Saint Calminius Reliquary
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Saint Calminius Reliquary
Saint Calminius, also known as Saint Calmin, founded three French abbeys in the 6th or 7th centuries AD: Mozac Abbey, in Puy-de-Dôme; Laguenne Abbey (near Tulle, Corrèze) and the abbey of Monastier-Saint-Chaffre. His Saint's day is August 19. His widow, Saint Namadie (Latin: ''Namadia''), became a nun at Marsat. Their remains were conserved in the abbey church at Mozac in the 12th-century Saint Calminius Reliquary. Biography The Life of Saint Calmin is more a literary document than an historical record, in order to embellish the past of the founder of the Abbey of Mozac. By glorifying Saint Calmin, the fame of the monastery is strengthened. His hagiographer seems to have exaggerated the titles of the founder of the abbey of Mozac. Indeed, the duchy of Aquitaine was later constituted in the 9th century. In the same way, the title of Count of Auvergne does not appear until around 980. Calminius is descended from a family of Roman origin who came to settle in Clermont. He holds ...
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Roman Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the largest Christian church, with 1.3 billion baptized Catholics worldwide . It is among the world's oldest and largest international institutions, and has played a prominent role in the history and development of Western civilization.O'Collins, p. v (preface). The church consists of 24 ''sui iuris'' churches, including the Latin Church and 23 Eastern Catholic Churches, which comprise almost 3,500 dioceses and eparchies located around the world. The pope, who is the bishop of Rome, is the chief pastor of the church. The bishopric of Rome, known as the Holy See, is the central governing authority of the church. The administrative body of the Holy See, the Roman Curia, has its principal offices in Vatican City, a small enclave of the Italian city of Rome, of which the pope is head of state. The core beliefs of Catholicism are found in the Nicene Creed. The Catholic Church teaches that it is th ...
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Crucifixion Châsse Saint Calmin Mozac
Crucifixion is a method of capital punishment in which the victim is tied or nailed to a large wooden cross or beam and left to hang until eventual death from exhaustion and asphyxiation. It was used as a punishment by the Persians, Carthaginians and Romans, among others. Crucifixion has been used in parts of the world as recently as the twentieth century. The crucifixion of Jesus of Nazareth is central to Christianity, and the cross (sometimes depicting Jesus nailed to it) is the main religious symbol for many Christian churches. Terminology Ancient Greek has two verbs for crucify: (), from (which in today's Greek only means "cross" but which in antiquity was used of any kind of wooden pole, pointed or blunt, bare or with attachments) and () "crucify on a plank", together with ( "impale"). In earlier pre-Roman Greek texts usually means "impale". The Greek used in the Christian New Testament uses four verbs, three of them based upon (), usually translated "cross". T ...
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Bibliothèque Nationale De France
The Bibliothèque nationale de France (, 'National Library of France'; BnF) is the national library of France, located in Paris on two main sites known respectively as ''Richelieu'' and ''François-Mitterrand''. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum (formerly known as the ) on the Richelieu site. The National Library of France is a public establishment under the supervision of the Ministry of Culture. Its mission is to constitute collections, especially the copies of works published in France that must, by law, be deposited there, conserve them, and make them available to the public. It produces a reference catalogue, cooperates with other national and international establishments, and participates in research programs. History The National Library of France traces its origin to the royal library founded at t ...
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Musée Dobrée
The Musée Dobrée is a museum in Nantes, in the quartier Graslin in the immediate outskirts of the city centre and very close to the city's Natural history museum of Nantes, Natural History Museum. It was given to the city by Thomas Dobrée (13 August 1810 – 1895) and now belongs to the General councils (France), Conseil général de la Loire-Atlantique. In January 2010, the Conseil général began a project to restructure and modernise the museum, which is planned for completion in 2023. The Palais Dobrée From an old Huguenot family which had originated in Normandy before moving to Guernsey in the 16th century, whose other members became businessmen and arms-bearers in Nantes, Thomas Dobrée found himself with a large fortune at a young age. He then abandoned business aged 28 to collect artworks for 64 years of his life. From 1862, he devoted himself to building his 'palais', to house the over 10,000 objets d'art which he had spent his life collecting. His collections were pa ...
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French Revolution
The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considered fundamental principles of liberal democracy, while phrases like ''liberté, égalité, fraternité'' reappeared in other revolts, such as the 1917 Russian Revolution, and inspired campaigns for the abolition of slavery and universal suffrage. The values and institutions it created dominate French politics to this day. Its causes are generally agreed to be a combination of social, political and economic factors, which the ''Ancien Régime'' proved unable to manage. In May 1789, widespread social distress led to the convocation of the Estates General, which was converted into a National Assembly in June. Continuing unrest culminated in the Storming of the Bastille on 14 July, which led to a series of radical measures by the Assembly, i ...
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Champlevé Enamel
Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or Casting (metalworking), cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled the surface of the object is polished. The uncarved portions of the original surface remain visible as a frame for the enamel designs; typically they are gilded in medieval work. The name comes from the French for "raised field", "field" meaning background, though the technique in practice lowers the area to be enamelled rather than raising the rest of the surface. The technique has been used since ancient times, though it is no longer among the most commonly used enamelling techniques. Champlevé is suited to the covering of relatively large areas, and to figurative images, although it was first prominently used in Celtic art for geometric designs. In Romanesque ...
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Limoges Enamel
Limoges enamel has been produced at Limoges, in south-western France, over several centuries up to the present. There are two periods when it was of European importance. From the 12th century to 1370 there was a large industry producing metal objects decorated in enamel using the champlevé technique, of which most of the survivals (estimated at around 7,500 pieces), and probably most of the original production, are religious objects such as reliquaries. After a gap of a century, the industry revived in the late 15th century, now specializing in the technique of painted enamel, and within a few decades making rather more secular than religious pieces. In the French Renaissance it was the leading centre, with several dynastic workshops, who often signed or punchmarked their work. Luxury pieces such as plates, plaques and ewers were painted with sophisticated Mannerist decoration of pictorial figure scenes, which on vessels were surrounded by elaborate borders. In both periods ...
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Choir (architecture)
A choir, also sometimes called quire, is the area of a church or cathedral that provides seating for the clergy and church choir. It is in the western part of the chancel, between the nave and the sanctuary, which houses the altar and Church tabernacle. In larger medieval churches it contained choir-stalls, seating aligned with the side of the church, so at right-angles to the seating for the congregation in the nave. Smaller medieval churches may not have a choir in the architectural sense at all, and they are often lacking in churches built by all denominations after the Protestant Reformation, though the Gothic Revival revived them as a distinct feature. As an architectural term "choir" remains distinct from the actual location of any singing choir – these may be located in various places, and often sing from a choir-loft, often over the door at the liturgical western end. In modern churches, the choir may be located centrally behind the altar, or the pulpit. The back-choir ...
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Transept
A transept (with two semitransepts) is a transverse part of any building, which lies across the main body of the building. In cruciform churches, a transept is an area set crosswise to the nave in a cruciform ("cross-shaped") building within the Romanesque and Gothic Christian church architectural traditions. Each half of a transept is known as a semitransept. Description The transept of a church separates the nave from the sanctuary, apse, choir, chevet, presbytery, or chancel. The transepts cross the nave at the crossing, which belongs equally to the main nave axis and to the transept. Upon its four piers, the crossing may support a spire (e.g., Salisbury Cathedral), a central tower (e.g., Gloucester Cathedral) or a crossing dome (e.g., St Paul's Cathedral). Since the altar is usually located at the east end of a church, a transept extends to the north and south. The north and south end walls often hold decorated windows of stained glass, such as rose windows, in sto ...
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Champlevé
Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or Casting (metalworking), cast into the surface of a metal object, and filled with vitreous enamel. The piece is then fired until the enamel fuses, and when cooled the surface of the object is polished. The uncarved portions of the original surface remain visible as a frame for the enamel designs; typically they are gilded in medieval work. The name comes from the French for "raised field", "field" meaning background, though the technique in practice lowers the area to be enamelled rather than raising the rest of the surface. The technique has been used since ancient times, though it is no longer among the most commonly used enamelling techniques. Champlevé is suited to the covering of relatively large areas, and to figurative images, although it was first prominently used in Celtic art for geometric designs. In Romanesq ...
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Reliquary
A reliquary (also referred to as a ''shrine'', by the French term ''châsse'', and historically including ''wikt:phylactery, phylacteries'') is a container for relics. A portable reliquary may be called a ''fereter'', and a chapel in which it is housed a ''feretory''. Relics may be the purported or actual physical remains of saints, such as bones, pieces of clothing, or some object associated with saints or other religious figures. The authenticity of any given relic is often a matter of debate; it is for that reason, some churches require documentation of the relic's provenance. Relics have long been important to Buddhism, Buddhists, Christianity, Christians, Hinduism, Hindus and to followers of many other religions. In these cultures, reliquaries are often presented in shrines, churches, or temples to which the faithful make pilgrimages in order to gain blessings. The term is sometimes used loosely of containers for the body parts of non-religious figures; in particular the ...
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Chasse (casket)
A chasse, châsse or box reliquary is a shape commonly used in medieval metalwork for reliquaries and other containers. To the modern eye the form resembles a house, though a tomb or church was more the intention,Distelberger, 21 with an oblong base, straight sides and two sloping top faces meeting at a central ridge, often marked by a raised strip and decoration. From the sides there are therefore triangular "gable" areas. The casket usually stands on straight stumpy feet, and there is a hinged opening to allow access, either one of the panels, but not on the front face, or the wooden bottom; there is usually a lock. The shape possibly developed from a similar shape of sarcophagus that goes back to Etruscan art, or from Early Medieval Insular art, where there are a number of house-shaped shrines, reliquaries or cumdachs ("book-shrines"), with similar shapes. The Monymusk Reliquary is typical of these, having four sloping panels above, so no "gables". A 13th-century examp ...
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