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Saint Jerome In His Study (Domenico Ghirlandaio)
''Saint Jerome in His Study'' is a fresco by the Italian Renaissance painter Domenico Ghirlandaio, executed in 1480 and located in the church of Ognissanti, Florence. The work was commissioned by the Vespucci family together with a '' Saint Augustine in His Study'' by Sandro Botticelli (1480). Both depicted two Doctors of the Church in their studies, with a number of objects which should mark their role as precursors of humanism. They decorated the area next to the choir, which was demolished in the 18th century. In that occasion the two frescoes were removed and placed in the nave. Part of the annexed frame and the inscriptions were lost. Description While Botticelli adopted a more expressive composition in his ''Saint Augustine'' (inspired by Andrea del Castagno's works), Ghirlandaio created a more serene and conventional figure, concentrating instead on the still life of the objects exposed on the writing desk and the shelves behind Jerome. In this, he was perhaps inspired ...
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Domenico Ghirlandaio
Domenico di Tommaso Curradi di Doffo Bigordi (, , ; 2 June 1448 – 11 January 1494), professionally known as Domenico Ghirlandaio, also spelled as Ghirlandajo, was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio led a large and efficient workshop that included his brothers Davide Ghirlandaio and Benedetto Ghirlandaio, his brother-in-law Bastiano Mainardi from San Gimignano, and later his son Ridolfo Ghirlandaio. Many apprentices passed through Ghirlandaio's workshop, including the famous Michelangelo. His particular talent lay in his ability to posit depictions of contemporary life and portraits of contemporary people within the context of religious narratives, bringing him great popularity and many large commissions.Toman, Rolf Life and works Early years Ghirlandaio was born Domenico di Tommaso di ...
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Saint Jerome In His Study (van Eyck)
''Saint Jerome in His Study'' is an oil painting on panel attributed to the workshop of the early Netherlandish painter Jan van Eyck, dated to 1442 (the year after the master's death) and now in the Detroit Institute of Arts, Detroit. History Since the date on the painting is subsequent to Jan van Eyck's death (June 1441), it is likely that the work, left unfinished, had been completed by members of his workshop, or his brother Lambert. A work with a similar subject is mentioned in the inventories of Palazzo Medici in Florence, which had been drawn up after the death of Lorenzo de' Medici in 1492. Even if not the work now at Detroit, this could have been the latter's prototype, since the painting is not unanimously attributed to van Eyck. There are indeed striking similarities between this work and Domenico Ghirlandaio's ''Saint Jerome in His Study'' (1480). Description The painting depicts Saint Jerome in the traditional representation inside his study. He wears a cardi ...
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Paintings Of Jerome
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Paintings By Domenico Ghirlandaio
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ...
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1480 Paintings
148 may refer to: *148 (number), a natural number *AD 148, a year in the 2nd century AD *148 BC, a year in the 2nd century BC *148 (album), an album by C418 *148 (Meiktila) Battery Royal Artillery *148 (New Jersey bus) See also * List of highways numbered 148 The following highways are numbered 148: Argentina * National Route 148 (Argentina), National Route 148 Canada * New Brunswick Route 148 * Ontario Highway 148 * Prince Edward Island Route 148 * Quebec Route 148 Costa Rica * National Route 148 ( ...
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Cardinal Hat
A (plural: ; from la, galērum, originally connotating a helmet made of skins; cf. '' galea'') is a broad-brimmed hat with tasselated strings which was worn by clergy in the Catholic Church. Over the centuries, the red ''galero'' was restricted to use by individual cardinals while such other colors as black, green and violet were reserved to clergy of other ranks and styles. Description When creating a cardinal, the pope used to place a scarlet ''galero'' on the new cardinal's head in consistory, the practice giving rise to the phrase "receiving the red hat." In 1969, Pope Paul VI issued a decree ending the use of the ''galero''. Since that time, only the scarlet ''zucchetto'' and ''biretta'' are placed over the heads of cardinals during the papal consistory. Some cardinals continue to obtain a ''galero'' privately so that the custom of suspending it over their tombs may be observed. Raymond Cardinal Burke has been known to publicly wear the ''galero'' on occasion in the 21s ...
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Flemish Painting
Flemish painting flourished from the early 15th century until the 17th century, gradually becoming distinct from the painting of the rest of the Low Countries, especially the modern Netherlands. In the early period, up to about 1520, the painting of the whole area is (especially in the Anglophone world) typically considered as a whole, as Early Netherlandish painting. This was dominated by the Flemish south, but painters from the north were also important. Dutch and Flemish Renaissance painting, of which Antwerp became the centre, covers the period up to about 1580 or later, by the end of which the north and south Netherlands had become politically separated. Flemish Baroque painting was especially important in the first half of the 17th century, dominated by Rubens. In theory the term does not refer to modern Flanders but to the County of Flanders and neighbouring areas of the Low Countries such as the Tournaisis and Duchy of Brabant. However this distinction, well understoo ...
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Bible
The Bible (from Koine Greek , , 'the books') is a collection of religious texts or scriptures that are held to be sacred in Christianity, Judaism, Samaritanism, and many other religions. The Bible is an anthologya compilation of texts of a variety of forms originally written in Hebrew, Aramaic, and Koine Greek. These texts include instructions, stories, poetry, and prophecies, among other genres. The collection of materials that are accepted as part of the Bible by a particular religious tradition or community is called a biblical canon. Believers in the Bible generally consider it to be a product of divine inspiration, but the way they understand what that means and interpret the text can vary. The religious texts were compiled by different religious communities into various official collections. The earliest contained the first five books of the Bible. It is called the Torah in Hebrew and the Pentateuch (meaning ''five books'') in Greek; the second oldest part wa ...
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Hebrew Alphabet
The Hebrew alphabet ( he, אָלֶף־בֵּית עִבְרִי, ), known variously by scholars as the Ktav Ashuri, Jewish script, square script and block script, is an abjad script used in the writing of the Hebrew language and other Jewish languages, most notably Yiddish, Ladino, Judeo-Arabic, and Judeo-Persian. It is also used informally in Israel to write Levantine Arabic, especially among Druze. It is an offshoot of the Imperial Aramaic alphabet, which flourished during the Achaemenid Empire and which itself derives from the Phoenician alphabet. Historically, two separate abjad scripts have been used to write Hebrew. The original, old Hebrew script, known as the paleo-Hebrew alphabet, has been largely preserved in a variant form as the Samaritan alphabet. The present "Jewish script" or "square script", on the contrary, is a stylized form of the Aramaic alphabet and was technically known by Jewish sages as Ktav Ashuri, Ashurit (lit. "Assyrian script"), since its o ...
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Greek Alphabet
The Greek alphabet has been used to write the Greek language since the late 9th or early 8th century BCE. It is derived from the earlier Phoenician alphabet, and was the earliest known alphabetic script to have distinct letters for vowels as well as consonants. In Archaic and early Classical times, the Greek alphabet existed in many local variants, but, by the end of the 4th century BCE, the Euclidean alphabet, with 24 letters, ordered from alpha to omega, had become standard and it is this version that is still used for Greek writing today. The uppercase and lowercase forms of the 24 letters are: : , , , , , , , , , , , , , , , , , /ς, , , , , , . The Greek alphabet is the ancestor of the Latin and Cyrillic scripts. Like Latin and Cyrillic, Greek originally had only a single form of each letter; it developed the letter case distinction between uppercase and lowercase in parallel with Latin during the modern era. Sound values and conventional transcriptions for some ...
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Lorenzo De' Medici
Lorenzo di Piero de' Medici (; 1 January 1449 – 8 April 1492) was an Italian statesman, banker, ''de facto'' ruler of the Florentine Republic and the most powerful and enthusiastic patron of Renaissance culture in Italy. Also known as Lorenzo the Magnificent (''Lorenzo il Magnifico'' ) by contemporary Florentines, he was a magnate, diplomat, politician and patron of scholars, artists, and poets. As a patron, he is best known for his sponsorship of artists such as Botticelli and Michelangelo. He held the balance of power within the Italic League, an alliance of states that stabilized political conditions on the Italian peninsula for decades, and his life coincided with the mature phase of the Italian Renaissance and the Golden Age of Florence. On the foreign policy front, Lorenzo manifested a clear plan to stem the territorial ambitions of Pope Sixtus IV, in the name of the balance of the Italian League of 1454. For these reasons, Lorenzo was the subject of the Pazzi conspir ...
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Jan Van Eyck
Jan van Eyck ( , ; – July 9, 1441) was a painter active in Bruges who was one of the early innovators of what became known as Early Netherlandish painting, and one of the most significant representatives of Early Northern Renaissance art. According to Vasari and other art historians including Ernst Gombrich, he invented oil painting, Gombrich, The Story of Art, page 240 though most now regard that claim as an oversimplification. The surviving records indicate that he was born around 1380 or 1390, most likely in Maaseik (then Maaseyck, hence his name), Limburg (Belgium), Limburg, which is located in present-day Belgium. He took employment in The Hague around 1422, when he was already a master painter with workshop assistants, and was employed as painter and ''valet de chambre'' to John III, Duke of Bavaria, John III the Pitiless, ruler of the counties of County of Holland, Holland and County of Hainaut, Hainaut. After John's death in 1425, he was later appointed as court pa ...
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