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Sakuntala
Shakuntala (Sanskrit: ''Śakuntalā'') is the wife of Dushyanta and the mother of Emperor Bharata. Her story is told in the ''Adi Parva'' of the ancient Indian epic ''Mahabharata'' and dramatized by many writers, the most famous adaption being Kalidasa's play ''Abhijñānaśākuntala'' (''The Sign of Shakuntala''). Legends Birth Once, Vishvamitra started to meditate to earn the status of a Brahmarshi. The intensity of his penance frightened Indra. He feared that Vishvamitra might want his throne. To end his penance, Indra sent Menaka, an apsara, to lure him and bring him out of his penance. Menaka reached Vishwamitra's meditating spot and started to seduce him. Vishvamitra could not control his lust and desire and his penance was broken. Vishvamitra and Menaka lived together for a few years and a daughter was born to them. Later, Vishvamitra realized that all those things were Indra's tricks. He realized that he needed to control his emotions. Vishvamitra left Menaka and Menaka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Recognition Of Sakuntala
''Abhijnanashakuntalam'' (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: ''Abhijñānaśākuntalam''), also known as ''Shakuntala'', ''The Recognition of Shakuntala'', ''The Sign of Shakuntala'', and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic ''Mahābhārata'' and regarded as best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE. Origin of Kālidāsa's play Plots similar to the play appear in earlier texts. There is a story mentioned in the ''Mahābhārata''. A story of similar plot appear in the Buddhist Jātaka tales as well. In the Mahābhārata the story appears as a precursor to the Pāṇḍava and Kaurava lineages. In the story King Duṣyanta and Śakuntalā meet in the forest and get estranged and ultimately reunited. Their son Bharata is said to have laid the foundation of the dynasty that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shakuntala (play)
''Abhijnanashakuntalam'' (Devanagari: अभिज्ञानशाकुन्तलम्, IAST: ''Abhijñānaśākuntalam''), also known as ''Shakuntala'', ''The Recognition of Shakuntala'', ''The Sign of Shakuntala'', and many other variants, is a Sanskrit play by the ancient Indian poet Kālidāsa, dramatizing the story of Śakuntalā told in the epic ''Mahābhārata'' and regarded as best of Kālidāsa's works. Its exact date is uncertain, but Kālidāsa is often placed in the 4th century CE. Origin of Kālidāsa's play Plots similar to the play appear in earlier texts. There is a story mentioned in the ''Mahābhārata''. A story of similar plot appear in the Buddhist Jātaka tales as well. In the Mahābhārata the story appears as a precursor to the Pāṇḍava and Kaurava lineages. In the story King Duṣyanta and Śakuntalā meet in the forest and get estranged and ultimately reunited. Their son Bharata is said to have laid the foundation of the dynasty that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sakuntala Leaving For His Husband King Dushmanta&
Shakuntala (Sanskrit: ''Śakuntalā'') is the wife of Dushyanta and the mother of Emperor Bharata. Her story is told in the ''Adi Parva'' of the ancient Indian epic ''Mahabharata'' and dramatized by many writers, the most famous adaption being Kalidasa's play ''Abhijñānaśākuntala'' (''The Sign of Shakuntala''). Legends Birth Once, Vishvamitra started to meditate to earn the status of a Brahmarshi. The intensity of his penance frightened Indra. He feared that Vishvamitra might want his throne. To end his penance, Indra sent Menaka, an apsara, to lure him and bring him out of his penance. Menaka reached Vishwamitra's meditating spot and started to seduce him. Vishvamitra could not control his lust and desire and his penance was broken. Vishvamitra and Menaka lived together for a few years and a daughter was born to them. Later, Vishvamitra realized that all those things were Indra's tricks. He realized that he needed to control his emotions. Vishvamitra left Menaka and Menaka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adi Parva
The ''Adi Parva'' or ''The Book of the Beginning'' is the first of eighteen books of the Mahabharata. "Adi" ( आदि, Ādi) is a Sanskrit word that means "first". Adi Parva traditionally has 19 parts and 236 adhyayas (chapters). The critical edition of Adi Parva has 19 parts and 225 chapters. Adi Parva describes how the epic came to be recited by Ugrasrava Sauti to the assembled rishis at the Naimisha Forest after first having been narrated at the ''sarpasatra'' of Janamejaya by Vaishampayana at Taxila. It includes an outline of contents from the eighteen books, along with the book's significance. The history of the Bhāratas and the Bhrigus are described. The main part of the work covers the birth and early life of the princes of the Kuru Kingdom and the persecution of the Pandavas by Dhritarashtra. Structure and chapters The Adi Parva consists of 19 ''upa-parva''s or parts (also referred to as little books). Each part is also called a ''parva'' and is further subdivided in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kālidāsa
Kālidāsa (''fl.'' 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on the Vedas, the Rāmāyaṇa, the Mahābhārata and the Purāṇas. His surviving works consist of three plays, two epic poems and two shorter poems. Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE. Early life Scholars have speculated that Kālidāsa may have lived near the Himalayas, in the vicinity of Ujjain, and in Kalinga. This hypothesis is based on Kālidāsa's detailed description of the Himalayas in his ''Kumārasambhava'', the display of his love for Ujjain in ''Meghadūta'', and his highly eulogistic descriptions of Kalingan emperor Hemāngada in '' Raghuvaṃśa'' (sixth ''sarga''). Lakshmi Dhar Kalla (1891–1953), a Sanskrit scholar an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ai Khanoum
Ai-Khanoum (, meaning ''Lady Moon''; uz, Oyxonim) is the archaeological site of a Hellenistic city in Takhar Province, Afghanistan. The city, whose original name is unknown, was probably founded by an early ruler of the Seleucid Empire and served as a military and economic centre for the rulers of the Greco-Bactrian Kingdom until its destruction BC. Rediscovered in 1961, the ruins of the city were excavated by a French team of archaeologists until the outbreak of conflict in Afghanistan in the late 1970s. The city was probably founded between 300 and 285 BC by an official acting on the orders of Seleucus I Nicator or his son Antiochus I Soter, the first two rulers of the Seleucid dynasty. It was originally thought to have been founded by Alexander the Great, quite possibly as Alexandria Oxiana, but this theory is now considered unlikely. There is a possibility that the site was known to the earlier Achaemenid Empire, who established a small fort nearby. Located at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishwamitra
Vishvamitra ( sa, विश्वामित्र, ) is one of the most venerated rishis or sages of ancient India. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mantra. The Puranas mention that only 24 rishis since antiquity have understood the whole meaning of —and thus wielded the whole power of — the Gayatri Mantra. Vishvamitra is supposed to have been the first, and Yajnavalkya the last. Before renouncing his kingdom and royal status, Brahmarishi Vishvamitra was a king, and thus he retained the title of Rajarshi, or 'royal sage'. Textual background Historically, Viśvāmitra Gāthina was a Rigvedic rishi who was the chief author of Mandala 3 of the Rigveda. Viśvāmitra was taught by Jamadagni Bhārgava. He was the purohita of the Bharata tribal king Sudās, until he was replaced by Vasiṣṭha. He aided the Bharatas in crossing the Vipāś and Śutudrī rivers (modern Beas and Sutl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishvamitra
Vishvamitra ( sa, विश्वामित्र, ) is one of the most venerated rishis or sages of ancient India. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mantra. The Puranas mention that only 24 rishis since antiquity have understood the whole meaning of —and thus wielded the whole power of — the Gayatri Mantra. Vishvamitra is supposed to have been the first, and Yajnavalkya the last. Before renouncing his kingdom and royal status, Brahmarishi Vishvamitra was a king, and thus he retained the title of Rajarshi, or 'royal sage'. Textual background Historically, Viśvāmitra Gāthina was a Rigvedic rishi who was the chief author of Mandala 3 of the Rigveda. Viśvāmitra was taught by Jamadagni Bhārgava. He was the purohita of the Bharata tribal king Sudās, until he was replaced by Vasiṣṭha. He aided the Bharatas in crossing the Vipāś and Śutudrī rivers (modern Beas and Sutlej ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dushyanta
Dushyanta ( sa, दुष्यन्त, translit=Duṣyanta) is a king of the Chandravamsha (Lunar) dynasty featured in Hindu literature. He is the husband of Shakuntala and the father of Bharata. He appears in the Mahabharata and in Kalidasa's play, Abhijnanashakuntalam ( 300 CE). Legend According to the ''Mahabharata'', Dushyanta is the son of Ilin and Rathantī, also rendered Ilina and Rathantara, respectively. According to primogeniture, Dushyanta succeeds his father, for he is the eldest among his siblings Sura, Bhima, Pravashu, and Vasu. He rules as the king of Hastinapura. Mahabharata The Mahabharata narrates that King Dushyanta was once hunting in the forests, when he struck a fawn with his arrow. The fawn fled to the ashrama of Sage Kanva, and the king followed it. Upon reaching the ashrama, the king saw Shakuntala watering the plants, accompanied by her friends, named Anasuya and Priyamvada. Dushyanta and Shakuntala fell in love with each other. Since the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rishi
''Rishi'' () is a term for an accomplished and enlightened person. They find mentions in various Vedic texts. Rishis are believed to have composed hymns of the Vedas. The Post-Vedic tradition of Hinduism regards the rishis as "great yogis" or "sages" who after intense meditation (tapas) realized the supreme truth and eternal knowledge, which they composed into hymns.Hartmut Scharfe (2002), Handbook of Oriental Studies, BRILL Academic, , pp. 13–15. The term appears in Pali literature as Ishi and in Buddhism, they can be either Buddhas, Paccekabuddhas, Arahats or a monk of high rank. Etymology According to Indian tradition, the word may be derived from two different meanings of the root 'rsh' (). Sanskrit grammarians derive this word from the second meaning: "to go, to move". V. S. Apte gives this particular meaning and derivation, and Monier-Williams also gives the same, with some qualification. Another form of this root means "to flow, to move near by flowing". (All the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stamp Of India - 1963 - Colnect 371652 - 1 - Shakuntala Writing A Letter To Dushyanta - Surcharged
Stamp or Stamps or Stamping may refer to: Official documents and related impressions * Postage stamp, used to indicate prepayment of fees for public mail * Ration stamp, indicating the right to rationed goods * Revenue stamp, used on documents to indicate payment of tax * Rubber stamp, device used to apply inked markings to objects ** Passport stamp, a rubber stamp inked impression received in one's passport upon entering or exiting a country ** National Park Passport Stamps * Food stamps, tickets used in the United States that indicate the right to benefits in the Supplemental Nutrition Assistance Program Collectibles * Trading stamp, a small paper stamp given to customers by merchants in loyalty programs that predate the modern loyalty card * Eki stamp, a free collectible rubber ink stamp found at many train stations in Japan Places * Stamp Creek, a stream in Georgia * Stamps, Arkansas People * Stamp or Apiwat Ueathavornsuk (born 1982), Thai singer-songwriter * Stamp (surnam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
