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Saint Nicholas Cantata
''Saint Nicolas'', Op. 42, is a cantata with music by Benjamin Britten on a text by Eric Crozier, completed in 1948. It covers the legendary life of Saint Nicholas, Bishop of Myra, Lycia, in a dramatic sequence of events. The composer wrote the work for the centenary of Lancing College in Sussex, with the resources of the institution in mind. It is scored for mixed choir, tenor soloist, four boys singers, strings, piano duet, organ and percussion. The only professionals required are the tenor soloist, a string quintet to lead the other strings, and the percussionists. ''Saint Nicolas'' is Britten's first work for amateur musicians, and it includes congregational hymns. The premiere was the opening concert of the first Aldeburgh Festival in June 1948, with Peter Pears as the soloist. History Benjamin Britten wrote the cantata ''Saint Nicolas'', Op. 42, from December 1947 to May 1948 for the centennial celebrations of Lancing College in Sussex. Writing specifically for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantata
A cantata (; ; literally "sung", past participle feminine singular of the Italian verb ''cantare'', "to sing") is a vocal composition with an instrumental accompaniment, typically in several movements, often involving a choir. The meaning of the term changed over time, from the simple single-voice madrigal of the early 17th century, to the multi-voice "cantata da camera" and the "cantata da chiesa" of the later part of that century, from the more substantial dramatic forms of the 18th century to the usually sacred-texted 19th-century cantata, which was effectively a type of short oratorio. Cantatas for use in the liturgy of church services are called church cantata or sacred cantata; other cantatas can be indicated as secular cantatas. Several cantatas were, and still are, written for special occasions, such as Christmas cantatas. Christoph Graupner, Georg Philipp Telemann and Johann Sebastian Bach composed cycles of church cantatas for the occasions of the liturgical year. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions By Benjamin Britten
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungarian/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christmas Cantatas
Christmas is an annual festival commemorating the birth of Jesus Christ, observed primarily on December 25 as a religious and cultural celebration among billions of people around the world. A feast central to the Christian liturgical year, it is preceded by the season of Advent or the Nativity Fast and initiates the season of Christmastide, which historically in the West lasts twelve days and culminates on Twelfth Night. Christmas Day is a public holiday in many countries, is celebrated religiously by a majority of Christians, as well as culturally by many non-Christians, and forms an integral part of the holiday season organized around it. The traditional Christmas narrative recounted in the New Testament, known as the Nativity of Jesus, says that Jesus was born in Bethlehem, in accordance with messianic prophecies. When Joseph and Mary arrived in the city, the inn had no room and so they were offered a stable where the Christ Child was soon born, with angels proclaiming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boosey & Hawkes
Boosey & Hawkes is a British music publisher purported to be the largest specialist classical music publisher in the world. Until 2003, it was also a major manufacturer of brass, string and woodwind musical instruments. Formed in 1930 through the merger of two well-established British music businesses, it controls the copyrights to much major 20th-century music, including works by Leonard Bernstein, Benjamin Britten, Aaron Copland, Sergei Prokofiev, and Igor Stravinsky. It also publishes many prominent contemporary composers, including John Adams, Karl Jenkins, James MacMillan, Mark-Anthony Turnage, and Steve Reich. With subsidiaries in Berlin and New York, it also sells sheet music via its online shop. History Pre-merger Boosey & Hawkes was founded in 1930 through the merger of two respected music companies, Boosey & Company and Hawkes & Son. The Boosey family was of Franco–Flemish origin. Boosey & Company traces its roots back to John Boosey, a bookseller in London i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
God Moves In A Mysterious Way
"God Moves in a Mysterious Way" is a Christian hymn, written in 1773 by William Cowper from England. It was written by Cowper in 1773 as a poem entitled "Light Shining out of Darkness". The poem was the last hymn text that Cowper wrote. It was written following his attempted suicide while living at Olney in Buckinghamshire. John Newton published the poem the next year in his ''Twenty-six Letters on Religious Subjects; to which are added Hymns'' (1774). Words The words were composed by William Cowper (1731–1800). Constituting six verses, they were written in 1773, just before the onset of a depressive illness, during which Cowper attempted suicide by drowning. The text was first published by Cowper's friend, John Newton, in his ''Twenty-six Letters on Religious Subjects; to which are added Hymns'' in 1774. The hymn was later published in ''Olney Hymns'' which Cowper co-wrote with Newton. Entitled ''Conflict: Light Shining out of Darkness'', it was accompanied by a text from Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reciting Tone
In chant, a reciting tone (also called a recitation tone) can refer to either a repeated musical pitch or to the entire melodic formula for which that pitch is a structural note. In Gregorian chant, the first is also called tenor, dominant or tuba, while the second includes psalm tones (each with its own associated Gregorian mode) as well as simpler formulae for other readings and for prayers. Reciting tones in Gregorian chant Regular psalm tones Reciting tones occur in several parts of the Roman Rite. These include the accentus prayers and lessons chanted by the deacons or priests such as the Collect, Epistle, Gospel, Secret, Preface, Canon, and Postcommunion, as well as such regular texts as the Pater noster, Te Deum, and the Gloria in excelsis Deo. They are also sung in versicles and responds such as the ''Dominus vobiscum'' ("The Lord be with you") of the officiant followed by the ''Et cum spiritu tuo'' ("and with your spirit") of the choir. Some tones, presumably from the ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gregorian Chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions. Although popular legend credits Pope Gregory I with inventing Gregorian chant, scholars believe that it arose from a later Carolingian synthesis of the Old Roman chant and Gallican chant. Gregorian chants were organized initially into four, then eight, and finally 12 modes. Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nunc Dimittis
The Nunc dimittis (), also known as the Song of Simeon or the Canticle of Simeon, is a canticle taken from the second chapter of the Gospel of Luke, verses 29 through 32. Its Latin name comes from its incipit, the opening words, of the Vulgate translation of the passage, meaning "Now you let depart". Since the 4th century it has been used in services of evening worship such as Compline, Vespers, and Evensong. Biblical account The title is formed from the opening words in the Latin Vulgate, “''Nunc dimittis servum tuum, Domine''" ("Now thou dost dismiss thy servant, O Lord"). Although brief, the canticle abounds in Old Testament allusions. For example, "Because my eyes have seen thy salvation" alludes to Isaiah 52:10. According to the narrative in Luke 2:25-32, Simeon was a devout Jew who had been promised by the Holy Spirit that he would not die until he had seen the Messiah. When Mary and Joseph brought the baby Jesus to the Temple in Jerusalem for the ceremony of redemption ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Hundredth
"Old 100th" or "Old Hundredth" (also known as "Old Hundred") is a hymn tune in long metre, from the second edition of the Genevan Psalter. It is one of the best known melodies in many occidental Christian musical traditions. The tune is usually attributed to the French composer Louis Bourgeois (c.1560). Although the tune was first associated with Psalm 134 in the Genevan Psalter, the melody receives its current name from an association with the ''100th'' Psalm, in a translation by William Kethe entitled "All People that on Earth do Dwell". The melody is also sung to various other lyrics, including the Common Doxology and various German Lutheran chorales. In that latter respect it was used by Johann Sebastian Bach as a cantus firmus in his chorale cantata ''Herr Gott, dich loben alle wir'' (BWV 130). Background The Genevan Psalter was compiled over a number of years in the Swiss city of Geneva, a center of Protestant activity during the Reformation, in response to the teachi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prix Italia
The Prix Italia is an international Television, Radio-broadcasting and Web award. It was established in 1948 by RAI – Radiotelevisione Italiana (in 1948, RAI had the denomination RAI – Radio Audizioni Italiane) in Capri and is honoured with the High Patronage of the President of the Italian Republic. More than one hundred public and private radio and television organisations representing 57 countries from the five continents form and outline the community of the Prix Italia which is in continuous evolution. Unique in the world, among International festivals and prizes, is the organisational and decision-making body of the Prix. The delegates of broadcating members decide and resolve the editorial outline and elect the President. RAI is in charge and responsible of the organisation of the event, and the General Secretariat has its headquarters in Rome. Prix Italia is held in an Italian city of art and culture annually every September/October for a week, in collaboration with loca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ian Partridge
Ian Partridge (born 12 June 1938) is a retired English lyric tenor, whose repertoire ranged from Monteverdi, Bach and Handel, the Elizabethan lute songs, German, French and English songs, through to Schoenberg, Weill and Britten, and on to contemporary works. He formed a renowned vocal-piano duo with his sister Jennifer Partridge, with whom he worked for over 50 years. While concentrating mainly on songs, oratorio and lieder, he also recorded opera, and has an extensive discography. He is now a teacher and adjudicator, and conducts master classes in many countries. Biography Ian Harold Partridge was born in 1938 in Wimbledon. He was a chorister at New College, Oxford 1948–52, and a music scholar at Clifton College. He studied at the Royal College of Music from 1956, studying piano and voice. Leaving after a year because he had engaged in paid employment, which was banned by the RCM, he transferred to the Guildhall School of Music and Drama, where his voice teachers were Norm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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