HOME
*





Salon De Coiffure
''In the Barber Shop'' (french: Salon de coiffure) is a 1908 French short silent film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 1102–1103 in its catalogues. Two of Méliès's frequent collaborators appear in the film: Fernande Albany as the plump client, and Manuel as one of the barbers. The film's special effects are created with substitution splices. The film appears to have been inspired by a 1906 Pathé film in which a Black man uses bootblack to darken the face of a woman who mocks him. The Black character in Méliès's film is played as a pejorative caricature, typifying the stereotypical figure of the ''dandy nègre'' ("Black dandy") that frequently appeared in turn-of-the-century French imagery. There may also be some influence from American minstrel show The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic ski ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Fernande Albany
Fernande Françoise Raoult, known professionally as Fernande Albany (22 December 1889, Lison – 25 November 1966, Paris), was a French actress in theatre and film. Career Albany appeared in many of the films of Georges Méliès. Her work on the Parisian stage included roles in ''L'alcôve de Marianne'' by Félix Gandera (Théâtre de l'Athénée, 1920), ''Les Fontaines lumineuses'' by Georges Berr and Louis Verneuil (Théâtre des Variétés, 1935), and ''Crépuscule du théâtre'' by Henri-René Lenormand (Théâtre du Vieux-Colombier, 1937). Albany was married to the French stage and film actor Charles Dechamps. Filmography Silent films Source: Fernande Albany
at IMDB * 1904 : ''Voyage à travers l'impossible'' (English title: ''

picture info

Star Film Company
The Manufacture de films pour cinématographes, often known as Star Film, was a French film production company run by the illusionist and film director Georges Méliès. History On 28 December 1895, Méliès attended the celebrated first public demonstration of the Lumière Brothers' Kinetoscope. The event, held in a room at 14 Boulevard des Capucines in Paris with one hundred chairs and an entry price of 1, demonstrated the practicality of film cameras and projectors. According to later recollections by Méliès, he immediately approached Antoine Lumière and offered to buy a Lumière projector for his own experimentation; Lumière refused. Méliès went on to make repeated offers, all similarly turned down. Méliès next turned to the British film experimenter Robert W. Paul, and in February 1896, obtained an Animatographe projector for 1,000, along with a collection of short films, some by Paul and some by Edison Studios. Méliès projected these for the first time at his t ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Short Film
A short film is any motion picture that is short enough in running time not to be considered a feature film. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all credits". In the United States, short films were generally termed short subjects from the 1920s into the 1970s when confined to two 35 mm reels or less, and featurettes for a film of three or four reels. "Short" was an abbreviation for either term. The increasingly rare industry term "short subject" carries more of an assumption that the film is shown as part of a presentation along with a feature film. Short films are often screened at local, national, or international film festivals and made by independent filmmakers with either a low budget or no budget at all. They are usually funded by film grants, nonprofit organizations, sponsor, or personal funds. Short films are generally used for industry experience and ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Special Effect
Special effects (often abbreviated as SFX, F/X or simply FX) are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the imagined events in a story or virtual world. Special effects are traditionally divided into the categories of mechanical effects and optical effects. With the emergence of digital film-making a distinction between special effects and visual effects has grown, with the latter referring to digital post-production and optical effects, while "special effects" refers to mechanical effects. Mechanical effects (also called practical or physical effects) are usually accomplished during the live-action shooting. This includes the use of mechanized props, scenery, scale models, animatronics, pyrotechnics and atmospheric effects: creating physical wind, rain, fog, snow, clouds, making a car appear to drive by itself and blowing up a building, etc. Mechanical effects are also often inco ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Substitution Splice
The substitution splice or stop trick is a cinematic special effect in which filmmakers achieve an appearance, disappearance, or transformation by altering one or more selected aspects of the mise-en-scène between two shots while maintaining the same framing and other aspects of the scene in both shots. The effect is usually polished by careful editing to establish a seamless cut and optimal moment of change. It has also been referred to as stop motion substitution or stop-action. The pioneering French filmmaker Georges Méliès claimed to have accidentally developed the stop trick, as he wrote in ''Les Vues Cinématographiques'' in 1907 (translated from French): According to the film scholar Jacques Deslandes, it is more likely that Méliès discovered the trick by carefully examining a print of the Edison Manufacturing Company's 1895 film ''The Execution of Mary Stuart'', in which a primitive version of the trick appears. In any case, the substitution splice was both the fir ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Pathé
Pathé or Pathé Frères (, styled as PATHÉ!) is the name of various French people, French businesses that were founded and originally run by the Pathé Brothers of France starting in 1896. In the early 1900s, Pathé became the world's largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas before a feature film. Pathé is a major film production and distribution company, owning a number of cinema chains through its subsidiary Les Cinémas Pathé Gaumont and television networks across Europe. It is the second-oldest operating film company behind Gaumont Film Company, which was established in 1895. History The company was founded as Société Pathé Frères (Pathé Brothers Company) in Paris, France on 28 September 1896, by the four brothers Charles Pathé, Charles, Émile, Théophile and Jacques Pathé. During the first part of the 20th century, Pathé became the large ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Bootblack
Shoeshiner or boot polisher is an occupation in which a person cleans and buffs shoes and then applies a waxy paste to give a shiny appearance and a protective coating. They are often known as shoeshine boys because the job was traditionally done by a male child. Other synonyms are bootblack and shoeblack. While the role is denigrated in much of Western civilization, shining shoes is an important source of income for many children and families throughout the world. Some shoeshiners offer extra services, such as shoe repairs and general tailoring. Some well-known people started their working life as shoeshiners, including singers and presidents. History Very large households in Victorian England sometimes included a young male servant called the Boot Boy, specializing in the care of footwear. Hotel staff for this function were commonly called The Boots. (A Boots was one of the crew in The Hunting of the Snark.) Branded shoe polish appeared early in the 19th century: Charle ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Minstrel Show
The minstrel show, also called minstrelsy, was an American form of racist theatrical entertainment developed in the early 19th century. Each show consisted of comic skits, variety acts, dancing, and music performances that depicted people specifically of African descent. The shows were performed by mostly white people wearing blackface make-up for the purpose of playing the role of black people. There were also some African-American performers and black-only minstrel groups that formed and toured. Minstrel shows caricatured black people as dim-witted, lazy, buffoonish, superstitious, and happy-go-lucky.The Coon Character
, Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.
John Kenrick

[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Other (philosophy)
In phenomenology, the terms the Other and the Constitutive Other identify the other human being, in their differences from the Self, as being a cumulative, constituting factor in the self-image of a person; as acknowledgement of being real; hence, the Other is dissimilar to and the opposite of the Self, of Us, and of the Same.''The Oxford Companion to Philosophy'' (1995) p. 637. The Constitutive Other is the relation between the personality (essential nature) and the person (body) of a human being; the relation of essential and superficial characteristics of personal identity that corresponds to the relationship between opposite, but correlative, characteristics of the Self, because the difference is inner-difference, within the Self. The condition and quality of Otherness (the characteristics of the Other) is the state of being different from and alien to the social identity of a person and to the identity of the Self. In the discourse of philosophy, the term Otherness iden ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


French Black-and-white Films
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * French ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]