and Delilah'' (1922 film) * ''Samson and Delilah'' (1949 film) * ''Samson and Delilah'' (1984 film) * ''Samson and Delilah'' (1985 film), nominated for the 1984 BAFTA Award for Best Short Film * ''Samson and Delilah'' (1996 film) * ''Samson and Delilah'' (2009 film) Art * There have been many depictions in art, some listed here * The subject is one of those commonly found in the Power of women trope in art and literature * ''Samson and Delilah'' (painting), a painting by Peter Paul Rubens * Samson and Delilah (van Dyck, London), a painting by Anthony van Dyck * Samson and Delilah (van Dyck, Vienna) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson And Delilah (Guercino)
''Samson and Delilah'' is a 1654 painting by the Italian Baroque painter Giovanni Francesco Barbieri (il Guercino). It is on display in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 316. This work (and its pendant ''Lot and his Daughters'', today in the Louvre), was painted in 1654 for Charles II, Duke of Mantua and Montferrat, and delivered in 1657. It was sold between 1715 and 1720 and later belonged to John Charles Robinson. Robinson presented it to the Strasbourg museum in 1893, as gesture of friendship towards its director, Wilhelm von Bode, who had purchased several items from his collection. he accession date was given as 1896 in previous publications.ref name="Jacquot"/> Contrary to the Biblical narrative in the Book of Judges, but according to the retelling by Josephus in ''Antiquities of the Jews'', Delilah is shown as cutting Samson's hair herself (in the Bible, a man is summoned to do this task). The severity of the composition, the muted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson And Delilah (van Dyck, Vienna)
''Samson and Delilah'' is a 1630 painting by Anthony van Dyck. Like his 1620 version of the subject, it is in the style of his former master Peter Paul Rubens. Unlike Rubens, however, van Dyck shows Delilah seemingly appalled at her own betrayal of Samson and regretting her act of treason, whereas Rubens showed him as a captive and her as an unscrupulous temptress. Google artProject Van Dyck's palette in the work also reveals the influence of during van Dyck's stay in Italy. It is now in the |
Samson And Delilah (van Dyck, London)
''Samson and Delilah'' is a 1620 painting by Anthony van Dyck.It was heavily inspired by his tutor Rubens's version of the same subject and for a long time was attributed to Rubens. Van Dyck inverted the composition and showed Delilah in white chalk make-up and heavily rouged cheeks, the makeup traditionally worn by Parisian prostitutes. The painting is now held in the Dulwich Picture Gallery in London. He returned to the subject in 1630. See also * List of paintings by Anthony van Dyck References Bibliography *Beatrice Marshall, ''Old Blackfriars: A Story of the Days of Anthony Van Dyck'' (1901), Kessinger Publishing, 2009 {{DEFAULTSORT:Samson and Delilah 1620 paintings Religious paintings by Anthony van Dyck Paintings in the Dulwich Picture Gallery van Dyck Sir Anthony van Dyck (, many variant spellings; 22 March 1599 – 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samson And Delilah (Rubens)
''Samson and Delilah'' is a painting long attributed to the Flemish Baroque painter Peter Paul Rubens (1577–1640) and displayed in the National Gallery. It dates from about 1609 to 1610. Two preliminary copies of the painting exist today: an ink and wash drawing on paper, and an oil sketch on wood panel. The oil sketch is currently on display in the Cincinnati Art Museum, while the ink sketch is held by a private collection in Amsterdam. Narrative Rubens portrays the moment when, Samson having fallen asleep on Delilah's lap, a young man cuts Samson's hair. Samson and Delilah are in a dark room, which is lit mostly by a candle held by an old woman to Delilah's left. Delilah is depicted with all of her clothes, but with her breasts exposed. Her left hand is on top of Samson's right shoulder, as his left arm is draped over her legs. The man snipping Samson's hair is crossing his hands, which is a sign of betrayal. Philistine soldiers can be seen in the right-hand background of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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