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Saint Mark (Tzanes)
''Saint Mark'' is a tempera-on-wood painting created c. 1657 by Emmanuel Tzanes. Tzanes was a Cretan painter who migrated to Corfu and Venice. He settled in Venice with his brothers Konstantinos Tzanes and poet Marinos Tzanes. Konstantinos was a famous painter. Their combined existing works number over 150. Emmanuel replaced Greek painter Philotheos Skoufos as the priest of San Giorgio De Greco. Saint Mark is the patron saint of Venice. His remains were moved to Venice from Egypt. Countless Italian painters painted the subject matter. He was considered one of the first historiographers of the new Christian religion. He was associated with the Apostle Peter. His gospel consists of collections of miracle stories, controversy stories, parables, and a passion narrative. He founded the first church of Alexandria Egypt. Saint Mark is often depicted with a Lion. The winged Lion of Saint Mark is a symbol of Venice. The symbol also represents the Greek Orthodox Church of Ale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emmanuel Tzanes
Emmanuel Tzanes ( el, Εμμανουήλ Τζάνες, 1610 – 28 March 1690), also known as Bounialis ( el, Μπουνιαλής) Emmanuel Tzane-Bounialis, Emmanuel Zane, and Emmanuel Tzane. He was a Greek Renaissance painter. He was an author, clergyman, painter, and educator. He was the parish priest of the church of San Giorgio dei Greci. An important Greek church in Venice. He was affiliated with the Flanginian School of the Greek Confraternity in Venice. He was a prominent painter. His known works number over 130 pieces. His works can be found in public foundations, private collections, churches and monasteries in Greece. He collaborated with many artists namely Philotheos Skoufos. Both artists were members of the Cretan School. He was influenced by the Venetian school. Emmanuel's brothers were famous painter Konstantinos Tzanes and poet Marinos Tzanes. His most popular work is ''The Holy Towel'' finished in 1659. History Tzanes was born in Rethymno, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Mark's Basilica
The Patriarchal Cathedral Basilica of Saint Mark ( it, Basilica Cattedrale Patriarcale di San Marco), commonly known as St Mark's Basilica ( it, Basilica di San Marco; vec, Baxéłega de San Marco), is the cathedral church of the Catholic Church, Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello (church), San Pietro di Castello. It is dedicated to and holds the Relic#Christianity, relics of Mark the Evangelist, Saint Mark the Evangelist, the patron saint of the city. The church is located on the eastern end of Piazza San Marco, Saint Mark's Square, the former political and religious centre of the Republic of Venice, and is attached to the Doge's Palace. Prior to the Fall of the Republic of Venice, fall of the republic in 1797, it was the chapel of the Doge of Venice, Doge and was subject to his jurisdiction, with the concurrence of the procurators of Saint Mark ''de supra' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Emmanuel Tzanes
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cretan Renaissance Paintings
Crete ( el, Κρήτη, translit=, Modern: , Ancient: ) is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, and Corsica. Crete rests about south of the Greek mainland, and about southwest of Anatolia. Crete has an area of and a coastline of 1,046 km (650 mi). It bounds the southern border of the Aegean Sea, with the Sea of Crete (or North Cretan Sea) to the north and the Libyan Sea (or South Cretan Sea) to the south. Crete and a number of islands and islets that surround it constitute the Region of Crete ( el, Περιφέρεια Κρήτης, links=no), which is the southernmost of the 13 top-level administrative units of Greece, and the fifth most populous of Greece's regions. Its capital and largest city is Heraklion, on the north shore of the island. , the region had a population of 636,504. The Dodecanese are located to the nort ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In Greece
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, landscape painting), Photorealism, pho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
17th-century Paintings
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French '' Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings Depicting Mark The Evangelist
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Incredulity Of Saint Thomas (Tzanes)
''The Incredulity of Saint Thomas'' is a tempera painting created by Greek painter Emmanuel Tzanes. Tzanes features a catalog of artwork numbering over one hundred works. He was one of the most prolific artists of the 1600s painting in Crete, Corfu, and Venice. His two brothers Marinos Tzanes and Konstantinos Tzanes were also famous painters but Marinos is more well known for his famous poem ''The Cretan War (O Kritikos Polemos) ''. All three artists were members of the Late Cretan School and early Heptanese School (painting) they were known for participating in the movement that integrated Flemish engravings into the Greek and Italian art world. According to the account of the Gospel of John; the Apostle Thomas doubted to believe the resurrection of Jesus Christ without direct personal experience. He did not believe the resurrected Jesus appeared to the ten other apostles until he could see and feel Jesus' crucifixion wounds. In the story the Apostle Thomas is known as Doub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cangiante
According to the theory of the art historian Marcia B. Hall, which has gained considerable acceptance, ''cangiante'' is one of the canonical painting modes of the Renaissance; i.e. one of the four modes of painting colours available to Italian High Renaissance painters, along with sfumato, chiaroscuro and unione. The word itself derives from the Italian ''cangiare'' ("to change"). ''Cangiante'' is characterized by a change in color necessitated by an original color's darkness or lightness limitation. For example, when painting shadows on a yellow object, the artist may use a red color simply because the yellow paint cannot be made dark enough. There are other methods of rendering shadows or highlights (for example, mixing the original hue with black or brown), but these can render the shadow color dull and impure. During the Renaissance, the variety and availability of paint colors were severely limited. The greatest practitioner of the ''cangiante'' technique was Michelangelo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wedding At Cana (Damaskinos)
''Wedding at Cana'' also known as ''Wedding Feast at Cana'' and ''Le Nozze di Cana'' is an oil painting by Michael Damaskinos. He was active during the second half of the 16th century in Heraklion, Sicily, Venice, and different parts of Italy. Over 100 works are attributed to the artist. Most of his work resembled the Greek mannerisms prevalent at the time also known as maniera greca. He was clearly influenced by Venetian painting. His version of the '' Wedding at Cana'' was a copy of Tintoretto's massive painting of the Wedding Feast at Cana. The monumental canvas was 4.4 m x 5.9 m or 14.4 ft x 19.3 ft. The painting was originally in the dining hall (refectory) of the convent of the Crociferi in Venice. Refectories typically featured large paintings of biblical banquet scenes. The monks preferred biblical banquet scenes because they desired the impression of dining with Christ. Damaskinos probably saw the painting at the convent or a copy of the masterpiece in Ven ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Last Supper (Damaskinos)
The Last Supper is a tempera painting by Greek painter Michael Damaskinos. He painted in Heraklion, Sicily, Venice, and other parts of Italy. His painting of the Last Supper is considered the Greek Last Supper and is comparative to Leonardo da Vinci's masterpiece painted one hundred years prior. The two painters employed different painting styles but the subjects pose similarities. Damaskinos's painting features a feminine figure similar to that of Leonardo da Vinci's The Last Supper. The Damaskinos Last Supper is now in the Monastery of Agia Aikaterini in Heraklion, Crete. It is part of the collection of Saint Catherine's Monastery near Mount Sinai, Egypt.* Description The work is egg tempera on wood with dimensions of 109 cm x 84 cm x 2.8 cm (42.9 in x 33.1 in x 1.1 in). It was created towards the end of the 16th century. Jesus is at the center of the painting. Above Jesus are four angels holding a cross. A Greek inscription reading the Last Supper (Ο ΔΕΙΠ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Damaskinos
Michael Damaskenos or Michail Damaskenos ( el, Μιχαήλ Δαμασκηνός, 1530/35–1592/93) was a leading post-Byzantine Cretan painter. He is a major representative of the Cretan School of painting that flourished in the 16th and 17th centuries. Painters Georgios Klontzas and Damaskenos were major contributors to the Cretan School during the same period. Damaskinos traveled all over the Venetian Empire painting. He remained loyal to his Greek roots stylistically but incorporated some Italian elements in his work. He was strongly influenced by the Venetian school. He painted parts of the Cathedral of San Giorgio dei Greci. Damaskenos has 100 known works. He influenced the works of Theodore Poulakis. Life and work Damaskinos was born in Candia (Herakleion), his father was George Damaskinos. According to legend, Damaskinos spent some time living and working in Vrontisi Monastery, where six of his icons were kept until 1800. Damaskinos moved to Venice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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