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Sampson Erdeswicke
Sampson Erdeswicke (born c. 1535x1540; died 1603) was an English antiquary and chorographer. Background Sampson's father, Hugh Erdeswicke claimed descent from Richard de Vernon, Baron of Shipbrook in the reign of William the Conqueror. The family resided originally at Erdeswicke Hall, Minshull Vernon, in Cheshire, afterwards at Leighton and finally in the reign of Edward III settled at Sandon in Staffordshire, at Sandon Hall (in its medieval form). Hugh Erdeswicke was a staunch Catholic; in 1582 he was reported to the Privy Council by the Bishop of Coventry as "the sorest and dangerousest papist, one of them in all England". He is said to have struck a justice of the peace on the pate with a crabtree staff openly in Sandon churchyard, possibly the same person whom he found upon some occasion ransacking his house. Life Sampson was born at Sandon, and entered Brasenose College, Oxford as a gentleman-commoner in 1553. Leaving Oxford, he returned to his life as a country gentleman ...
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Antiquary
An antiquarian or antiquary () is an fan (person), aficionado or student of antiquities or things of the past. More specifically, the term is used for those who study history with particular attention to ancient artifact (archaeology), artifacts, History of archaeology, archaeological and historic Archaeological site, sites, or historic archives and manuscripts. The essence of antiquarianism is a focus on the empirical evidence of the past, and is perhaps best encapsulated in the motto adopted by the 18th-century antiquary Sir Richard Hoare, 2nd Baronet, Sir Richard Colt Hoare, "We speak from facts, not theory." The ''Oxford English Dictionary'' first cites "archaeologist" from 1824; this soon took over as the usual term for one major branch of antiquarian activity. "Archaeology", from 1607 onwards, initially meant what is now seen as "ancient history" generally, with the narrower modern sense first seen in 1837. Today the term "antiquarian" is often used in a pejorative sense ...
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Thomas Harwood (priest)
Thomas Harwood D.D. (1767–1842) was an English cleric, schoolmaster and antiquarian. Life Born on 18 May 1767 at Shepperton, Middlesex, a parish where his father and grandfather had been patrons and rectors, he went to Eton College on 18 November 1773, when only six years and a half old, and in September 1775 was admitted on the foundation. In 1784 he matriculated at University College, Oxford. In 1789 he was ordained deacon, and then entered Emmanuel College, Cambridge. Headmaster of Lichfield grammar school from October 1791 till 1813, Harwood then moved within Lichfield to a house of his own. In 1800 he was appointed perpetual curate of Hammerwich, near Lichfield. He graduated B.D. at Cambridge in 1811, and in 1814 was presented, on his own nomination, to the rectory of Stawley, Somersetshire; but after two years there, he resigned the living in 1819, and returned to Lichfield. He was created D.D. of Cambridge in 1822, and for many years was a fellow of the Society of Antiqua ...
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Escutcheon (heraldry)
In heraldry, an escutcheon () is a shield that forms the main or focal element in an Achievement (heraldry), achievement of arms. The word can be used in two related senses. In the first sense, an escutcheon is the shield upon which a coat of arms is displayed. In the second sense, an escutcheon can itself be a charge (heraldry), charge within a coat of arms. Escutcheon shapes are derived from actual shields that were used by knights in combat, and thus are varied and developed by region and by era. Since shields have been regarded as military equipment appropriate for men only, British ladies customarily bear their arms upon a Lozenge (heraldry), lozenge, or diamond-shape, while clergymen and ladies in continental Europe bear their arms upon a Cartouche (design), cartouche, or oval. Other shapes are also in use, such as the roundel (heraldry), roundel commonly used for arms granted to Aboriginal Canadians by the Canadian Heraldic Authority, or the Nguni shield used in Coats of ar ...
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Finials
A finial (from '' la, finis'', end) or hip-knob is an element marking the top or end of some object, often formed to be a decorative feature. In architecture, it is a small decorative device, employed to emphasize the apex of a dome, spire, tower, roof, or gable or any of various distinctive ornaments at the top, end, or corner of a building or structure. A finial is typically carved in stone. Where there are several such elements they may be called pinnacles. The very top of a finial can be a floral or foliated element called a bouquet. Smaller finials in materials such as metal or wood are used as a decorative ornament on the tops or ends of poles or rods such as tent-poles or curtain rods or any object such as a piece of furniture. These are frequently seen on top of bed posts or clocks. Decorative finials are also commonly used to fasten lampshades, and as an ornamental element at the end of the handles of souvenir spoons. The charm at the end of a pull chain (such as for a c ...
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Obelisk
An obelisk (; from grc, ὀβελίσκος ; diminutive of ''obelos'', " spit, nail, pointed pillar") is a tall, four-sided, narrow tapering monument which ends in a pyramid-like shape or pyramidion at the top. Originally constructed by Ancient Egyptians and called ''tekhenu'', the Greeks used the Greek term to describe them, and this word passed into Latin and ultimately English. Ancient obelisks are monolithic; they consist of a single stone. Most modern obelisks are made of several stones. Ancient obelisks Egyptian Obelisks were prominent in the architecture of the ancient Egyptians, and played a vital role in their religion placing them in pairs at the entrance of the temples. The word "obelisk" as used in English today is of Greek rather than Egyptian origin because Herodotus, the Greek traveler, was one of the first classical writers to describe the objects. A number of ancient Egyptian obelisks are known to have survived, plus the " Unfinished Obelisk" found part ...
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Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. Varian ...
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Corinthian Order
The Corinthian order (Greek: Κορινθιακός ρυθμός, Latin: ''Ordo Corinthius'') is the last developed of the three principal classical orders of Ancient Greek architecture and Roman architecture. The other two are the Doric order which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects other than the capitals of the columns. When classical architecture was revived during the Renaissance, two more orders were added to the canon: the Tuscan order and the Composite order. The Corinthian, with its offshoot the Composite, is the most ornate of the orders. This architectural style is characterized by slender fluted columns and elaborate capitals decorated with acanthus leaves and scrolls. There are many variations. The name ''Corinthian'' is derived from the ancient Greek city of Corinth, although the style had its own model in Roman practice, following precedents set by the Tem ...
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Proposals For An English Academy
During the early part of the 17th century, and persisting in some form into the early 18th century, there were a number of proposals for an English Academy: some form of learned institution, conceived as having royal backing and a leading role in the intellectual life of the nation. Definite calls for an English Academy came in 1617, based on the Italian model dating back to the 16th century; they were followed up later, after the 1635 founding of the French ''Académie'', by John Dryden (1664), John Evelyn (1665), and Daniel Defoe (1697). Historical overview The proposals for an English Academy were initially and typically characterised by an antiquarian interest, for example in heraldry and medieval history. They represented a conservative wing in the larger discussion, and in different ways they informed approaches to the idea of a learned society as an active educational and regulatory body. In fact no such Academy would be set up, though discussion of the perceived need for ...
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William Camden
William Camden (2 May 1551 – 9 November 1623) was an English antiquarian, historian, topographer, and herald, best known as author of ''Britannia'', the first chorographical survey of the islands of Great Britain and Ireland, and the ''Annales'', the first detailed historical account of the reign of Elizabeth I of England. Early years Camden was born in London. His father Sampson Camden was a member of The Worshipful Company of Painter-Stainers. He attended Christ's Hospital and St Paul's School, and in 1566 entered Oxford (Magdalen College, Broadgates Hall, and finally Christ Church). At Christ Church, he became acquainted with Philip Sidney, who encouraged Camden's antiquarian interests. He returned to London in 1571 without a degree. In 1575, he became Usher of Westminster School, a position that gave him the freedom to travel and pursue his antiquarian researches during school vacations. ''Britannia'' In 1577, with the encouragement of Abraham Ortelius, Camden bega ...
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Anthony à Wood
Anthony Wood (17 December 1632 – 28 November 1695), who styled himself Anthony à Wood in his later writings, was an English antiquary. He was responsible for a celebrated ''Hist. and Antiq. of the Universitie of Oxon''. Early life Anthony Wood was born in Oxford on 17 December 1632, as the fourth son of Thomas Wood (1581–1643), BCL of Oxford, and his second wife, Mary (1602–1667), daughter of Robert Pettie and Penelope Taverner. Wood was sent to New College School in 1641, and at the age of twelve was removed to the free Lord Williams's School at Thame, where his studies were interrupted by Civil War skirmishes. He was then placed under the tuition of his brother Edward (1627–1655), of Trinity College, and, as he tells us, "while he continued in this condition his mother would alwaies be soliciting him to be an apprentice which he could never endure to heare of". He was entered at Merton College in 1647, and made postmaster, a type of scholar at Merton. In 1652 Wood ...
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William Burton (antiquary, Died 1645)
William Burton (24 August 1575 – 6 April 1645) was an English antiquarian, best known as the author of the ''Description of Leicester Shire'' (1622), the county's first published county history. Life Burton was the son of Ralph Burton, and elder brother of Robert Burton, born at Lindley in Leicestershire on 24 August 1575. At the age of nine he went to school at Nuneaton, and on 29 September 1591 entered Brasenose College, Oxford (B.A. 22 June 1594). He was admitted, on 20 May 1593, to the Inner Temple. He was one of a group of antiquaries there, including Sir John Ferne, Thomas Gainsford, and Peter Manwood. On 20 May 1603 he was called to the bar, but soon afterwards, owing to weak health, he retired to the village of Falde in Staffordshire, where he owned an estate. Among his particular friends were Sir Robert Cotton and William Somner. In his account of Fenny Drayton he speaks of his "old acquaintance" Michael Drayton. When the First English Civil War broke out, Bur ...
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William Dugdale
Sir William Dugdale (12 September 1605 – 10 February 1686) was an English antiquary and herald. As a scholar he was influential in the development of medieval history as an academic subject. Life Dugdale was born at Shustoke, near Coleshill in Warwickshire, where his father, John Dugdale, was steward to the local landowner. As he was born, a swarm of bees flew into the garden, which some considered "a happy presage on the life of the babe". He was educated at King Henry VIII School, Coventry. In 1623 he married Margaret Huntbach (1607–81), with whom he had nineteen children. In 1625, the year after his father's death, he purchased the manor of Blyth, near Shustoke. During an enclosure dispute with a neighbour a few years later he met the Leicestershire antiquary William Burton, who acted as arbitrator. He became involved in transcribing documents and collecting church notes and met other Midlands antiquaries such as Sir Symon Archer (1581–1662) and Sir Thomas Ha ...
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