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Saint-Cloud Porcelain
Saint-Cloud porcelain was a type of soft-paste porcelain produced in the French town of Saint-Cloud from the late 17th to the mid 18th century. Foundation In 1702, Philippe I, Duke of Orléans gave letters-patent to the family of Pierre Chicaneau, who were said to have been making porcelain as "perfect as the Chinese" since 1693. Chicaneau's factory was a pioneer in the manufacture of porcelain in Europe, where there had been many attempts to copy Chinese porcelain. Saint-Cloud developed a frit ("a mixture of a flux, sand and chalk") which was close, although not similar, to Asian porcelain. Blue-and-white porcelain The porcelain produced in Saint-Cloud was influenced by late Ming blue and white porcelain and its motifs were based on Chinese originals. The typical underglaze blue painted Saint-Cloud porcelain, says W.B. Honey, "is one of the most distinct and attractive of porcelains, and not the least part of its charm lies in the quality of the material itself. It is rarely ...
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Soft-paste Porcelain
Soft-paste porcelain (sometimes simply "soft paste", or "artificial porcelain") is a type of ceramic material in pottery, usually accepted as a type of porcelain. It is weaker than "true" hard-paste porcelain, and does not require either the high firing temperatures or the special mineral ingredients needed for that. There are many types, using a range of materials. The material originated in the attempts by many European potters to replicate hard-paste Chinese export porcelain, especially in the 18th century, and the best versions match hard-paste in whiteness and translucency, but not in strength. But the look and feel of the material can be highly attractive, and it can take painted decoration very well. The ingredients varied considerably, but always included clay, often ball clay, and often ground glass, bone ash, soapstone (steatite), flint, and quartz. They rarely included the key ingredients necessary for hard-paste, china clay including kaolin, or the English china stone, ...
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Arita Porcelain
is a broad term for Japanese porcelain made in the area around the town of Arita, in the former Hizen Province, northwestern Kyūshū island. It is also known as after the wider area of the province. This was the area where the great majority of early Japanese porcelain, especially Japanese export porcelain, was made. In English usage "Arita ware" was traditionally used for the export wares in blue and white porcelain, mostly copying Chinese styles. The wares with added overglaze colours were called Imari ware or (a sub-group) Kakiemon. It is now recognized that the same kilns often made more than one of these types, and "Arita ware" is more often used as a term for all of them. The brightly coloured Kutani ware is another type that is now recognised as coming from around Arita as well as the Kutani itself, and "Kutani-type" is used as a stylistic description. History According to tradition, the Korean potter Yi Sam-pyeong (d. 1655), or ''Kanagae Sanbee'' (), is often ...
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Ceramics Manufacturers Of France
A ceramic is any of the various hard, brittle, heat-resistant and corrosion-resistant materials made by shaping and then firing an inorganic, nonmetallic material, such as clay, at a high temperature. Common examples are earthenware, porcelain, and brick. The earliest ceramics made by humans were pottery objects (''pots,'' ''vessels or vases'') or figurines made from clay, either by itself or mixed with other materials like silica, hardened and sintered in fire. Later, ceramics were glazed and fired to create smooth, colored surfaces, decreasing porosity through the use of glassy, amorphous ceramic coatings on top of the crystalline ceramic substrates. Ceramics now include domestic, industrial and building products, as well as a wide range of materials developed for use in advanced ceramic engineering, such as in semiconductors. The word "''ceramic''" comes from the Greek word (), "of pottery" or "for pottery", from (), "potter's clay, tile, pottery". The earliest known men ...
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Faber And Faber
Faber and Faber Limited, usually abbreviated to Faber, is an independent publishing house in London. Published authors and poets include T. S. Eliot (an early Faber editor and director), W. H. Auden, Margaret Storey, William Golding, Samuel Beckett, Philip Larkin, Ted Hughes, Seamus Heaney, Paul Muldoon, Milan Kundera, and Kazuo Ishiguro. Founded in 1929, in 2006 the company was named the KPMG Publisher of the Year. Faber and Faber Inc., formerly the American branch of the London company, was sold in 1998 to the Holtzbrinck company Farrar, Straus and Giroux (FSG). Faber and Faber ended the partnership with FSG in 2015 and began distributing its books directly in the United States. History Faber and Faber began as a firm in 1929, but originates in the Scientific Press, owned by Sir Maurice and Lady Gwyer. The Scientific Press derived much of its income from the weekly magazine ''The Nursing Mirror.'' The Gwyers' desire to expand into trade publishing led them to Geoffrey Fab ...
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Orientalism In Early Modern France
Orientalism in early modern France refers to the interaction of pre-modern France with the Orient, and especially the cultural, scientific, artistic and intellectual impact of these interactions, ranging from the academic field of Oriental studies to Orientalism in fashions in the decorative arts. Early study of Oriental languages The first attempts to Oriental studies, study oriental languages were made by the Church in Rome, with the establishment of the ''Studia Linguarum'' in order to help the Dominicans liberate Christian captives in Islamic lands. The first school was established in Tunis by Raymond Penaforte in the 12th and early 13th century.McCabe, p.29 In 1311, the Council of Vienne decided to create schools for the study of oriental languages in the universities of Paris, Bologna, Oxford, Salamanca and Rome. The first Orientalist, Guillaume Postel (1536) From the 16th century, the study of oriental languages and cultures was progressively transferred from religio ...
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Chantilly Porcelain
Chantilly porcelain is French soft-paste porcelain produced between 1730 and 1800 by the manufactory of Chantilly in Oise, France. The wares are usually divided into three periods, 1730-51, 1751-1760, and a gradual decline from 1760 to 1800. The factory made table and tea wares, small vases, and some figures, these all of Orientals. Foundation Outbuildings were purchased in March 1730 on the banks of the small river Nonette near the extensive park of his château de Chantilly by Louis Henri de Bourbon, prince de Condé, the prince of the blood exiled from Court, who founded the factory. At this period, the capital investment required for establishing a porcelain manufactory was so extensive that a royal or aristocratic patron was essential; only in Britain was early porcelain manufacture capitalized by the merchant class. The elite wares of Chantilly were intended to compete with Saint-Cloud porcelain, a pioneer among French soft-paste porcelain manufactures, and other smal ...
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Vincennes Porcelain
The Vincennes porcelain manufactory was established in 1740 in the disused royal Château de Vincennes, in Vincennes, east of Paris, which was from the start the main market for its wares. History The entrepreneur in charge at first, Claude-Humbert Gérin, established workshops and employed craftsmen from the Chantilly manufactory, whose patron, the duc de Bourbon, had recently died. Notable defectors from Chantilly were the debt-ridden brothers Gilles and Robert Dubois, one a sculptor, the other a painter. When early trial pieces were shown to the marquis du Châtelet, he arranged with Orry de Fulvy, brother of a superintendent of royal buildings, that a factory be set up in the premises of the disused royal château to manufacture a brilliantly white soft-paste porcelain. The Chinese manufacturing secrets for porcelain manufacturing were revealed by the Jesuit Father Francois Xavier d'Entrecolles in 1712, and openly published in 1735. One ingredient for porcelain was kaolin ...
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Saint-Cloud Soft Paste Porcelain 1720 1740
Saint-Cloud () is a commune in the western suburbs of Paris, France, from the centre of Paris. Like other communes of Hauts-de-Seine such as Marnes-la-Coquette, Neuilly-sur-Seine and Vaucresson, Saint-Cloud is one of France's wealthiest towns, with the second-highest average household income of communities with 10,000 to 50,000 households. In 2019, it had a population of 30,012. History The town is named after Clodoald, grandson of Clovis, who is supposed to have sought refuge in a hamlet on the Seine near Paris, then named Novigentum, like many other newly founded mercantile settlements outside the traditional towns. After he was canonized, the village where his tomb was located took the name of Sanctus Clodoaldus. A park contains the ruins of the Château de Saint-Cloud, built in 1572 and destroyed by fire in 1870 during the Franco-Prussian War. The château was the residence of several French rulers and served as the main country residence of the cadet Orléans line u ...
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Famille Verte
Famille jaune, noire, rose, verte are terms used in the West to classify Chinese porcelain of the Qing dynasty by the dominant colour of its enamel palette. These wares were initially grouped under the French names of ("green family"), and (pink family) by Albert Jacquemart in 1862. The other terms (yellow) and (black) may have been introduced later by dealers or collectors and they are generally considered subcategories of ''famille verte''. ''Famille verte'' porcelain was produced mainly during the Kangxi era, while ''famille rose'' porcelain was popular in the 18th and 19th century. Much of the Chinese production was Jingdezhen porcelain, and a large proportion were made for export to the West, but some of the finest were made for the Imperial court. Famille verte ''Famille verte'' (康熙五彩, ''Kangxi wucai'', also 素三彩, ''Susancai''), adopted in the Kangxi period around 1680, uses green in a few different shades and iron red with other overglaze colours. It dev ...
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Spitting Bowl
Spitting is the act of forcibly ejecting saliva or other substances from the mouth. The act is often done to get rid of unwanted or foul-tasting substances in the mouth, or to get rid of a large buildup of mucus. Spitting of small saliva droplets can also happen unintentionally during talking, especially when articulating ejective and implosive consonants. Spitting in public is currently considered rude and a social taboo in many parts of the world including the West, while in some other parts of the world it is considered more socially acceptable. Spitting upon another person, especially onto the face, is a global sign of anger, hatred, disrespect or contempt. It can represent a "symbolical regurgitation" or an act of intentional contamination. In the Western world Social attitudes towards spitting have changed greatly in Western Europe since the Middle Ages. Then, frequent spitting was part of everyday life, and at all levels of society, it was thought ill-mannered to ...
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Famille Rose
Famille rose (French for "pink family") is a type of Chinese porcelain introduced in the 18th century and defined by the presence of pink colour overglaze enamel. It is a Western classification for Qing dynasty porcelain known in Chinese by various terms: ''fencai'', ''ruancai'', ''yangcai'', and ''falangcai''. The colour palette is thought to have been introduced in China during the reign of Kangxi (1654–1722) by Western Jesuits who worked at the palace, but perfected only in the Yongzheng era when the finest pieces were made. Although ''famille rose'' is named after its pink coloured enamel, the colour may actually range from pale pink to deep ruby. Apart from pink, a range of other soft colour palettes are also used in ''famille rose''. The gradation of colours was produced by mixing coloured enamels with 'glassy white' (玻璃白, ''boli bai''), an opaque white enamel (lead arsenate), and its range of colour was further extended by mixing different colours. Famille ros ...
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Soft Porcelain
Soft-paste porcelain (sometimes simply "soft paste", or "artificial porcelain") is a type of ceramic material in pottery, usually accepted as a type of porcelain. It is weaker than "true" hard-paste porcelain, and does not require either the high firing temperatures or the special mineral ingredients needed for that. There are many types, using a range of materials. The material originated in the attempts by many European potters to replicate hard-paste Chinese export porcelain, especially in the 18th century, and the best versions match hard-paste in whiteness and translucency, but not in strength. But the look and feel of the material can be highly attractive, and it can take painted decoration very well. The ingredients varied considerably, but always included clay, often ball clay, and often ground glass, bone ash, soapstone (steatite), flint, and quartz. They rarely included the key ingredients necessary for hard-paste, china clay including kaolin, or the English china stone, ...
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