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Salisbury Cathedral From The Meadows
''Salisbury Cathedral from the Meadows'' was painted by John Constable in 1831, three years after the death of his wife, Maria. It is currently on display in London, at Tate Britain, in the Clore gallery. He later added nine lines from ''The Seasons (Thomson poem), The Seasons'' by the eighteenth-century poet James Thomson (poet), James Thomson that reveal the painting's meaning: That the rainbow is a symbol of hope after a storm that follows on the death of the young Amelia in the arms of her lover Celadon. Constable exhibited this painting at the Royal Academy in 1831, but continued working on it during 1833 and 1834. Symbolic metaphor This painting was a personal statement of his turbulent emotions and his changing states of mind. The sky reflects this turbulence and shows his emotional state of being. Possible political meanings have been attributed to it, one of which being the clash of industrialization and nature represented through the clash of elements. Some symbolism ...
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John Constable
John Constable (; 11 June 1776 – 31 March 1837) was an English landscape painter in the Romanticism, Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling". Constable's most famous paintings include ''Wivenhoe Park (painting), Wivenhoe Park'' (1816), ''The Vale of Dedham (painting), Dedham Vale'' (1821) and ''The Hay Wain'' (1821). Although his paintings are now among the most popular and valuable in Art of the United Kingdom, British art, he was never financially successful. He became a member of the establishment after he was elected to the Royal Academy of Arts at the age of 52. His work was embraced in France, where he sold more than in his ...
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Ipswich Museum
Ipswich Museum is a registered museum of culture, history and natural heritage located on High Street in Ipswich, the county town of Suffolk. It was historically the leading regional museum in Suffolk, housing collections drawn from both the former counties of East Suffolk and West Suffolk, which were amalgamated in 1974. The original foundation of 1846, devoted primarily to Natural History, was moved to new premises in High Street in 1881. In about 1895 Christchurch Mansion, a large 16th-century house near the town centre in Christchurch Park, was given to the town. It was developed as a second venue under the same management and curatorship, devoted particularly to fine and decorative arts. Both are parts of one institution and draw on the same central core of collections. The entire service was merged with that of Colchester (Essex) on 1 April 2007 to form Colchester + Ipswich Museums. It is one of Ipswich's main features. The museum closed in October 2022 to undergo what is ...
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Horses In Art
Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the American West. In the United Kingdom, depictions of fox hunting and nostalgic rural scenes involving horses continue to be made. Horses often appear in artworks singly, as a mount for an important person, or in teams, hitched to a variety of horse-drawn vehicles. History Prehistory The horse appeared in prehistoric cave paintings such as those in Lascaux, estimated to be about 17,000 years old. Prehistoric hill figures have been carved in the shape of the horse, specifically the Uffington White Horse, an example of the traditio ...
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Dogs In Art
Cultural depictions of dogs in art has become more elaborate as individual breeds evolved and the relationships between human and canine developed. Hunting scenes were popular in the Middle Ages and the Renaissance. Dogs were depicted to symbolize guidance, protection, loyalty, fidelity, faithfulness, alertness, and love. As dogs became more domesticated, they were shown as companion animals, often painted sitting on a lady's lap. Throughout art history, mainly in Western art, there is an overwhelming presence of dogs as status symbols and pets in painting. The dogs were brought to houses and were allowed to live in the house. They were cherished as part of the family, and were regarded highly by the upper classes, who used them for hunting and could afford to feed them. Hunting dogs were generally connected to the aristocracy. Only the nobility were allowed to keep hunting dogs, and this would signal status. Dog portraits became increasingly popular in the 18th century, an ...
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Paintings In Wales
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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Collection Of The Tate Galleries
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science ...
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Paintings By John Constable
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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1831 Paintings
Events January–March * January 1 – William Lloyd Garrison begins publishing '' The Liberator'', an anti-slavery newspaper, in Boston, Massachusetts. * January 10 – Japanese department store, Takashimaya in Kyoto established. * February–March – Revolts in Modena, Parma and the Papal States are put down by Austrian troops. * February 2 – Pope Gregory XVI succeeds Pope Pius VIII, as the 254th pope. * February 5 – Dutch naval lieutenant Jan van Speyk blows up his own gunboat in Antwerp rather than strike his colours on the demand of supporters of the Belgian Revolution. * February 7 – The Belgian Constitution of 1831 is approved by the National Congress. *February 8 - Aimé Bonpland leaves Paraguay. * February 14 – Battle of Debre Abbay: Ras Marye of Yejju marches into Tigray, and defeats and kills the warlord Sabagadis. * February 25 – Battle of Olszynka Grochowska (Grochów): Polish rebel forces divide a Russi ...
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Salisbury Cathedral From The Bishop's Grounds
''Salisbury Cathedral from the Bishop's Grounds'' is an 1823 landscape painting by the nineteenth-century landscape painter John Constable (1776–1837). This image of Salisbury Cathedral, one of England's most famous medieval churches, is one of his most celebrated works, and was commissioned by one of his closest friends, John Fisher, The Bishop of Salisbury. The 1823 version of the painting has been in the collection of the Victoria & Albert Museum in London, since its bequest in 1857. History Constable visited Salisbury in 1811 and made a series of sketches of the cathedral, from the south-east, the south-west and from the east end. The artist selected a viewpoint from the bishop's garden (the south-east) and returned in 1820 to make further drawings and an open-air oil sketch, now in the National Gallery of Canada in Ottawa, which served as the model for the London version. Included in the paintings are figures of Dr. Fisher and his wife at the bottom left. Following th ...
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Joseph Mallord William Turner - Caligula's Palace And Bridge - Google Art Project
Joseph is a common male given name, derived from the Hebrew Yosef (יוֹסֵף). "Joseph" is used, along with "Josef", mostly in English, French and partially German languages. This spelling is also found as a variant in the languages of the modern-day Nordic countries. In Portuguese and Spanish, the name is "José". In Arabic, including in the Quran, the name is spelled ''Yūsuf''. In Persian, the name is "Yousef". The name has enjoyed significant popularity in its many forms in numerous countries, and ''Joseph'' was one of the two names, along with ''Robert'', to have remained in the top 10 boys' names list in the US from 1925 to 1972. It is especially common in contemporary Israel, as either "Yossi" or "Yossef", and in Italy, where the name "Giuseppe" was the most common male name in the 20th century. In the first century CE, Joseph was the second most popular male name for Palestine Jews. In the Book of Genesis Joseph is Jacob's eleventh son and Rachel's first son, and ...
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Salisbury And South Wiltshire Museum
The Salisbury Museum (previously The Salisbury and South Wiltshire Museum) is a museum in Salisbury, Wiltshire, England. It houses one of the best collections relating to Stonehenge and local archaeology. The museum is housed in The King's House, Salisbury, The King's House, a Grade I listed building, where King James I of England was entertained in 1610 and 1613. Set in the surroundings of the Cathedral Close, the museum faces the west front of Salisbury Cathedral. Previously at 40-42 St Ann Street, where it had been founded in 1860 by Dr Richard Fowler (physician), Richard Fowler, FRS, it transferred to its current site in 1981. The original three-storey building, with mullioned and transom (architectural), transomed windows, ornate plaster ceilings and a fine baluster, oak-balustraded staircase, houses the main temporary exhibition gallery with the ceramics gallery above. The arms of James I's eldest son, Henry Frederick, Prince of Wales, can be seen in a window in the Wedgw ...
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National Galleries Of Scotland
National Galleries of Scotland ( gd, Gailearaidhean Nàiseanta na h-Alba) is the executive non-departmental public body that controls the three national galleries of Scotland and two partner galleries, forming one of the National Collections of Scotland. The purpose of the National Galleries of Scotland (NGS) was set out by an Act of Parliament in the National Galleries of Scotland Act 1906, amended by the National Heritage (Scotland) Act 1985. Its role is to manage the National Galleries of Scotland, care for, preserve and add to the objects in its collections, exhibit artworks to the public and to promote education and public enjoyment and understanding of the Fine Arts. It is governed by a Board of Trustees who are appointed by ministers of the Scottish Government. History The National Gallery of Scotland (now called the Scottish National Gallery) was opened to the public in 1859. Located on The Mound in the centre of Scotland's capital city, Edinburgh, the building was or ...
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