Sallaneh

	Sallaneh The sallaneh ( fa, سلانه) is a newly developed plucked string instrument made under the supervision of the Iranian musician Hossein Alizadeh Hossein Alizadeh ( fa, حسین علیزاده) is an Iranian musician, composer, radif-preserver, researcher, teacher, and tar, shurangiz and setar instrumentalist and improviser. He has performed with such musicians as Shahram Nazeri, Mohammad ..., and constructed by Siamak Afshari. It is inspired by the ancient Persian lute called '' barbat''. The barbat used to have three strings, but the sallaneh has six melody and six harmonic strings giving Alizadeh a new realm in lower tones.article at PersianArtMusic.com References {{Iranian musical instruments [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	Hossein Alizadeh Hossein Alizadeh ( fa, حسین علیزاده) is an Iranian musician, composer, radif-preserver, researcher, teacher, and tar, shurangiz and setar instrumentalist and improviser. He has performed with such musicians as Shahram Nazeri, Mohammad-Reza Shajarian, Alireza Eftekhari and Jivan Gasparyan, as well as with a number of orchestras and ensembles. Music career Alizadeh was born in 1951 in Tehran. His father was from Urmia and his mother from Arak. As a teenager he attended secondary school at a music conservatory until 1975. His music studies continued at the University of Tehran, where his focus was composition and performance. He began postgraduate studies at the Tehran University of Art. After the Iranian Revolution, he resumed his studies at the University of Berlin, where he studied composition and musicology. Alizadeh plays the ''tar'' and ''setar''. He has performed with two of Iran's national orchestras, as well as with the Aref Ensemble, the Shayda Ensemble, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	Persian Musical Instruments Persian musical instruments or Iranian musical instruments can be broadly classified into three categories: classical, Western and folk. Most of Persian musical instruments spread in the former Persian Empires states all over the Middle East, Caucasus, Central Asia and through adaptation, relations, and trade, in Europe and far regions of Asia. In ancient era, the Silk road had an effective role in this distribution. String instruments Orchestral Tar Setar Kamancheh Ghaychak * Barbat Chang (instrument)/Angular harp Santoor * Qānūn * Shurangiz Safavid-style portrait, female musician plays a tar.jpg, Tar Woman with a setar, Safavid Iran, Isfahan (ca. 1600-1610).jpg, Setar, ca. 1610 A court musician playing the kemanche, painting by Abul Qasim, Qajar Iran.jpg, Kamancheh Woman playing a santur, Qajar Iran, artist named Ahmad.jpg, Woman playing a santur, 19th century File:Ralamb-89.jpg, Qanun, from Rålamb Costume Book, 1657 Folklore Dotar Tanbur Tar (Azerbaijani ins ... [...More Info...] [...Related Items...] OR:* [Wikipedia] [Google] [Baidu]
	Barbat (lute) The ''barbat'' ( fa, بربت) or ''barbud'' was a lute of Central Asian or Greater Iranian or Persian origin. Barbat is characterized as carved from a single piece of wood, including the neck and a wooden sound board. Possibly a skin-topped instrument for part of its history, it is ancestral to the wood-topped oud and biwa and the skin-topped Yemeni qanbus. Although the original barbat disappeared, modern Iranian luthiers have re-created the instrument, looking at historical images for details. The modern re-created instrument (Iranian Barbat) resembles the oud, although differences include a smaller body, longer neck, a slightly raised fingerboard, and a sound that is distinct from that of the oud. History The ''barbat'' probably originated in Central Asia. The earliest image of the ''barbat'' dates back to the 1st century BC from ancient northern Bactria. While in his book (''Les instruments de musique de l’Inde ancienne'') musicologist Claudie Marcel-Dubois pointed o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Necked Bowl Lutes Necking can refer to: * Making out, a term for heavy kissing of the neck or petting of that area * Necking (engineering), the process by which a ductile material deforms under tension forming a thin ''neck'' * Necking (electronics), thinning of traces in PCB layouts * Necking, a behavior of giraffes * Necking up or necking down, methods of modifying a firearm cartridge to make a wildcat cartridge or a new production cartridge (e.g. the US .60 caliber T17 round being shortened and necked up to create the 20×102 mm M61 Vulcan cannon cartridge) See also * Neck (other) * Rubbernecking Rubbernecking is a derogatory term primarily used to refer to bystanders staring at accidents. More generally, it can refer to anyone staring at something of everyday interest compulsively (especially tourists). The term ''rubbernecking'' derive ... {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Experimental Musical Instruments ''Experimental Musical Instruments'' was a periodical edited and published by Bart Hopkin, an instrument builder and writer about 20th century experimental music design and custom made instrument construction. Though no longer in print, back issues are still available. The material and approach of EMI can now be found electronically on their site hosted by Bart Hopkin. This site is, together with www.oddmusic.com the main source on the internet for experimental musical instrumentalism.https://www.google.com/search?hl=en&client=safari&rls=nl-nl&q=experimental+musical+instrument&btnG=Zoeken&lr= Although only old editions of the magazine are still available and no newer editions appear, the name is still in use as the publisher for many of the book written by Bart Hopkin and co-writers. Publications ''Experimental Musical Instruments'', magazine, 70 issues appeared as a printed publication between 1985 and 1999, later on re-issued as well on CD-ROM. It was first headquartered in N ... [...More Info...] [...Related Items...] OR:* [Wikipedia] [Google] [Baidu]

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