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Salah Asuhan (film)
''Salah Asuhan'' (literally ''Wrong Upbringing'', released internationally as ''The Misfit'') is a 1972 film directed by Asrul Sani, produced by Andy Azhar, and starring Dicky Zulkarnaen, Ruth Pelupessy, and Rima Melati. Adapted from Abdoel Moeis' 1928 novel of the same name, it tells of a man who betrays his upbringing for the metropolitan life, while at the same time marrying an Indo woman instead of the one chosen by his mother. Sani attempted to update the story to fit 1970s Indonesia, although the majority of the plot remained the same; critics have doubted his success, noting anachronistic worldviews. ''Salah Asuhan'' was runner-up for two awards given by the Indonesian Reporters' Society. Plot The Minangkabau Muslim Hanafi (Dicky Zulkarnaen) returns to West Sumatra after spending several years studying in Europe, paid for by his maternal uncle. In return, the uncle expects Hanafi to marry his cousin, Rapiah (Rima Melati). Hanafi, however, has become westernised and expl ...
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Salah Asuhan
''Salah Asuhan'' (Indonesian: Wrong Upbringing) is an Indonesian novel by Abdul Muis originally published in 1928 by Balai Pustaka. It is widely considered one of the best examples of early modern Indonesian literature. Background ''Salah Asuhan'' was written during the colonial period and published by Balai Pustaka, which published books "suitable for native Indonesian reading." In order to be published, books had to avoid themes of rebellion and use formal Malay. As such, ''Salah Asuhan'' had to be rewritten with the European characters shown in a positive light after Balai Pustaka refused to publish it. Plot The story revolves around the Minangkabau Hanafi and his friend, the half-French half-Minangkabau Corrie du Bussée. Although Hanafi is Minangkabau and a Muslim, he considers European culture to be superior and has many European friends. After graduating from high school in Solok, Hanafi admits his love to Corrie and kisses her. However, Corrie feels ashamed afterwards ...
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Indonesian Literature
Indonesian literature is a term grouping various genres of South-East Asian literature. Indonesian literature can refer to literature produced in the Indonesian archipelago. It is also used to refer more broadly to literature produced in areas with common language roots based on the Malay language (of which Indonesian is one scion). This would extend the reach to the Maritime Southeast Asia, including Indonesia, but also other nations with a common language such as Malaysia and Brunei, as well as population within other nations such as the Malay people living in Singapore. The phrase "Indonesian literature" is used in this article to refer to Indonesian as written in the nation of Indonesia, but also covers literature written in an earlier form of the language, i.e. the Malay language written in the Dutch East Indies. Oral literature, though a central part of the Indonesian literary tradition, is not described here. Blurred distinctions The languages spoken (and part of them w ...
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Films Based On Indonesian Novels
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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Sinematek Indonesia
Sinematek Indonesia, or Sinematek for short, is a film archive located in Jakarta. Established in 1975 by Misbach Yusa Biran and Asrul Sani, the archive was the first in Southeast Asia, and remains the only one in Indonesia. It is home to roughly 2,700 films, mostly Indonesian, and also houses numerous reference works. Since 2001 it has been underfunded. Description Sinematek is located in the Hajji Usmar Ismail Center, a five-story building located on Rasuna Said Street in Kuningan, South Jakarta, and managed by the Usmar Ismail Foundation; it has held this location since 1977. The Sinematek offices are on the fourth floor, while a library containing films and film history is located on the fifth floor; a storage area is found in the basement. Most of its visitors are academics or university students, although the centre also loans out some of its collections. Films can be viewed on-site in the 150-seat screening room or 500-seat theatre. Sinematek has roughly 2,700 films in ...
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Binary Opposition
A binary opposition (also binary system) is a pair of related terms or concepts that are opposite in meaning. Binary opposition is the system of language and/or thought by which two theoretical opposites are strictly defined and set off against one another. It is the contrast between two mutually exclusive terms, such as on and off, up and down, left and right. Binary opposition is an important concept of structuralism, which sees such distinctions as fundamental to all language and thought.Baldick, C 2004. The concise Oxford Dictionary of literary terms, viewed 8 March 2011, http://www.highbeam.com/doc/1056-binaryopposition.html In structuralism, a binary opposition is seen as a fundamental organizer of human philosophy, culture, and language. Binary opposition originated in Saussurean structuralist theory.Fogarty, S 2005, The literary encyclopedia, viewed 6 March 2011, http://www.litencyc.com/php/stopics.php?pec=true&UID=122 According to Ferdinand de Saussure, the binary opposit ...
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Haraam
''Haram'' (; ar, حَرَام, , ) is an Arabic term meaning 'Forbidden'. This may refer to either something sacred to which access is not allowed to the people who are not in a state of purity or who are not initiated into the sacred knowledge; or, in direct contrast, to an evil and thus "sinful action that is forbidden to be done". The term also denotes something "set aside", thus being the Arabic equivalent of the Hebrew concept he, , ḥērem, label=none and the concept of (cf. sacred) in Roman law and religion. In Islamic jurisprudence, ''haram'' is used to refer to any act that is forbidden by God and is one of the five Islamic commandments ( ar, الأحكام الخمسة, al-ʾAḥkām al-Ḵamsa) that define the morality of human action. Acts that are haram are typically prohibited in the religious texts of the Quran, and the category of haram is the highest status of prohibition. If something is considered haram, it remains prohibited no matter how good the in ...
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Mini Skirt
A miniskirt (sometimes hyphenated as mini-skirt, separated as mini skirt, or sometimes shortened to simply mini) is a skirt with its hemline well above the knees, generally at mid-thigh level, normally no longer than below the buttocks; and a dress with such a hemline is called a minidress or a miniskirt dress. A micro-miniskirt or microskirt is a miniskirt with its hemline at the upper thigh, at or just below crotch or underwear level. Short skirts have existed for a long time before they made it into mainstream fashion, though they were generally not called "mini" until they became a fashion trend in the 1960s. Instances of clothing resembling miniskirts have been identified by archaeologists and historians as far back as c. 1390–1370 BC. In the early 20th century, the dancer Josephine Baker's banana skirt that she wore for her mid-1920s performances in the Folies Bergère was subsequently likened to a miniskirt. Extremely short skirts became a staple of 20th-century scienc ...
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List Of Japanese Film Directors
This article is a list of Japanese film directors. __NOTOC__ A * Yutaka Abe * Masao Adachi * Kyōko Aizome * Masatoshi Akihara * Keita Amemiya * Tetsurō Amino * Hiroshi Ando is a Japanese writer and director. Born 13 June 1965 in Tokyo, Japan. Hiroshi Ando has several films to his credit including ''Saraba gokudo dead beat'', ''Blue'', ''Kokoro to karada'' and ''Boku wa imōto ni koi o suru''. ''Blue'' was entered ... * Hideaki Anno * Shinji Aoyama * Tarō Araki * Genjiro Arato * Mari Asato D * Masanobu Deme * Nobuhiro Doi F * Kei Fujiwara * Kinji Fukasaku * Jun Fukuda * Yasuo Furuhata * Tomoyuki Furumaya G * Hideo Gosha * Heinosuke Gosho H * Sachi Hamano * Tsutomu Hanabusa * Susumu Hani * Masato Harada * Yasuharu Hasebe * Kazuhiko Hasegawa * Ryusuke Hamaguchi * Ryōsuke Hashiguchi * Kaizo Hayashi * Shinji Higuchi * Hideyuki Hirayama * Ryūichi Hiroki * Ishirō Honda I * Jun Ichikawa * Kon Ichikawa * Mako Idemitsu * George Iida * Takahiko Iimura * T ...
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Farida Arriany
Frieda Thenu (November 24, 1938 – October 15, 1977), better known by the stage name Farida Arriany, was an Indonesian actress, model, and singer. She was named the most successful Indonesian film star in 1960s. Biography Farida Arriany was born Frieda Thenu on 24 November 1938 in Bandung, West Java. She completed a junior high school education. She made her feature film debut in 1955, taking the role of Sari in Golden Arrow's ''Kasih Ibu'' (''A Mother's Love''). She was credited as Farida Shagniarty in this film, only taking the stage name Farida Arriany some time later. She appeared in eighteen further films in the following six years. These included the role of Atikah in (''A Mother's Tears'', 1957), a remake of the Air Mata Iboe, 1941 film of the same name; Lastri in (''My Dear Child'', 1957), for which she won Citra Award for Best Leading Actress, Best Leading Actress at the Indonesian Film Festival, 1960 Indonesian Film Week; and a role in ''Pedjuang'' (''Warriors for ...
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Mohamad Mochtar
Mohamad Mochtar (1 July 1918 – 1 December 1981), usually credited as Moh Mochtar, was an Indonesian film actor active from 1939 until his death in 1981. Biography Mochtar was born in Cianjur, West Java, Dutch East Indies, on 1 July 1918. He dropped out of school in the first year of Meer Uitgebreid Lager Onderwijs (junior high school). Sometime afterwards he was signed by the theatre company Miss Riboet's Orion for their association football, football team; he had been a fan of the game since his youth. Mochtar was later asked to perform on stage. By the late 1930s he was skilled at the traditional martial art of ''silat''. In 1939 Mochtar met The Teng Chun, owner and director of Java Industrial Film (JIF), while at a barbershop. Mochtar was signed to play opposite Hadidjah in JIF's upcoming film, ''Alang-Alang (film), Alang-Alang'', as two lovers who confront bandits in a jungle. The Teng Chun intended Mohamad Mochtar and Hadidjah to become competitors to Roekiah and Rd Mo ...
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Patrilineal
Patrilineality, also known as the male line, the spear side or agnatic kinship, is a common kinship system in which an individual's family membership derives from and is recorded through their father's lineage. It generally involves the inheritance of property, rights, names, or titles by persons related through male kin. This is sometimes distinguished from cognate kinship, through the mother's lineage, also called the spindle side or the distaff side. A patriline ("father line") is a person's father, and additional ancestors, as traced only through males. Traditionally and historically people would identify the person's ethnicity with the father's heritage and ignore the maternal ancestry in the ethnic factor. In the Bible In the Bible, family and tribal membership appears to be transmitted through the father. For example, a person is considered to be a priest or Levite, if his father is a priest or Levite, and the members of all the Twelve Tribes are called Israelites because ...
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Matrilineal
Matrilineality is the tracing of kinship through the female line. It may also correlate with a social system in which each person is identified with their matriline – their mother's Lineage (anthropology), lineage – and which can involve the inheritance of property and/or titles. A matriline is a line of descent from a female ancestor to a Kinship, descendant (of either sex) in which the individuals in all intervening generations are mothersin other words, a "mother line". In a matrilineal Kinship and descent, descent system, an individual is considered to belong to the same descent group as their mother. This ancient matrilineal descent pattern is in contrast to the currently more popular pattern of patrilineal descent from which a family name is usually derived. The ''matriline'' of historical nobility was also called their enatic or uterine ancestry, corresponding to the patrilineal or "agnatic" ancestry. Early human kinship In the late 19th century, almost all ...
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