Saint Patrick For Ireland
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Saint Patrick For Ireland
''Saint Patrick for Ireland'' is a Literature in English#Caroline and Cromwellian literature, Caroline era stage play, written by James Shirley and first published in 1640 in literature, 1640. It is notable as an early development in Irish theatre. The play was written and performed during Shirley's stay in Dublin in the years 1637–40. Shirley, one of the most prominent and successful London playwrights of the previous decade, moved to Dublin during the long closure of the London theatres, from May 1636 to October 1637, due to an epidemic of bubonic plague. ''St. Patrick for Ireland'' was clearly written specifically for Shirley's new Dublin audience; it was performed in the autumn of 1639 in literature, 1639, at the Werburgh Street Theatre in Dublin, "the first Irish playhouse." There is no record of a London performance in Shirley's era...or later. The play was entered into the Stationers' Register on 28 April 1640 and was issued later that year in an book size, octavo v ...
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Literature In English
English literature is literature written in the English language from United Kingdom, its crown dependencies, the Republic of Ireland, the United States, and the countries of the former British Empire. ''The Encyclopaedia Britannica'' defines English literature more narrowly as, "the body of written works produced in the English language by inhabitants of the British Isles (including Ireland) from the 7th century to the present day. The major literatures written in English outside the British Isles are treated separately under American literature, Australian literature, Canadian literature, and New Zealand literature." However, despite this, it includes literature from the Republic of Ireland, "Anglo-American modernism", and discusses post-colonial literature. ; See also full articles on American literature and other literatures in the English language. The English language has developed over the course of more than 1,400 years. The earliest forms of English, a set of Anglo-Fri ...
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Medieval Theatre
Medieval theatre encompasses theatrical performance in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering dramatic performance in Europe over a thousand-year period. A broad spectrum of genres needs to be considered, including mystery plays, morality plays, farces and masques. The themes were almost always religious. The most famous examples are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays, and the N-Town Plays, as well as the morality play known as ''Everyman''. One of the first surviving secular plays in English is ''The Interlude of the Student and the Girl'' (c. 1300). Due to a lack of surviving records and texts, low literacy in the general population, and the opposition of the clergy, there are few surviving sources from the Early and High Medieval periods. However, by ...
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Irish Plays
Irish may refer to: Common meanings * Someone or something of, from, or related to: ** Ireland, an island situated off the north-western coast of continental Europe ***Éire, Irish language name for the isle ** Northern Ireland, a constituent unit of the United Kingdom of Great Britain and Northern Ireland ** Republic of Ireland, a sovereign state * Irish language, a Celtic Goidelic language of the Indo-European language family spoken in Ireland * Irish people, people of Irish ethnicity, people born in Ireland and people who hold Irish citizenship Places * Irish Creek (Kansas), a stream in Kansas * Irish Creek (South Dakota), a stream in South Dakota * Irish Lake, Watonwan County, Minnesota * Irish Sea, the body of water which separates the islands of Ireland and Great Britain People * Irish (surname), a list of people * William Irish, pseudonym of American writer Cornell Woolrich (1903–1968) * Irish Bob Murphy, Irish-American boxer Edwin Lee Conarty (1922–1961) * Irish McCal ...
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The Virgin Martyr
''The Virgin Martyr'' is a Jacobean era stage play, a tragedy written by Thomas Dekker and Philip Massinger, and first published in 1622. It constitutes a rare instance in Massinger's canon in which he collaborated with a member of the previous generation of English Renaissance dramatists – those who began their careers in the 1590s, the generation of Shakespeare, Lyly, Marlowe and Peele. Performance and publication The play was licensed for performance on 6 October 1620; the license refers to a "reforming" of the play, which has been taken to indicate an element of censorship. The work was reportedly staged at the Red Bull Theatre. The play was popular, and was revived during the Restoration era, in 1661 and 1668, when it was seen by Samuel Pepys. John Dryden was influenced by the Dekker/Massinger play in writing his '' Tyrannick Love, or The Royal Martyr'' (1669). ''The Virgin Martyr'' was published in quarto in 1622, with subsequent quarto editions in 1631, 1651, and 16 ...
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Philip Massinger
Philip Massinger (1583 – 17 March 1640) was an English dramatist. His finely plotted plays, including ''A New Way to Pay Old Debts'', ''The City Madam'', and '' The Roman Actor'', are noted for their satire and realism, and their political and social themes. Early life The son of Arthur Massinger or Messanger, he was baptised at St. Thomas's Salisbury on 24 November 1583. He apparently belonged to an old Salisbury family, for the name occurs in the city records as early as 1415. He is described in his matriculation entry at St. Alban Hall, Oxford (1602), as the son of a gentleman. His father, who had also been educated at St. Alban Hall, was a member of parliament, and was attached to the household of Henry Herbert, 2nd Earl of Pembroke. Herbert recommended Arthur in 1587 for the office of examiner in the Court of the Marches. William Herbert, 3rd Earl of Pembroke, who would come to oversee the London Stage and the royal company as King James's Lord Chamberlain, succ ...
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Thomas Dekker (poet)
Thomas Dekker (c. 1572 – 25 August 1632) was an English Elizabethan dramatist and pamphleteer, a versatile and prolific writer, whose career spanned several decades and brought him into contact with many of the period's most famous dramatists. Early life Little is known of Dekker's early life or origins. From references in his pamphlets, Dekker is believed to have been born in London around 1572, but nothing is known for certain about his youth. His last name suggests Dutch ancestry, and his work, some of which is translated from Latin, suggests that he attended grammar school. Career Dekker embarked on a career as a theatre writer in the middle 1590s. His handwriting is found in the manuscript of '' Sir Thomas More'', though the date of his involvement is undetermined. More certain is his work as a playwright for the Admiral's Men of Philip Henslowe, in whose account book he is first mentioned in early 1598. While there are plays connected with his name performed as early ...
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Roman Mythology
Roman mythology is the body of myths of ancient Rome as represented in the literature and visual arts of the Romans. One of a wide variety of genres of Roman folklore, ''Roman mythology'' may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. Roman mythology draws from the mythology of the Italic peoples and ultimately from Proto-Indo-European mythology. Roman mythology also draws directly on Greek mythology, potentially as early as Rome's protohistory, but primarily during the Hellenistic period of Greek influence and through the Roman conquest of Greece, via the artistic imitation of Greek literary models by Roman authors. The Romans identified their own gods with those of the ancient Greeks—who were closely historically related in some cases, such as Zeus and Jupiter—and reinterpreted myths about Greek deities under the names of their Roman counterparts. Greek and ...
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Mars (mythology)
In ancient Roman religion and myth, Mars ( la, Mārs, ) was the god of war and also an agricultural guardian, a combination characteristic of early Rome. He was the son of Jupiter and Juno, and was pre-eminent among the Roman army's military gods. Most of his festivals were held in March, the month named for him ( Latin ''Martius''), and in October, which began the season for military campaigning and ended the season for farming. Under the influence of Greek culture, Mars was identified with the Greek god Ares,''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. whose myths were reinterpreted in Roman literature and art under the name of Mars. The character and dignity of Mars differed in fundamental ways from that of his Greek counterpart, who is often treated with contempt and revulsion in Greek literature. Mars's altar in the Campus Martius, the area of Rome that took its name from him, was supposed to have been dedicated by Numa, the peace-lov ...
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Jupiter (mythology)
Jupiter ( la, Iūpiter or , from Proto-Italic language, Proto-Italic "day, sky" + "father", thus "sky father" Greek: Zeus, Δίας or Zeus, Ζεύς), also known as Jove (genitive case, gen. ''Iovis'' ), is the sky god, god of the sky and god of thunder, thunder, and Pantheon (gods), king of the gods in ancient Roman religion and Roman mythology, mythology. Jupiter was the chief deity of Roman state religion throughout the Roman Republic, Republican and Roman Empire, Imperial eras, until Constantine the Great and Christianity, Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most comm ...
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Druid
A druid was a member of the high-ranking class in ancient Celtic cultures. Druids were religious leaders as well as legal authorities, adjudicators, lorekeepers, medical professionals and political advisors. Druids left no written accounts. While they were reported to have been literate, they are believed to have been prevented by doctrine from recording their knowledge in written form. Their beliefs and practices are attested in some detail by their contemporaries from other cultures, such as the Romans and the Greeks. The earliest known references to the druids date to the 4th century BCE. The oldest detailed description comes from Julius Caesar's ''Commentarii de Bello Gallico'' (50s BCE). They were described by other Roman writers such as Cicero, Cicero (44) I.XVI.90. Tacitus, and Pliny the Elder. Following the Roman invasion of Gaul, the druid orders were suppressed by the Roman government under the 1st-century CE emperors Tiberius and Claudius, and had disappeare ...
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Jocelyn Of Furness
Jocelyn of Furness ( fl. 1175–1214) was an English Cistercian hagiographer, known for his Lives of Saint Waltheof, Saint Patrick, Saint Kentigern and Saint Helena of Constantinople. He is probably responsible for the popular legendary association of Saint Patrick with snakes, which he purportedly cast out of Ireland. Biography He was a monk of Furness Abbey (now in Barrow-in-Furness, Cumbria), and translated or adapted Celtic hagiographical material for Anglo-Norman readers. He wrote for Jocelyn, Bishop of Glasgow, a Life of Kentigern, and for John de Courcy and Thomas (Tommaltach), Archbishop of Armagh a Life of St Patrick. His Life of Waltheof was written to promote the cult of a former abbot of Melrose. The Life of St Helena was probably commissioned by a female community in England. Another work attributed to him was a book of British bishops. It has been claimed that he was also Abbot of Rushen Abbey Rushen Abbey is a former abbey on the Isle of Man, located in Bal ...
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Mystery Play
Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably) are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the representation of Bible stories in churches as tableaux with accompanying antiphonal song. They told of subjects such as the Creation, Adam and Eve, the murder of Abel, and the Last Judgment. Often they were performed together in cycles which could last for days. The name derives from ''mystery'' used in its sense of ''miracle,'' but an occasionally quoted derivation is from ''ministerium'', meaning ''craft'', and so the 'mysteries' or plays performed by the craft guilds. Origins As early as the fifth century living tableaux were introduced into sacred services. The plays originated as simple ''tropes'', verbal embellishments of liturgical texts, and slowly became more elaborate. At an early period chants from the service of the day were added t ...
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